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IMDbPro

O Crime do Vagão Particular

Título original: Murder in the Private Car
  • 1934
  • Passed
  • 1 h 3 min
AVALIAÇÃO DA IMDb
6,2/10
750
SUA AVALIAÇÃO
Mary Carlisle, Russell Hardie, Una Merkel, Charles Ruggles, and Fred 'Snowflake' Toones in O Crime do Vagão Particular (1934)
ComedyCrimeMysteryRomance

Adicionar um enredo no seu idiomaA sleuth has to figure out who is threatening an heiress while she's aboard a train.A sleuth has to figure out who is threatening an heiress while she's aboard a train.A sleuth has to figure out who is threatening an heiress while she's aboard a train.

  • Direção
    • Harry Beaumont
  • Roteiristas
    • Ralph Spence
    • Edgar Allan Woolf
    • Al Boasberg
  • Artistas
    • Charles Ruggles
    • Una Merkel
    • Mary Carlisle
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,2/10
    750
    SUA AVALIAÇÃO
    • Direção
      • Harry Beaumont
    • Roteiristas
      • Ralph Spence
      • Edgar Allan Woolf
      • Al Boasberg
    • Artistas
      • Charles Ruggles
      • Una Merkel
      • Mary Carlisle
    • 30Avaliações de usuários
    • 7Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos16

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    Elenco principal38

    Editar
    Charles Ruggles
    Charles Ruggles
    • Godfrey D. Scott
    • (as Charlie Ruggles)
    Una Merkel
    Una Merkel
    • Georgia Latham
    Mary Carlisle
    Mary Carlisle
    • Ruth Raymond
    Russell Hardie
    Russell Hardie
    • John Blake
    Porter Hall
    Porter Hall
    • Alden Murray
    Willard Robertson
    Willard Robertson
    • Elwood Carson aka Hanks
    Berton Churchill
    Berton Churchill
    • Luke Carson
    Clifford Thompson
    Clifford Thompson
    • Allen
    • (as Cliff Thompson)
    Fred 'Snowflake' Toones
    Fred 'Snowflake' Toones
    • Titus
    • (as Snowflake)
    Harry Semels
    Harry Semels
    • Evil Eye
    • (cenas deletadas)
    Ernie Adams
    Ernie Adams
    • Taxi Driver
    • (não creditado)
    Hooper Atchley
    Hooper Atchley
    • Conductor on Eastbound Train
    • (não creditado)
    William Augustin
    William Augustin
    • Policeman
    • (não creditado)
    Jack Baxley
    • Holton Conductor
    • (não creditado)
    Art Berry Sr.
    • Undetermined Secondary Role
    • (não creditado)
    Walter Brennan
    Walter Brennan
    • Switchman
    • (não creditado)
    Raymond Brown
    • Bertillion Man
    • (não creditado)
    James P. Burtis
    James P. Burtis
    • Switchman
    • (não creditado)
    • Direção
      • Harry Beaumont
    • Roteiristas
      • Ralph Spence
      • Edgar Allan Woolf
      • Al Boasberg
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários30

    6,2750
    1
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    10

    Avaliações em destaque

    8MikeMagi

    Good B thriller with a slam bang ending

    This is the sort of B thriller that made movie-going fun back in the thirties. Mary Carlisle is a hard-working telephone operator at a stock brokerage who suddenly discovers that she's the long-lost daughter of a railroad tycoon. With best pal Una Merkel in tow, she's tricked into boarding a private railway car en route to a reunion with her father. But neither the car nor her fellow passengers are what they appear to be.

    Some of it is sorta' silly. There's a circus train wreck thrown in for padding. And Charlie Ruggles' as a "deflective" detective has a few too many goofy bromides. But the climactic chase sequence, as a runaway car roars down miles of twisting mountain track, is superbly directed, shot and edited. And that was back in the days before CGI when you had to film the real thing.

