O Navio Fantasma

The Mary Celeste was a real ship that was found adrift in good condition, with its cargo intact, in the Atlantic with no one aboard and no record of what happened to them. It's one of histories great mysteries of the sea. This film is very loosely based on this event but it has many of the facts wrong. The film cannot be viewed as a historically correct movie about the real Mary Celeste's voyage. As an example, the captain gets married just before they sail. In reality the Captain was married for some time and had a child that was on the voyage. The child was absent from the movie. There are many more inaccuracies. The accuracy of the personalities of the ship's crew is also very questionable. The movie has taken huge liberties with the facts. Ignoring that this is supposed to take place on the Mary Celeste, this is still a pretty good drama/mystery. I was happily surprised to find that this is one of the very early films from Hammer studios. The atmosphere and settings were great and the characters interesting. Overall the acting is good. Bela Lugosi really stands out with a great dramatic performance and is excellent in his role. The quality of the film and sound are not the greatest but acceptable considering it's age. This USA version is what remains of an earlier and longer British version which I presume is lost but it's still a decent movie. Hammer studios, Bela Lugosi, 1935, isn't that enough to have you take a look at this movie?

Denison Clift's "The Mystery Of The Mary Celeste" aka. "Phantom Ship" of 1935 is a great movie starring Bela Lugosi in a great though atypical role. Many people seem to dislike this movie and I don't really see why. Maybe some people have mixed feelings about "Phantom Ship" because Lugosi's character is not the ingenious super-villain he often played, but an unshaven and scruffy sailor. In my opinion, however, Lugosi's role not being typical doesn't downgrade his excellent performance, and "The Mystery Of The Mary Celeste" is a highly atmospheric Horror Mystery and, by the way, one of the first movies produced by the legendary Hammer Film Productions.

The fictional story, which was inspired by the tragic case of the real-life ghost-ship 'Mary Celeste', is of course not historically accurate. Some characters have the names of real-life members of the "Mary Celeste" crew, but the rest of the story is pure fiction. I don't see this as negative either, however. First of all, movies don't always have to be historically accurate to be good. Second, this movie doesn't claim historical accuracy, the beginning clearly says that the story was only inspired by the tragedy of the Mary Celeste.

The great Bela Lugosi is, once again, brilliant in his role, and some of the other cast members, such as Edmund Willard or the heavily tattooed Gunner Moir also deliver great performances."The Mystery Of The Mary Celeste" is impressively filmed, and the dark, sometimes haunting atmosphere and menacing character of the sea are excellently brought to screen. The film's musical score is also great, occasional songs sung by characters contribute to the movie's atmosphere, and the background score in some other scenes contributes to the suspense.

"The Mystery Of The Mary Celeste" is a highly atmospheric, excellently shot and vastly underrated movie. Lugosi fans can't afford to miss this. Highly Recommended! 8/10

Hammer Film Productions is famous for the production of Gothic horror during the 60s and 70s; however, way before becoming the legendary horror house, the company had a brief but brilliant encounter with the genre. The film was an ambitious entry in the horror/mystery genre starring horror icon Bela Lugosi and based on the famous case of the abandoned ship, the "Marie Celeste".

"The Mystery of the Marie Celeste" (or as it is known in the U.S., "The Phantom Ship") presents a fictional theory on the mysterious disappearance of the entire crew (complete with the captain's family) of the tragically famous ship. The plot deals with a mysterious murderer who is killing the crew one by one. Arthur Margetson is Captain Benjamin Briggs, who is taking his bride Sarah (Shirley Grey) in his tragic last trip. The crew includes Bela Lugosi and Edmund Willard among others, all of them possible victims, or killers.

The film is very well done for a low budget, and it is very well written, with very interesting characters and a perfectly crafted mystery. Sadly, several minutes of film were cut for the American release and it's the only version that has survived. The original British version (with a runtime of approximately 80 minutes) is apparently lost. The movie still works with the cuts, but one is left to wonder how deep the development of the characters was in the original.

Director Denison Clift had a small career as a director (he was primarily a writer), but he manages to create great atmospheres and builds up the suspense and the mystery with good care. Clift focuses more on the story than in the visual composition and lets the actors do the trick, they are without a doubt the film's highlight. The superb performances of the cast give life to the story and make the experience even more enjoyable.

Arthur Margetson is very good as the stubborn and stoic Capt. Briggs, but Shirley Grey is a bit weak as the romantic interest (contrary to the real story, in the film the couple has no children). Edmund Willard and Bela Lugosi steal the show, the first one as the violent Tobey Bilson, and Lugosi as the mysterious Anton Lorenzen. The two of them give outstanding performances and are the soul of the movie. While Bela Lugosi will always be remembered as Dracula, is in this movie where he can display his dramatic talent in a very demanding role as the emotional Lorenzen.

The film feels claustrophobic at times being that the only location is the ship, but this adds to the feeling of paranoia and suspense that grows among the crew. The lack of flamboyant visual imagery may turn off horror fans not used to the slow pace of older films but the films moves at a perfect rhythm. Another small flaw is that the rest of the cast is at times either unconvincing or over-the-top; however, Lugosi, Willard and Margetson make up for this.

While "The Mystery of the Marie Celeste" is not the classic film that "Dracula" or "White Zombie" are, it is a fine film that successfully mixes horror and mystery and displays the great talent Lugosi had, a talent that was sadly forgotten and went underused during most of his career. This film is an often forgotten shiny spot in the stories of both Lugosi and Hammer Productions, and therefore a must-see for anyone interested in Lugosi's life or in Hammer's history, as it is probably the finest performance of an iconic figure. 8/10

A crew set out to sea on the Mary Celeste, circa the 1870's, only to face foul weather, mysterious motives, and murder. The odds are stacked against them as all sorts of seafaring bad luck omens pop up, from 13 crew members, to a black cat onboard, to a woman (Shirley Grey) on the ship. Also starring Bela Lugosi as a crazed one-armed sailor and Arthur Margeston as the square-jawed captain

No one knows what occurred on the real Mary Celeste, which was found adrift with all crew missing. The storyline that the film concocts is silly and lurid, and only vaguely entertaining. Lugosi, who looks terrible, hams it up uncontrollably, and his accent is so thick that his voice is dubbed near the end when what he says is important. This was only the second film produced by Hammer, which 20 years later would become synonymous with British horror.

The MARY CELESTE sets sail with a rather undistinguished-looking crew -- unless you're into tattooed accordionists, or think an unshaven Bela Lugosi is prepossessing. There's also Shirley Grey as a passenger. Odd things happen, like someone trying to shoot Miss Grey through a porthole, and soon the entire cast is going to pot.

This movie has the distinction of being the second production of Hammer Films, and the first to be distributed in the United States. There's some nice shipboard camerawork by Geoffrey Faithfull and Eric Cross, and one nice stunt, but that's about the limit of its excellence. It's the last movie directed by writer Denison Clift, who wrote the story it was based on. If the dialogue was particularly interesting .... the soundtrack of the copy I looked at was pretty poor, and I couldn't tell.