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This has always stood out from the (star) pack for me, almost wholly because of the scenery and the sympathetic photography. The screenplay storyboard is plain to read as you're watching, stilted dialogue ending abruptly at scene ends, trip wires pulling down horses galore, a rope yanking a shot baddie offa his horse, reflecting mirrors directing light at the subjects etc.

The usual Golden Age convention leftovers from Edwardian times are also apparent - suspicion of murder falling naturally upon the head of a person of mixed parentage, the handy ethnic minority (French) ready to be the bad guys to a man, beautiful heiresses innocent and untarnished by money etc. Plenty of chasing about, silent fight scenes, an undeveloped love affair, hair-raising stunts with various stuntmen and stunthorses and a confusing climax.

OK - but I still love and recommend this one!

Great alpine scenery. Yes, I know, there's a story too, but who needs it with all the terrific vistas to marvel at. Lone Star didn't just ride around California's Owens Valley on this one. No sir, they got right into some of the best mountain panoramas of the Southern Sierras. Nearly every frame has something picturesque to look at.

Maybe you can follow the plot. I couldn't. Something about a gold mine and some baddies who speak Frenchified English about as well as I can. Poor Verna Hillie, she has about ten lines in the whole movie. Still, it does get tiresome looking at all those ugly guys. Then too, watch Noah Beery Sr., who has the look and voice of a first rate villain. Definitely, he should have played the lead bad guy. Still there are some good touches-- the broken bottle (how clever), the race down the river (scope out that waterfall), and the great Earl Dwire (no actor, but with a face that would scare Frankenstein).

The only advantage most A Westerns have over this lowly programmer is script quality. Sure, that's a biggie, but otherwise this little V W can hold its own against the sleeker Cadillacs of the day.

John Wayne heads to Canada to find the niece of his father's best friend and bring her home to him. On the train north he meets an old college buddy (Noah Beery, Jr.) who gets into trouble, so the two wind up leaping from a speeding train. This is in the first four minutes! Later, they find the girl but get mixed up with mounties, villains with bad French accents, and a fight over a goldmine.

Of all the cheapie westerns John Wayne made early in his career, this is one of the best I've seen. The stunts, by the great Yakima Canutt and Eddie Parker, are outstanding. Cool to see Noah Beery Sr. and Jr. in the same movie together. The Mammoth Lakes area location shooting is a HUGE plus. They usually shot these cheapies in the same old bland ordinary places. The change of scenery makes a world of difference. The Archie Stout photography helps a lot, too. It's a simple but entertaining oater. At just under an hour, I see no reason you shouldn't check it out.

"The Trail Beyond" is one of many low-budget western B-movies made by John Wayne during the 1930s. Rather unusually for a Western, however, this one is set in Canada. No doubt the 19th-century Canadian West offered as many challenges to settlers as the American West, and gave rise to as many adventures, but in general Hollywood tended to ignore any part of the North American continent lying north of the 49th parallel. (Apart, of course, from Alaska).

Here Wayne's character Rod Drew and his friend Wabi travel to Northern Canada searching for a long-lost gold miner and his missing daughter. A complication arises, however, when they are falsely accused of murder and pursued by the Mounties. ("Wabi" is presumably an American Indian name as the character is said to be half-Indian. As, however, the name is pronounced "Wobbie" I assumed that he was really called "Robbie" but spoke with a lisp).

The film exhibits many of the weaknesses I have come to associate with "Poverty Row" westerns, namely:-

A hackneyed, cliché-ridden plot, in this case revolving around a treasure map, a gold mine and a gang of villains out to steal the treasure from its rightful owner.

Ethnically stereotyped bad guys, in this case French-Canadians with accents as villainous as their personalities. (Well, at least it makes a change from casting Mexicans or Indians as the villains).

Dubious acting skills. Even Wayne does little to suggest a major star in the making.

Lack of attention to period detail. Most of the cast wear generic late 19th century Western costumes, but at one point we see Rod and Wabi wearing 1930s-style lounge suits while travelling in a train of distinctly 20th century vintage.

Badly choreographed fist-fights. It would appear from watching this film that an extremely effective fighting technique, and one guaranteed to knock your opponent off his feet, is to punch the air about six inches away from his nose.

Some of the stunts, however, are well done, and the film does have one feature not normally associated with Poverty Row. Most B-movie Westerns of this period were filmed on a Hollywood back lot, but this one was obviously shot on location against a background of real forests, lakes and mountains. Admittedly, filming took place around Mammoth Lakes, California, around twenty degrees of latitude further south than the film's ostensible setting, but much of the photography is in fact strikingly attractive. It is this feature which is responsible for the film getting a higher mark from me than it otherwise would have done. 5/10

Within the first 10 minutes of The Trail Beyond, John Wayne gets a chore from a friend to locate the friend's friend and his daughter in the Canadian woods, meets another friend Noah Beery, Jr. from college, gets innocently involved in a murder and is fleeing up to Canada with Beery.

There's almost as much canoe paddling as horseback riding in The Trail Beyond for our intrepid heroes. They've got to keep on the move from the Mounties who are looking to extradite both of them to America and Wayne's still got his mission on his mind.

And if that ain't enough they get involved in a feud between the Hudson Bay Company local trading post owner, Noah Beery Sr. and some French Meti trappers. They're the bad guys and as another reviewer remarked their accents are pretty bad. Like Pepe Le Pew.

Other than Island in the Sky, I believe this might be the only John Wayne film with a Canadian location. Even though they got no farther to Canada than the Sierras in California.

What this film does give, is an opportunity to see both Noah Beerys, senior and junior in the same film. I saw that they have about seven screen credits jointly and this I believe is the only one available on VHS and DVD. Furthermore for once the senior Beery is not playing a bad guy.

So while this one won't even make the top Fifty of John Wayne's films for all those reasons it might be worth a look.