AVALIAÇÃO DA IMDb
6,9/10
1,7 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaTaking the train to a show in Pottsville, musicians Stanley and Oliver run into trouble once settled in their sleeping car berth.Taking the train to a show in Pottsville, musicians Stanley and Oliver run into trouble once settled in their sleeping car berth.Taking the train to a show in Pottsville, musicians Stanley and Oliver run into trouble once settled in their sleeping car berth.
- Direção
- Roteiristas
- Artistas
Harry Bernard
- Train Passenger
- (não creditado)
Sammy Brooks
- Short Train Passenger
- (não creditado)
Baldwin Cooke
- Train Passenger
- (não creditado)
Eleanor Fredericks
- Lady in Berth
- (não creditado)
Paulette Goddard
- Train Passenger
- (não creditado)
Pete Gordon
- Train Passenger
- (não creditado)
Charlie Hall
- Train Passenger
- (não creditado)
Pat Harmon
- Stationmaster
- (não creditado)
John M. O'Brien
- Man who trips over briefcase
- (não creditado)
Hayes E. Robertson
- Train Porter
- (não creditado)
S.D. Wilcox
- Train Conductor
- (não creditado)
Grace Woods
- Train Passenger
- (não creditado)
Avaliações em destaque
For anyone who doesn't believe that train rides can be a total hassle, see this film, and your views will be sorely changed. Laural And Hardy, two vaudeville stars heading for Pottsville, take us on a 20 minute ride of their life (one most of us wish would never happen). This movie makes me laugh tears right from the opening scenes, as the boys even find boarding the train a hard thing to do (this is one of the best scenes in the short). Next we find them on the train, and they've apparently lost their music for their act, can things get worse? of course! stan, on the way to his berth, walks into a womans room, causing her husband to think someone was looking at her, and a free for all coat fight ensues! The next scenes are what tops the short off... Stan and Ollie spend the last 15 minutes just trying to get in the berth and get settled into it! These last scenes make this short a killer, one to be remembered forever, and even though i am only 18, i will make sure my grandkids watch this when they are my age. A truly great L&H short...for everyone
With their vaudeville careers slowly taking off, Messers Laurel and Hardy set off on a tour of small music halls. They arrange to meet at the train station with their instrument but find that the journey is not as comfortable or straightforward as they had first expected.
Laurel and Hardy's first short film with sound is clearly the start of a developing series of shorts. For the first few minutes there is almost no sound to speak of as they rely on their normal comedy style it feels a little like they want to stay with what they know for a while. When the sound does kick in, it is very grainy and is given limited use for that reason. However, considering it is now over 70 years old this is understandable and it doesn't really affect the film too much.
The routines are pretty good and show a keen imagination one running gap is left to run offscreen for five minutes before we are allowed to see it's extreme punchline! The routine in the train carriage berth has been reused to better effect by Laurel and Hardy but is still funny here. Both men are good and work well in the confines of the berth Laurel has the better of the material here though.
Overall I enjoyed this short but must admit that the sheer age of the film did shine through in regards sound quality and even film stock at times. Regards though it was still funny although I missed the verbal wit that is part of their comedy in other shorts.
Laurel and Hardy's first short film with sound is clearly the start of a developing series of shorts. For the first few minutes there is almost no sound to speak of as they rely on their normal comedy style it feels a little like they want to stay with what they know for a while. When the sound does kick in, it is very grainy and is given limited use for that reason. However, considering it is now over 70 years old this is understandable and it doesn't really affect the film too much.
The routines are pretty good and show a keen imagination one running gap is left to run offscreen for five minutes before we are allowed to see it's extreme punchline! The routine in the train carriage berth has been reused to better effect by Laurel and Hardy but is still funny here. Both men are good and work well in the confines of the berth Laurel has the better of the material here though.
Overall I enjoyed this short but must admit that the sheer age of the film did shine through in regards sound quality and even film stock at times. Regards though it was still funny although I missed the verbal wit that is part of their comedy in other shorts.
Several published works on Laurel And Hardy seem to rate this as one of the boys' poorest shorts. How dare they! This is extremely funny - if not quite top drawer - Stan and Ollie. An early talkie, half the film is simply our two heroes trying to get undressed in the upper berth of a sleeper train, getting entangled in each others trousers, night-shirts etc. The boys have also inadvertently set the rest of the passengers against each other, via a method I won't spoil by revealing. It's simplicity itself, yet it works wonderfully well. When most comedies of the twenties and thirties have long been forgotten, the films of these two lovable characters continue to delight.
The real secret is surely in their universal humanity; there's a little bit of Stan and Ollie in all of us.
The real secret is surely in their universal humanity; there's a little bit of Stan and Ollie in all of us.
On a train to a musical performance, Stan and Ollie do what you might expect. The best part of "Berth Marks" is when they're in the compartment trying to go to bed. A notable piece of trivia about this short - their second talkie - is that it's the film debut of Paulette Goddard, Charlie Chaplin's wife from 1936-42 (and his co-star in "Modern Times" and "The Great Dictator").
It's not Laurel & Hardy's best movie, but still fun. There's now a movie about the comic duo, with Steve Coogan as Laurel and John C. Reilly as Hardy. I hope to see it. In the meantime, I recommend "Berth Marks". One can see how L&H influenced Gilligan and the Skipper.
Good one.
It's not Laurel & Hardy's best movie, but still fun. There's now a movie about the comic duo, with Steve Coogan as Laurel and John C. Reilly as Hardy. I hope to see it. In the meantime, I recommend "Berth Marks". One can see how L&H influenced Gilligan and the Skipper.
Good one.
I just recently got into collecting really old films in their original format--16mm--to be viewed on a projector. And I just won a print of this on eBay, to arrive in a few days.
I'm curious how the experience will differ watching it blown up on a large screen in my backyard... with the noise of the projector...and those real grey tones and unaltered sound.
As opposed to just watching a DVD of it.
Yeah, progress is great, but I have a feeling that watching it via film is gonna feel more like living a little bit of history. When it arrives and I finally view it, I'll give a review.
But I have a feeling that it's going to be magic.
I'm curious how the experience will differ watching it blown up on a large screen in my backyard... with the noise of the projector...and those real grey tones and unaltered sound.
As opposed to just watching a DVD of it.
Yeah, progress is great, but I have a feeling that watching it via film is gonna feel more like living a little bit of history. When it arrives and I finally view it, I'll give a review.
But I have a feeling that it's going to be magic.
Você sabia?
- CuriosidadesA silent version was also made for theaters that at the time were not equipped to show talkies.
- Erros de gravaçãoAs Stan and Ollie scramble to board the train, their fiddle is clearly smashed to pieces, yet it is intact for the rest of the film.
- Versões alternativasReissued in 1936 with a new musical score, including the "Cuckoo" song by Marvin Hatley over the main credits, as well as a 1932 version of the song played by the Van Phillips Orchestra over the first scene at the depot.
- ConexõesEdited into Piratas de Meia Cara (1930)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Leito Reservado
- Locações de filme
- Palms Depot, Heritage Square Museum - 3800 Homer Street, Montecito Heights, Los Angeles, Califórnia, EUA(this is where the ending train station building was moved)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração19 minutos
- Cor
- Mixagem de som
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was O Trem do Barulho (1929) officially released in India in English?
Responda