A Tartaruga e a Lebre

Just watched this Oscar-winning animated short on YouTube. Based on the classic Aesop Fable, the obnoxious hare challenges the shy tortoise to a relay race. If you're familiar with the tale, you know how it goes but this being animated, you get the hare causing some wind to blow as well as him stopping to chat up some feminine admirer fans while the tortoise keeps going. There are some amusing gags but nothing hilarious. Still, this was a pretty exciting cartoon from Walt Disney's Silly Symphonies and it spawned a sequel-Toby Tortoise Returns-that I did think was hilarious. Oh, and it's easy to see why Frank Tashlin thought the hare-eventually called Max in the sequel-was the inspiration for Warner Bros.' Bugs Bunny. So for all that, I highly recommend The Tortoise and the Hare. P.S. I first saw some of these scenes when The Disney Channel presented on their "DTV" program their version of The Doobie Brothers' "It Keeps You Running" with this as well as other Disney cartoon scenes for the music video.

What can I say, brilliant! It is funny, original and fast paced. Adapted from the Aesop fable, it deals with overconfidence and perseverance in the way only Disney can do, and at no time does it preach. The Technicolour animation is very very good, and the music was just wonderful. The little rabbits were adorable, and both the tortoise and the hare(who I admit is a bit of a jerk) are great with great personalities that positively shine through here. There is an irreverent script, and although the pace is very fast, it is a hugely enjoyable silly symphony, that keeps true to the original fable, and in the meantime putting its own irreverent spin on it. Time to give it the standing ovation it deserves. 10/10 Bethany Cox

There's not much to say about this cartoon. I guess it's the original underdog tale. It doesn't expand upon the fable and presents the story in its most basic form.

A tortoise and a hare have a race, viewed by a large audience. The dull-witted tortoise seems no match for the cocky, over-confident hare. But when the race actually begins the hare is too busy with distractions while the tortoise focuses on winning.

It may be a cautionary tale on never straying or deviating from following your dreams. Never accept what is and always chase what can be.

Apparently the design of the hare was an inspiration on the design of Bugs Bunny, I character I like much better.

The hare emerges from his tent like a boxing champion, the tortoise more like a lethargic geriatric - and the entire crowd assume this is a fait-accompli. Racing away, the hare even stops for a nap. His opponent politely tip-toes past him, only for him to be easily overtaken again and this time allowing the complacent hare time to flirt with some bunny girls watching from a wall, generally taking his victory as assured. He even plays himself at baseball and tennis and generally just shows off! Meantime, with just yards to go, the tortoise is approaching the finish line so the hare has to get a move on - else the unthinkable might happen! It's quickly paced if a little over-scored this animation, but the cocksureness of the hare and the steadfastness of the tortoise play out well in an engaging tale of never taking anything for granted - however confident you might be.

A Walt Disney SILLY SYMPHONY Cartoon Short.

THE TORTOISE AND THE HARE compete in a foot race. While Max Hare struts & smirks & shows off, Toby Tortoise keeps plodding right along...

Aesop's Fables provided the inspiration for this Academy Award winning cartoon. Max is rather insufferable, but Toby's gentle good nature provides the core of the story. This little film was followed by a sequel, TOBY TORTOISE RETURNS (1936).

The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.