    While "Murder in the Private Car" isn't in the same league as "The Narrow Margin" (the gold standard among railroad mysteries,) it's well worth a look. Especially for train buffs. And in just a bit over an hour, it moves along like...well...like a speeding train.
    dougdoepke

    Hard to Rate a Movie Like This

    Silly mystery that almost compensates with a white-knuckle finale. Ruggles plays an addled "deflector" who can't seem to get his sayings right—"The early worm gets the bird"! All in all, he's an imaginative twist on the usual sleuth in that he bumbles his way before getting moments of brilliance. Sort of like a mix of Sherlock Holmes and Inspector Clouseau. Too bad his shtick is not funnier. At the same time, the incoherent mystery part is submerged beneath Ruggles and two loud blondes Merkel and Carlisle who keep the decibel level peaking. They're cute, of course, and understandably get most of the screen time. Overall, I'm not sure what MGM was reaching for, but the parts don't blend that well. Still, the bang-up finale is worth the price, with scares galore and no models for the runaway trains. I'm not sure how they did it with real locomotives and passenger cars, but it comes as a stunning surprise after 50-or-so minutes of blah. Anyway, much of the cast—Ruggles, Merkel--thankfully went on to better material. Meanwhile, no more trains for me, I'll be taking air travel from now on, for sure.
    7goblinhairedguy

    Top-notch railway-set second feature

    This is a fast-paced and highly enjoyable comedy-thriller from the MGM B-movie mill. The plot concerns a pretty switchboard operator who discovers that she is the long-lost daughter of a wealthy industrialist. On a cross-country train trip to visit him, a mysterious villain threatens her and her entourage with murder through messages and the occasional disembodied voice.

    The first two-thirds of the movie are played mainly for laughs, with sharp, witty dialog and goofy situations. This leads to a frantic no-holds-barred climax as a runaway railway car hurtles down a mountain line, narrowly missing speeding trains coming its way.

    Charlie Ruggles creates another wonderfully eccentric character, a "deflector" -- something like a detective, but instead of solving crimes he uses his savvy to prevent them from occurring. He mangles many an old aphorism, and has some terrific exchanges with the equally incisive Una Merkel. He even gets to interact with some circus animals in amusing fashion. Pre-code buffs will enjoy some of the subtly racy asides (listen for Ruggles' full name, for instance), but modern viewers may be dismayed by the racially insensitive material to which "Snowflake" is subjected as the frightened porter (he has a larger role than usual, and certainly plays the demeaning stereotype with aplomb).

    Definitely worth an hour of any buff's time, and a "keeper" for railway aficionados.
    7AlsExGal

    I thoroughly enjoyed this goofy old film

    One thing you can say for sure, it certainly is not a rip-off of "The Thin Man" or any other big budget murder mystery of its time.

    The scene opens on two switchboard operators busy at work at an investment firm - Ruth Raymond and Georgia Latham (Mary Carlisle and Una Merkel). One day an investigator informs Ruth that she is the long lost daughter of a wealthy man. She is to be whisked away via a private car to New York to meet her father. She asks her friend and coworker, Georgia, to come along too, and thus the adventure begins.

    Onboard the train the bodies start piling up, there is a mysterious invisible voice telling Ruth she has only hours to live, and there are doubts raised as to whether or not she is the long lost daughter of the wealthy man in the first place. Along for the ride is the long-time boyfriend of Ruth, as well as a goofy fellow, Godfrey Scott (Charles Ruggles), who has taken a shine to Georgia before all of this mystery began and appointed himself investigator of the case. There are escaped primates in assorted sizes and also a plot device that reminds me of the "Wild Wild West" TV show.

    Ruggles' act can get tiresome depending on how big a dose is injected into a particular movie, but there is so much going on here that I really didn't think him more of a hindrance than a help, plus the building relationship between himself and Merkel's character is adorable. I'd recommend it if you're in the mood for a rather offbeat film that is certainly very atypical output for MGM of the period.
    ksredhook

    "Good morning, America How are you?"

    Wonderful train sequence at end

    "This train has got the disappearing railroad blues"

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      A contemporary item listed the gorilla Naba for a role in the movie, but the Call Bureau Cast Service has Ray Corrigan in the role. All scenes with the gorilla appear to be an actor in a gorilla suit.
    • Erros de gravação
      When the train pulls into the Holton station, there is a shot between it and a stationary train when an odd fading jump cut is made. The people walking between the trains change, as does the position of the train pulling in on the left. However this is just an example of a screen dissolve, indicating the passage of time in the same location, so this is not a mistake.
    • Citações

      Godfrey D. Scott: Both your eyes are very pretty.

    • Conexões
      Version of Red Lights (1923)

    Principais escolhas

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    Perguntas frequentes13

    • How long is Murder in the Private Car?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 29 de junho de 1934 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Murder in the Private Car
    • Locações de filme
      • Dunsmuir, Califórnia, EUA(railroad yard)
    • Empresa de produção
      • Metro-Goldwyn-Mayer (MGM)
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 3 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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    Mary Carlisle, Russell Hardie, Una Merkel, Charles Ruggles, and Fred 'Snowflake' Toones in O Crime do Vagão Particular (1934)
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