Queridinho do Coração

Marion Davies is wonderful in her best film. She sings ("Sweetheart Darlin'") and dances and is perfect as the Irish country lass who inherits a fortune. She is sent to live with English relatives who take her money and treat her badly. Of course Peg doesn't know they are being paid to "educate" her.

Few star actresses of her day would have played the plain Irish girl who becomes a beautiful woman. A great stage hit for Laurette Taylor (who also starred in a silent version in 1922), the play was already dated when Davies made this film in 1933, but Davies was one of the best comics in Hollywood and creates a funny, charming heroine in Peg. And as in her work in the earlier MARIANNE, Davies proves she was one of the best with accents.

Hearst had pushed for Davies to win an Oscar nomination for this MGM film (there were only three nominee that year), and I think she was worthy. Always underrated and overlooked, Marion Davies was a total delight in every comedy film I've ever seen her in, and this is her best.

Also good is J. Farrell MacDonald as her doting father. Onslow Stevens is surprisingly good here as Gerald and is quite charming. Juliette Compton (as the mean Ethel), Robert Greig, Irene Browne, Alan Mowbray, Tyrrell Davis, Nora Cecil, and Doris Lloyd are all fine too. Michael the dog is fun.

Old fashioned? Sure. But charming and funny and a wonderful film all-round.

Marion Davies does surprisingly well as a girl from an Irish fishing village who must abandon her father and become a proper British lady to get a large inheritance. Of course, the accents, music and dance are American stage Irish rather than Irish Irish, but a very clever script and hard work all around pays off. And they forgot to credit 'Mutt' as Marion Davies' dog.

Also made in 1922 by King Vidor.

I recently saw this film on Turner Movie Classics and was surprised how charming the performance of Marion Davies was. This proves that she was indeed a fine performer when given the opportunity. Despite the fact she was in her mid 30's when this film was made, she is quite believable as a teenager.

Peg o' My Heart (1933)

** 1/2 (out of 4)

Based on the J. Hartley Manners play, this film becomes a showcase for star Marion Davies who gives it her all as the spunky Irish girl who moves to England so that she can collect a large inheritance. First she has to become a lady but what she doesn't know is that in order to collect the money she can't see her father (J. Farrell MacDonald) again. This story was previously filmed twice in the silent era but looking at the story one couldn't help but think it would be nice material for the star. The film on the whole looks and smells good but once you bite into it you'll realize that there's really not as much here as you'd think. That's not to say the film isn't worth watching but I'm going to go out on a limb and say only Davies fans will really want to spend their precious time with it. Davies manages to be quite good here, although I don't think anyone could defend her Irish accent, which is all over the place. At times she seems to slip in and out of it so much you can't help but get a little smile on your face. Outside of that Davies is good in the film and gives it her all and this includes some very funny facial gestures including some funny eye winks. The supporting cast is a bit of a letdown with Onslow Stevens looking completely bored throughout and Juliette Compton coming off too stiff. MacDonald has some good moments but he isn't in the film too much. The film isn't ever as funny as one might hope as the fish out of water routine never really gets pushed to its limits, which I think is the fault of the (uncredited) director.

I have never seen this movie before but I have heard of Marion Davies. I decided to give it a watch and I must admit I enjoyed it. I liked the lively Irish singing and dancing. To me the movie really highlighted the differences between the earthy Irish and the snotty English. I thought Marion Davies was pleasant surprise as Peg O'Connell although I did feel see was a wee bit old for the part (36). Michael the dog was pretty cool and J. Farrell McDonald was heartwarming as the old fisherman father. I also enjoyed how the English came across as cold- blooded and hypocritical. Obviously the film studio was relying heavily upon Hollywood stereotypes that would appeal to the Irish-American urban audience that this film was intended for in the first place.