A sorridente senhora Beudet

"La Souriante Madame Beudet" is mostly interesting and a classic because of its unusual and daring theme, for its time. Back in the '20's women rights weren't exactly regarded as the most important or relevant things, to put it mildly. Women were often oppressed and restrained in their marriage, to mainly only household chores, as is shown in this movie about a woman who is trapped in a loveless marriage.

Of course there is not much to the story, it's just purely about its theme. The movie follows the life of the husband and wife over a couple of days, in which she gets humiliated and has to do humiliating chores for her husband. She starts thinking about taking revenge but the intelligent woman is soon stricken with remorse. The movie shows the position of the woman in everyday life and it of course does so by exaggerating things to make its point. Normally we only know French movies for its perfect and romantic love stories. This is a whole different piece of cake.

The movie is made in a style-full fashion, which makes the movie really interesting to watch, even for todays standards. The movie has some interesting camera positions, such as a couple of over-shoulder shots. But also the storytelling is interesting and style-full, such as in the sequences were the husband is faking emotions and in the background the mirror opens with a couple of hand-puppets playing the exact same scene, with the words 'all theater' appearing. It makes the imaginative Germaine Dulac directing also one of the highlights of the movie.

Alexandre Arquillière is brilliantly repulsive as the husband and Germaine Dermoz is great as the obviously more intelligent wife. There are a couple of more characters but the movie does a good job at concentrating mostly purely on the two main character were after all the movie and its plot is all about of course.

In todays perspective, the movie is both interesting and beautiful to watch.

8/10

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Smilling Madame Beudet was a good short film that is first in history to have a real feminist message in it and it probably inspired many films in future because of that.In this film we are watching a woman that is unhappy in marriage and she wants to get rid of her husband but unfortunetly for her she fails in the end.Characters were her just little explored cause runtime is short but it worked very well in end.Smilling Madame Beudet was a good short film but it wasnt one of best that i seen

I studied Women and Film with author, Dr. Sandy Flitterman-Lewis at Rutgers University and this is one of the many films that we watched in the viewing. Germaine Dulac provided us a glimpse into the life of women in France during Pre-World War II era and Post World War I world. Paris was a city who loved the arts at the time and was thriving with literary salons and American expatriates as well. Germaine Dulac never captured as much attention but she should have been on league with her male counterparts like Jean Epstein and others. Sadly, the war and the depression may have ended her career like so many others. We can only imagine what might have been if Germaine Dulac had been given the same advantages that her male counterparts received during that time. But she was one of the lucky ones to get the experienced to direct such films like this that are controversial and eye opening as well. Language is not necessary since sound didn't come until the 1930s and Germaine's career went elsewhere.

The Smiling Madame Beudet / La Souriante Madame Beudet (1923) : Brief Review -

A great french expressionist silent feature and unlikely first truly feminist film. Even with unlikely probability of being first feminist drama The Smiling Madame Beudet can be termed as one at least for the French cinema. I remember watching D. W. Griffith's feminist films (in dramatic mode) made before this so i won't count it as one. The film is about a woman trapped in loveless marriage and it also explores several devastating moments from the woman's life. However, the captured version is soulless at the beginning, it gathers a solid momentum and connectivity in last 10 minutes. Those dream sequences, delusional obsession and never smiling face of the woman (even in the last frame of her) should be considered as a part of great filmmaking. And it is directed by pioneering 'avant-garde cinema' director Germaine Dulac, who, in my opinion wasn't able to put that famous non-narrative structure in this film. It was far away from intricate storytelling but that ultimately gave it an advantage to carry that it is rather more convincing and intense, exactly what the context required from it. The husband's character was well written if you see his own joke becomes the biggest turnaround of his life and at the same time the wife remains still even after wrong surmise and big tragedy. In a way i would have loved to see that much anticipated "Smile" on her face as mentioned in the title but there was not a single frame for it. Instead, it went in completely opposite direction to catch the realistic expressionism. So, yes it becomes an innovative product overall which is deservingly known by art cinema lovers and i would like to carry forward the recommendation.

RATING - 7/10*

By - #samthebestest

French female director Germaine Dulac appeared to take Jean Epstein's articles to heart when she released 1923's "The Smiling Madame Beudet." Like Epstein, her plot is threadbare, about an unhappy wife who first intends to kill her husband, seeing an opportunity in his habit of taking a gun whenever he's frustrated and pretending to shoot himself in the head. She places a real bullet in the chamber of his gun, but realizes through a dream it's not the right thing to do. She attempts to extract the bullet but is thwarted by constant interruptions.

"The Smiling Madame Beudet" has been cited as cinema's first feminist film because the protagonist isn't taking an unhappy marriage passively. Dulac, a leading figure of feminist rights and activism in France, wrote of the downtrodden position of contemporary women. With support from her husband Louis-Albert Dulac, an agricultural engineer, whom she divorced in 1920, she embarked on a 30-film career from 1915 through 1935. Her most important work was "The Smiling Madame Beudet," (who ironically is not once seen smiling in the 40-minute picture).

Through close-up images of the husband (Alexandre Arquilliere) and wife (Germaine Dermoz), Dulac is able to convey the anger coming from the spouse while Madame Beudet's blank face shows an apathy towards him. Her expressions become more animated as the movie progresses, reaching a peak as the final sequence unfolds.

Since every scene takes place in the interior of their home and office, "The Smiling Madame Beudet" doesn't reflect the gritty exterior atmosphere of Epstein's "The Faithful Heart." But the realism shown by Dulac of the marriage is as realistic as Epstein's film, hitting to the core the many frustrations couples have in communicating with one another. So important is Dulac's movie that it is included in "1001 Movies you Must See Before You Die."