Os Pescadores de Aran

A magic film that you can watch again and again for its majesty and drama. I cannot recall another black and white movie that so well captured the terrifying grandeur of the sea. If you saw and enjoyed "Ryan's Daughter", do see this classic of cinema and compare it's storm sequence. What magic Flaherty captured in astonishing cinematography and editing! The setting is wonderful, so do see this film, and hope you too get the opportunity to see the West coast of Ireland when the sea is up and the wind is shrieking. Times may have changed even these more remote parts of Ireland, but nothing will ever overcome the stark and rugged beauty of this glorious landscape so ably captured in "Man of Aran".

I rented this from Netflix recently. Visually, this picture is stunning. Some of the finest filming of the sea I've ever seen. The minimalist story really isn't much, just an attempt to provide some excuse for various actions in the film. This film is really not a documentary at all. One of the special features on the DVD is a short film called "Making the Myth" (or something like that), which is all about how the film was made, how Flaherty scripted various scenes, etc. As noted in the a previous review, the entire shark scene was something Flaherty pushed, recognizing that shark hunting sells. However, according to "Making the Myth," basking shark hunting had gone out over 50 years earlier. Apparently Flaherty also thought that, if he got people hunting the sharks for his move, they might start it up again as a local industry. We found a good portion of the dialogue almost unintelligible. Especially at the start, we thought they we speaking Gaelic! Still, the dialogue is really unnecessary. Flaherty uses old fashioned dialogue cards, like in a silent film, to explain what's coming up. Overall, this was a very interesting film to watch. Since it's just over an hour long, it's a good one to see when you have some time but don't want to commit to any "Major Movie Event!"

Another movie by a master movie maker.

His documentaries make one feel the hardship his subjects undergo, whether real or not.

A must see along with Nanook.

The visuals are stunning as is the empathy of the director for his subjects.

Would there be a documentary director like him today -- except for Frederick Wiseman whom I am sure was inspired by Flaherty's movies such as Nanook (a picture of a long lost world) and Man of Aran.

I wonder if people are still farming Aran or if they have all left for the big city.

There are other documentaries by the BBC -- See South Georgia Island or the re-creations of Shackleton's unsuccessful trip to the South Pole and you will feel as well as ache along with them.

A true pioneer when making films was difficult at best, impossible at worst. But Flaherty make the impossible real and captured a world that no longer exists.

I really enjoyed this film. It is best to ignore any questions about the plot and whether it is a movie or a documentary and just sit back and be transported back in time. The island is a beautiful, yet harsh and isolated place and the people are a product of that environment. I just saw the film after returning from a trip to Ireland, where we spent several enchanting days on the island, hiking in the rain. The locals told me about the movie, I had only a vague knowledge before then.

What has really sold me on the movie was the DVD edition we viewed it on. There is a wealth of details about the movie, the director, the island, and much more now available. Fans wedded to todays ultra-slick color and CGI productions might be disappointed, but for the serious movie fan this is a gem!

We had jounced across Galway bay in a 45 minute ferry ride, boarded a pony trap for an hour's ride in a two-wheeled carriage, upholstered with leather and duct tape and driven by an ancient Irishman named Tom Flaherty, whose first language was Gaelic. He deposited us at the Atlantic side of the island at a tiny museum for break. My husband opted for the hike to the headland to view a crumbling 20th century fort, while I browsed the museum. It was there that I spied a poster for "Man of Aran" - only 2.50 Euros per person. It sounded vaguely interesting, a way to pass time til the pony trap driver returned to take us bouncing back to the ferry boat landing.

We climbed the steep stairs and were seated in a room overlooking the centuries old stone walls that crawl haphazardly over the rugged terrain. A large high definition television sat before us, and we waited for the lady at the downstairs desk to come turn it on. We were joined by four more people, the blinds were drawn and the warbly, scratchy sound track and grainy black and white documentary began. We were gripped immediately by the story - part adventure, part documentary, part drama. It was easy to believe the severe conditions, the arduous, back breaking work of gathering kelp, fishing in the heaving surf, rocky, slippery shores, having just witnessed them in person. A few of the scenes are a little fakey, but we're talking 1934 here, and if you'd ever seen that pounding surf at the foot of that towering cliff, you'd know why they perhaps went Hollywood in the shark hunting scene. If you can't see it in its place of origin, by all means make the effort to find a print. This is a classic. By the way, our driver, Tom Flaherty, would have been 12 years old when the film was made but the director/producer Flaherty was an American from Hollywood, and much distrusted by the natives. He had one heck of a time making the movie, so the brochure at the desk informed us. In typical local resident style, our driver had never seen the movie and did not claim to be related to the director. He dropped us at the ferry and, speaking endearing terms in Gaelic to Brownie, his faithful cart horse, urged her back up the path to the pub for his daily pint of Guinness.