A Dama Escarlate

Universal was the only major Hollywood studio to have regular dealings with Poverty Row, so it comes as something of a surprise to see a 20th Century-Fox package wrapped up in the mantle of Chesterfield producer, George R. Batcheller. Admittedly, by Mr Batcheller's extremely sparse expenditure norms, the budget for this one is somewhat superior, but nonetheless the witty script by Fox's ace writing team of Robert Ellis and Helen Logan is not all that well served by plodding Reginald Denny (at least he plays the role straight) as the egomaniac detective and most of the second-string support players. Thomas, Bush, Murray and Kelly are especially dull in key roles, but fortunately the girls are okay. In fact, Patricia Farr (part of the Fox package) is quite winning as the put-upon secretary (even though she is forced to wear the same drab outfit throughout the entire movie). As for the solution of the mystery, this is a bit of a let-down, although it will come as no surprise to most fans. The real killer is Charles Lamont's scrupulously unexciting direction.

For the genre and the time, this is a pretty good murder mystery. Other reviewers have noted the similarity to the Thin Man Nick and Nora roles. I found the couple in this movie to be many rungs down on the ladder from Nick and Nora. The couple are husband and wife, and she's not a detective - she's his secretary. Unfortunately, the faux battling between the couple is less than playful to modern eyes - he shoves her from behind, taps her drink into her face, takes a slap at her body, and constantly refers to her in explicitly belittling terms. Yes, we're supposed to understand that it's 'banter,' but the writing took it to far - unlike the Thin Man, which is always played in an obviously affectionate manner. Here, the last words out of his mouth are "Come on, stupid." Not nice at all.

Having said that, the movie works fairly well. The detective is smarter than the police inspector, but the inspector is not a clown - he's just one acceptable step behind. The wife/sidekick is given some stilted lines - they just didn't get the Nora Charles role right here. There are multiple suspects, and attractive women. For fans of the genre, it's definitely worth watching, though you may cringe at some of the husband's 'playfulness,' as I did. There's a fine line between playful and cruel, evidently.

Pretty decent presentation of a man who sets up his daughter for failure and poverty because he doesn't like her choice in men. Unfortunately, he meets his demise and that launches most of the plot. A couple of Nick and Nora type detectives get into the act at the behest of the young wife of the man. It turns out she really loves the old jerk and wants to see justice done. Many are dragged into the fray, but, of course, the facts will set you free. This is a fun movie because of the byplay between the two private detectives. There are lots of conflicting clues and some surprises. I have seen many of these types of films and have to admit that this one isn't half bad. It has a little bit of sexual tension which works pretty well.

"The Lady In Scarlet" is a good murder mystery with a good plot and a good star turn by Reginald Denny as the detective/ hero. As expected, it is a bit dated but engrossing nonetheless. It was written better than interpreted by the actors and it suffers from several lapses into amateur acting. Apparently the budget was so tight that second takes were in short supply, and it needed a few.

Enjoyed the interplay between Denny and his secretary, Patricia Farr. As several contributors have noted, it bears a strong resemblance to that of Nick and Nora Charles, only not as witty. Special mention should be made of Jack Adair, who plays a crooked art dealer. I have awarded him the Hand-Painted Mustache Cup for the Worst Performance By A Supporting Actor In A Poverty Row Movie. It has to be seen to be believed - breathtakingly bad by any measure, and ruins every scene he is in.

Good story, and in only 65 minutes. It will keep you guessing right up to the end. It makes you think a bigger studio could have done wonders with material such as this. And hired some better actors.

Reginald Denny is on good form in this rather formulaic whodunnit as "Oliver Keith" - an accomplished PI drafted in to investigate the killing of a wealthy art dealer. Once on the case, he discovers there is a lot more to the case than just the fatality - and there are no lack of suspects mired in this tale of greed and ambition. What helps this along nicely is the engaging double-play between Denny and his equally competent, if somewhat undervalued, assistant "Ella" (Patricia Farr) and Lew Kelly is quite good as the pretty hapless policeman. Only an hour long, but still a decently paced nostalgic look at crime fighting in days when everyone wore a hat and called themselves Mr. & Miss.