Atlantic

From what I understand this was the first movie about the RMS Titanic that featured sound and it was produced in English, German and French (along with a silent version as well). The title was changed to "Atlantic" for fear of lawsuits. In any case, this film essentially depicts a small handful of passengers who have some interpersonal drama going on both before and after the ship hits the iceberg and begins to sink. Initially, most of the passengers are unaware that the ship is sinking which compounds the problem even more. At least that is the scenario that is portrayed in this particular film. Whether any of that is true or not is unknown to me. Be that as it may, I believe that in order for a person to enjoy this movie it is necessary to appreciate the era in which this film was made and for the viewer to make certain allowances for that fact. Likewise, although there have certainly been better films produced pertaining to the subject at hand, this is still a decent movie overall and I have rated it accordingly. Slightly above average.

How interesting that E.A. Dupont who created one of germany's most memorable silent films (VARIETY) also helmed one of England's first talkies. Obviously he was uneasy with the medium of talking pictures, note how the first 6 minutes of this film is entirely visual. Most of the cast had stage experience, you can tell because they over-exaggerate their lines and cannon out the words like they were playing to the back row. Still this is a well paced dramatic film and the final few minutes have an impact that can stand on their own alongside the later versions, TITANIC and A NIGHT TO REMEMBER. (I am deliberately excluding James Cameron's film with its budget that would have fed a 3rd World country for 10 years and its plethora of computer FX.)

Yes I know "talkies" had just been invented for the cinema 2 years earlier when this was produced in 1929 but this film showed that much had to learnt about the art of producing films.It comes over as a filmed "hammy" stage play with the actors melodramatically enunciating their lines,rolling their eyes, using too many pregnant pauses and using gestures more appropriate to silent cinema, which I suppose was normal during the process of educating them to appear more naturalistic on screen.The gaps between lines spoken should have been tightened up during editing as it considerably slows the film.It is now only of interest for Titanic buffs who want to see an early example of this marine accident on film.In next chronological order they could see "Titanic" (1953) A Night to Remember (1958)"Titanic (1997), to see how the cinema's depiction of this tragedy as evolved over the years.There have been many documentaries and TV films made including the atrocious "SOS Titanic" (1979) On my version which is a DVD, David McCallum gives the introduction.It was he who played Harold Bride Marconi's junior wireless operator in "A Night to Remember"(still the best feature film - please read my "Tribute to Walter" comments on IMDb under Howard Morley.demon.co.uk)and gave the commentary on the series of 4 videos entitled "End of a Dream" so he was well qualified to give the narration.Of more interest I found was a recording accompanied by actual photos of the 1912 US Senate hearing which is also on the DVD.Actors speak the actual words spoken by Lightoller 2nd officer, J Bruce Ismay,Managing director of White Star, Harold Bride and others including Gloria Stewart (The "old Rose" in Titanic 1997) whose voice is used for one of the first class women survivors.

No movie with Madeleine Carroll in its cast could possibly be unwatchable. That said, I have to add that this British film comes close. The story takes place on board the `SS Atlantic' and it's loosely based on the `Titanic's' unfinished voyage. The word `unsinkable' is spoken, the liner strikes an iceberg, and we hear a heavenly choir sing `Nearer My God to Thee.' The doomed passengers eventually take over the anthem, in a clever bit of sound work. But the year of the film's release (1929) means that a modern viewer has to accept otherwise primitive sound and many of the acting conventions of silent films and the stage. These aren't problems. The film's major flaw is pacing, and pacing had been well developed in silents. However, if the dialog were delivered at a realistic speed, the movie's running time would be cut in half. The intended effect was drama (and clarity in a new medium), but the result unhappily is tiresome now. The film's structure is preposterously illogical and inept. Paradoxically, I found certain details of the editing quite modern in technique: fine, abrupt cuts from one area of the ship to another, sometimes even on sound effects. Although we're on board the `Atlantic' from the first shot, we were well over 4 minutes into the movie before I discovered that fact. There are long, intrusive musical passages by the ship's dance orchestra. (Entertaining, easy sound.) Personal stories are presented in an utterly uninvolving and unconvincing way. Don't even think of spectacle. The berg is a tiny thing and the exterior damage it does to the ship's hull is a minor dent. However, the scenes of passengers swarming into the lifeboats - clearly staged on a real liner, presumably tied up to a dock - generate great excitement. Other than the glorious Miss Carroll, these sequences are the film's only points of excellence. As the movie and the ship near their end, the screen goes totally black several times when the power generators begin to fail. Their last, eternal blackout is the end of the film, with a sunset/sunrise tacked on, a clumsy symbolic effect. `Atlantic' is a cinema curiosity. At best.

let me firstly say that too many of these reviewers ,particularly the film student,are viewing the film in a modern context and not as a film made at the coming of sound.In an interview given by John Longden for the BBCs programme "Yesterdays witness" he stated that the ridiculously long pauses between dialogue were entirely the idea of the director.So it is unfair to blame the actors for this.Also in that same programme sound men were interviewed.They said that the effects were recorded on a liner berthed at Tilbury.The ship was linked by phone line to Elstree studios.Before each effect someone would come on the line to describe the effect and it would be recorded at Elstree.The problems with early sound films were quite apparent here.few directors here or in America had the skill of Hitchcock in adapting to the new medium.In fact one should praise the attempt to tell the story in what was then effectively a new medium rather than decry the effort some 84 years later because it is old fashioned.no doubt in the year 2097 young film students will be looking at the like of Man of Steel and chuckling at its antique quaintness.