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IMDbPro

Why Change Your Wife?

  • 1920
  • Approved
  • 1 h 30 min
AVALIAÇÃO DA IMDb
6,7/10
1,5 mil
SUA AVALIAÇÃO
Why Change Your Wife? (1920)
ComedyDrama

Adicionar um enredo no seu idiomaRobert and Beth Gordon are married but share little. He runs into Sally at a cabaret and the Gordons are soon divorced. Just as he gets bored with Sally's superficiality, Beth strives to imp... Ler tudoRobert and Beth Gordon are married but share little. He runs into Sally at a cabaret and the Gordons are soon divorced. Just as he gets bored with Sally's superficiality, Beth strives to improve her looks. The original couple falls in love again at a summer resort.Robert and Beth Gordon are married but share little. He runs into Sally at a cabaret and the Gordons are soon divorced. Just as he gets bored with Sally's superficiality, Beth strives to improve her looks. The original couple falls in love again at a summer resort.

  • Direção
    • Cecil B. DeMille
  • Roteiristas
    • Olga Printzlau
    • William C. de Mille
    • Sada Cowan
  • Artistas
    • Thomas Meighan
    • Gloria Swanson
    • Bebe Daniels
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,7/10
    1,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Cecil B. DeMille
    • Roteiristas
      • Olga Printzlau
      • William C. de Mille
      • Sada Cowan
    • Artistas
      • Thomas Meighan
      • Gloria Swanson
      • Bebe Daniels
    • 27Avaliações de usuários
    • 9Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos30

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    Elenco principal14

    Editar
    Thomas Meighan
    Thomas Meighan
    • Robert Gordon
    Gloria Swanson
    Gloria Swanson
    • Beth Gordon
    Bebe Daniels
    Bebe Daniels
    • Sally Clark
    Theodore Kosloff
    Theodore Kosloff
    • Radinoff
    Sylvia Ashton
    Sylvia Ashton
    • Aunt Kate
    Clarence Geldert
    Clarence Geldert
    • Doctor
    • (as Clarence Geldart)
    Mayme Kelso
    Mayme Kelso
    • Harriette, the Dressmaker
    Lucien Littlefield
    Lucien Littlefield
    • Gordon's Butler
    Edna Mae Cooper
    Edna Mae Cooper
    • Gordon's Maid
    Jane Wolfe
    Jane Wolfe
    • Harriette's Client
    William Boyd
    William Boyd
    • Naval Officer at Hotel
    • (não creditado)
    Clarence Burton
    Clarence Burton
    • Party Guest Dozing
    • (não creditado)
    Julia Faye
    Julia Faye
    • Girl in Bathing Suit
    • (não creditado)
    Madame Sul-Te-Wan
    Madame Sul-Te-Wan
    • Sally's Maid
    • (não creditado)
    • Direção
      • Cecil B. DeMille
    • Roteiristas
      • Olga Printzlau
      • William C. de Mille
      • Sada Cowan
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários27

    6,71.5K
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    Avaliações em destaque

    8pocca

    Never underestimate the power of a dress

    Today Cecil B. DeMille is probably best known for the overwrought (if thoroughly enjoyable) biblical epic "The Ten Commandments." But during the silent era he made several sophisticated comedies portraying the battle of the sexes such as "Why Change Your Wife," an engaging mixture of bizarre, over the top glamour (the negligee the husband buys his wife is so elaborately constructed I couldn't blame her for looking dismayed when she first saw it) and dead on day-to-day detail about married life—is there a couple who hasn't gotten in each other's way and on each other's nerves when sharing a bathroom? Gloria Swanson plays Beth Gordon, a young wife who cannot resist the temptation to improve her husband, scorning his fox trot records for something called "The Dying Poet." She loses him to the proverbial shop girl, Sally Clark—hilariously played by Bebe Daniels—a character so vulgar she owns a gyrating Kewpie Doll. (This film's frank endorsement of consumerism has often been remarked on, but it rightly acknowledges that what we chose to buy tells as much about our class and character as anything else). The husband soon realizes that he made a mistake, clearly finding Sally's baby talk even more tiresome than Beth's high minded nagging, but it isn't until Beth transforms herself into a sexy knockout wearing the height of pre-flapper fashion that the two reunite.

    The movie isn't entirely cynical about romance—it is never really in doubt that Beth and her husband love each other—but it is shrewd enough to recognize that in holding the attention of your partner a little glamour and sophistication doesn't hurt (the husband isn't let off the hook though, and his naiveté in expecting the honeymoon phase to last forever is mocked in a bathroom scene when Sally repeatedly interrupts his attempts to shave just as Beth did earlier).

    A side note: All the leading players are engaging, but the violinist (played by Theodore Kosloff) who seduces women by making love to their souls steals every scene he is in.

