Feira de Amostras

The thing about summer love is that it is uncertain and often temporary. Normally, only the young are afflicted, and, as such a powerful emotion is a novelty to the recipient, it can be very hurtful. "State Fair" chronicles two of these.

The Frake family is preparing for the Iowa state fair, all with different expectations. Pa (Will Rogers) hopes his prize boar, Blue Boy, can win first prize and Ma (Louise Dresser) pins her hopes on her pickles and mincemeat. Teenagers Wayne and Margy are just hoping for... they're not exactly sure, but something exciting.

The nominal star here is Will Rogers and he gives a folksy, homespun performance as Pa - makes you wonder if he's acting or not. Louise Dresser is Ma just as you would imagine Ma would be. She was one of our best actresses and retired too soon. The story, though, focuses on the two young players, Norman Foster (Wayne) and Janet Gaynor (Margy) and their adventurous encounters with complete strangers.

This is a 'Pre-Code' picture and tame by todays (lack of) standards, and so both are seen conversing in bedrooms with above-mentioned strangers (smelling salts, please), but the picture is so well-written that the breach of decorum is hardly noticeable. The story is true to life and shot through with vignettes of family life from an earlier time in America. If you were not alive in the 1930's and did not live in the Midwest, you should see this movie. It is a quintessential family picture with lots of heart, as well as exceptional performances by all parties.

A farm family encounters situations both poignant & hilarious when they leave home to spend time at the exciting STATE FAIR.

Janet Gaynor gives a sensitive performance as a country girl eager for romance amid the attractions of the Fair. She is both fetching and delightful. She was a big celebrity at the time and gets top billing here even over Will Rogers.

Will gets his own back by deftly underplaying his role as her farmer father. By keeping the corniness to a minimum, he gives the film a special touch of bedrock sensibility and good humor.

The Production Code had obviously not taken effect quite yet, as can be seen by some of the language and situations. These will come as a surprise to some, but were not rare before 1934.

All of Will's scenes are fun - especially those with Miss Gaynor or the hogs. The formidable Louise Dresser appears as his wife. Lew Ayres makes a fine romantic interest for Gaynor & Victor Jory is very good in a small role as an honesty-challenged barker.

State Fair is actually a pretty good movie that's mostly just a vehicle for Janet Gaynor. But it ends up being more than that with the help of Will Rogers and Lew Ayres.

The story revolves around a farming family who enters a prize pig in the State Fair. The two children of the family go off on their own separate adventures while the two parents stay with the pig.

Gaynor is one of the children and she meets and falls in love with Ayres. Their chemistry together is a very intriguing one. Will Rogers is the father who is mostly the comic relief.

You'll most likely like the film and it deserves to be liked. Its a great gem from the early '30s that isn't seen much anymore.

I was able to finally watch the film when it was on The Fox Movie Channel last year. It might be on again soon. I suggest you find out.

Having previously watched both the 1945 and 1962 musical versions of this film, and knowing YouTube had this non-musical version on its site for the last several years, I finally watched this version of State Fair just now. Other than the added songs in the later versions, this is basically the same story for all three...well, except since this one was produced before the Production Code became more strict, it's implied the male teen had something of a real affair with a female performer. (Though I didn't see the scene of them talking off-screen while the bed on-screen was messed up with another scene of a lingerie on the floor during that. Must have been cut after the Code was enforced.) The humor is both verbally subtle and occasionally visual like when the Janet Gaynor character is on somebody's shoulder and she unknowingly plays with that someone's head when she gets excited about a certain horse in a race. Will Rogers as the father is his charming self as he looks after his pig he hopes wins the big contest. And I always loved when the mother (in this version, Louise Dresser) enters her pickles and mincemeat in another contest because of what is in those foods when they're entered! By the way, I like all three versions but if you don't want to hear those songs, I definitely recommend this version of State Fair.

I was really surprised how much this film moved me. It's really Gaynor and Ayers' movie with Will in more of a supporting role. Well directed with good effects for the era, my enjoyment was genuine and heart felt. Others might enjoy it in terms of sociology or film history,I hated the Pat Boone version and the Dana Andrews' was only alright. I watched it on TCM where the print had several breaks and audio pops.

Aside from the John Ford/Will Rogers films (embarrassing stereotypes aside) Will's sound films are very mixed. They're tailor made for his persona but weak casts, low production and stage bound screenplays have you reaching for the FF. He redeems most of them but I'm happy to find this solid work made shortly before his death. Surprised it escaped my attention until now.