Forgotten Babies

One of my favorite OUR GANG shorts. Spanky is conned into babysitting a house full of infants. He resorts to scary actions, even gluing a toddler to the floor. When Spanky is surrounded by the out of control tykes, and he looks in a drawer and says "Ah, glue....". It's with as much menacing glee as the line "No Prisoners" in LAURENCE OF ARABIA. My favorite bit is when one of the babies turns on the radio to a Radio Horror Show about the screamingly insane Dr. Nemo (Voiced over the top by the monsterously funny Billy Gilbert) What radio station would broadcast such lunacy? You couldn't make these sort of fun movies today because modern day audiences want realism. Shame.

My Mom was the baby that was glued to the floor. Murlen Christine Powers. Her name was derived from the first parts of the names of her parents - Muriel and Leonard Powers.

My guess as to why she was in the short, is that her Father (my Grandfather) was one of the early cameramen in Hollywood. He had worked with Hal Roach.

My Mom went on to become a singer, and later net my Father, John Charles Scribner.

Mom actually passed away, from Cancer and a heart attack, in a hospital in Lancaster, CA.

Her name, when she passed was Christine Murlen Poplawski. She is buried in the California City Cemetery.

JohnScribner. (Son)

An OUR GANG Comedy Short.

The Gang coerces Spanky into watching their younger siblings. Caring for these FORGOTTEN BABIES turns out to be quite a chore, leaving the little nipper with no choice but to come up with some ingenious solutions to the baby-sitting problem...

Spanky is in his glory in this hilarious little film, arguably his best. Highlight: Spanky's retelling the plot of the TARZAN movie he's recently seen to the audience of infants. Movie mavens will recognize Billy Gilbert's voice in the radio drama.

This is an unusual 'Our Gang' as it completely centers around Spanky McFarland. Luckily, he is one of the few 'rascals' who can handle the lone spotlight. The children he is supposed to babysit are little more than props in this one man show. Spanky's retelling of Tarzan is hilarious. What struck me most about his performance, especially his reactions to things, is the similarity to the work of fellow Roach actor Oliver Hardy. Spanky dealing with the babies reminds you of a small Hardy battling several young Laurels.

The "Our Gang" short Forgotten Babies serves as a fascinating timestamp of the lack of Department of Child and Family Services' involvement on film sets, specifically for very young toddlers. The Little Rascals is a show that could never pass on today's Television, given all the outlandish stunts and dangers they included; this explains why the modern-day equivalent program, Nickelodeon's Rugrats, is animated.

Forgotten Babies is one of the most excessive displays of child endangerment I've yet to see, yet considering the time the short was made, this is hardly a surprise. Actors, particularly children and animals, didn't have the kind of rampant, around-the-clock protection like they do today, and one can just watch a short like this and quietly hope more fun was had than actual pain. The plot concerns the gang of tykes, all of whom stuck babysitting when they want to go to the local swimming pool and soak up the nice day. As a result, the gang looks towards Spanky (George McFarland) to babysit their younger infant siblings, to which he accepts.

Spanky, who himself is a toddler just like them, isn't fit to watch five children at once, so when his decision to tell them the story of Tarzan fails, he must try and stop the children from going around the home and breaking things. While one is sliding down the stairs on a pillow cushion, one is making the Leaning Tower of Pisa with fine China and another is jumping on the bed so violently the bedboard cracks and subsequently damages the floor. It's maddening chaos and Spanky runs breathlessly, tripping over his stout legs, in order to try and stop all the commotion from occurring.

Forgotten Babies is built on simple laughs and pleasures, revolving around the common, early-cinematic convention of "house-breaking," where a home is fully intact at the beginning of a short before being completely desecrated in the end. This one reminds me of Laurel and Hardy's Big Business short from 1929, involving Laurel and Hardy completely desecrating a homeowner's new home, albeit to a far greater extent than the rascals do here. Nonetheless, this short is fun because it's more-or-less a showcase of changing times and how amazingly unrestricted children were in the realm of being reckless before us for the sake of good comedy.

Directed by: Robert F. McGowan.