    To sum up, this worldly comedy challenges the common assumption that silent film is little more than slapstick or melodrama.
    7facd200

    a typical example of DeMille's comedy

    Swanson changes her style dramatically in the middle of the film (after the divorce), and she becomes really gorgeous. It seems like this film was made just to show her. Comparing with her, Daniels (and other characters) is not so impressive. The film itself has a simple story and maybe it is not so appealing to everyone but still interesting to see.
    HarlowMGM

    Don't Change Your Screenplay

    Director Cecil B. De Mille and actress Gloria Swanson had a monster hit in 1919 with the slightly comic melodrama DON'T CHANGE YOUR HUSBAND about a tired husband who neglects his wife. The next year De Mille and Swanson were reunited for this film, WHY CHANGE YOUR WIFE, which is virtually a remake of the earlier film, only this time the wife is neglectful spouse. This movie is actually a far superior film to the original however because it's played almost entirely for laughs here and Thomas Meighan is a far better actor and more appealing romantic lead than Elliot Dexter in the first film.

    Young matron Gloria Swanson is barely 20 but she might as well be 50 the way she dresses and with that nagging, sour attitude of hers. She whines when her husband's dog is indoors, complains about his choice in music, and basically has turned into a fussy aunt. Husband Meighan's attempts at affection are rebuffed and in desperation he decides to buy a sexy gown for her, falling into the lair of vampy clothes model BeBe Daniels. BeBe manages to break up their marriage before Gloria can blink those legendary blue eyes and Meighan scarcely has a moment to breathe before he finds himself in yet another marriage and this one more troublesome than the first.

    The cast is terrific here; beautiful, chic Gloria is remarkably believable as the young woman who has gotten old before her time. Thomas Meighan is excellent as the husband who goes from being one wives' puppet to a similar role with the second missus. Silent movie fans who are more familiar with the later silent career of Meighan (actually less than a decade away) when he was a more austere screen presence may be surprised how dashing he was at this point in his career and very much a matinée idol. BeBe Daniels is absolutely delicious as the tramp who ultimately decides "the best thing about marriage is alimony". This delightful romantic comedy stills packs quite a punch after some 90 years.
    Sarahbeth214

    Absence certainly makes the heart grow fonder, but its much safer

    Why Change Your Wife? was a movie about a couple undergoing some problems. Robert keeps trying to please his nagging wife, Beth. He tries to please her without success. He tries several things to please her and she continuously turns it down, refusing to change for him. This leads Robert to go out with another women who works in a negligee shop. Eventually she gets a little saucy to spruce herself up and become more appealing in hopes to win Robert back. I loved the romantic drama and the passion behind this silent film. Though it would have been better with sound, I found it very similar to some of the popular movies out today. It was refreshing to see the humor and romantic scandals that were around back in 1920 and how they haven't differed much from the scandals of today. It was a delight to watch.
    10bebegirl35

    Great Silent Classic!

    I bought this film because Bebe Daniels is in it. I may be a little biased since Bebe was my grandfather's aunt, but I think the movie is terrific. The story is so true to life even today! It has a great message and the written narration is so "deep" for the lack of a better word. I was actually more impressed with Gloria Swanson in this particular film though! She was great! She actually "made" the movie! Bebe's part as a vamp was really good too though! She was the perfect one to play this part! I am not gonna give anything away, just order it and watch it for yourself! My husband and I enjoyed it so much! I must confess I ordered all the Bebe movies I could find because there is a definate family resemblance between she and I! But out of my strange interest in this aspect, I actually ended up finding so much more! I love the Silent Classics and discovered Gloria Swanson in the process! Thank you and take care!!!

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    • Curiosidades
      For a silent movie, music plays an important part in it, with a private music recital and a public orchestra performance giving the mood for two scenes. Most significantly, music records with three different types of music are prominently displayed in the hands of two main actors, and are intrinsic to the story development.
    • Citações

      Beth Gordon: Do you expect *me* to share your Oriental ideas? Do you want your *wife* to lure you like a - a - Oh why didn't you marry a Turk?

    • Conexões
      Featured in Hollywood (1980)
    • Trilhas sonoras
      Hindustan - Fox Trot
      By Oliver G. Wallace and Harold Weeks

      Interpreted by Joseph C. Smith's Orchestra

      Published by Victor 18507-A

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    Detalhes

    Editar
    • Data de lançamento
      • 11 de abril de 1921 (Dinamarca)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Nenhum
      • Inglês
    • Também conhecido como
      • Zašto menjati ženu
    • Empresa de produção
      • Paramount Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 30 minutos
    • Cor
      • Black and White
    • Mixagem de som
      • Silent
    • Proporção
      • 1.33 : 1

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