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6,8/10
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SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaStan & Ollie attempt to fool their wives by sneaking out to a poker game, but instead get involved with two flirty ladies, one of whom is the girlfriend of a jealous boxer.Stan & Ollie attempt to fool their wives by sneaking out to a poker game, but instead get involved with two flirty ladies, one of whom is the girlfriend of a jealous boxer.Stan & Ollie attempt to fool their wives by sneaking out to a poker game, but instead get involved with two flirty ladies, one of whom is the girlfriend of a jealous boxer.
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Avaliações em destaque
We Faw Down (1928)
** (out of 4)
Routine Laurel and Hardy short has the boys lying to their wives and sneaking out for a poker game but they're picked up by two flirts. This here has a couple good laughs including a wonderful site gag at the end but there's really nothing here that separates it from better shorts dealing with the same subject matter.
I viewed this film in the 21-disc, UK box set, which is a dream come true for fans of Laurel and Hardy. It's certainly worth the money if you are a fan.
** (out of 4)
Routine Laurel and Hardy short has the boys lying to their wives and sneaking out for a poker game but they're picked up by two flirts. This here has a couple good laughs including a wonderful site gag at the end but there's really nothing here that separates it from better shorts dealing with the same subject matter.
I viewed this film in the 21-disc, UK box set, which is a dream come true for fans of Laurel and Hardy. It's certainly worth the money if you are a fan.
Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.
Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first great one with close to flawless execution. 'We Slip Up' is not quite as good, but is still among their best and funniest early efforts. Their filmography, apart from a few bumps along the way, was getting better and better and that is obvious here.
It may not be "new" material as such and the first part takes a little bit of time to get going.
When 'We Slip Up' does get going, which it does do very quickly, it is non-stop fun, not always hilarious but never less than very amusing. There is insane craziness that doesn't get too silly, a wackiness that never loses its energy and the sly wit emerges here, some of the material may not be new but how it's executed actually feels fresh and it doesn't get repetitive.
Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'We Slip Up' we are far from robbed of that.
'We Slip Up' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid.
Overall, very good. Not essential or classic Laurel and Hardy, but a good representation of them. 8/10 Bethany Cox
Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first great one with close to flawless execution. 'We Slip Up' is not quite as good, but is still among their best and funniest early efforts. Their filmography, apart from a few bumps along the way, was getting better and better and that is obvious here.
It may not be "new" material as such and the first part takes a little bit of time to get going.
When 'We Slip Up' does get going, which it does do very quickly, it is non-stop fun, not always hilarious but never less than very amusing. There is insane craziness that doesn't get too silly, a wackiness that never loses its energy and the sly wit emerges here, some of the material may not be new but how it's executed actually feels fresh and it doesn't get repetitive.
Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'We Slip Up' we are far from robbed of that.
'We Slip Up' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid.
Overall, very good. Not essential or classic Laurel and Hardy, but a good representation of them. 8/10 Bethany Cox
Once more the famous two get in some serious trouble with their wives, after a series of unfortunate incidents, which forces them to come up with a lie, which of course only make their situation even worser...
The jokes remain funny, even after they are repeated multiple times in the movie. The events leading up to the confrontation with the two wives are both wonderfully constructed and executed and filled with some typical slapstick humor. The movie knows to remain constantly funny throughout the whole movie which makes this a very consistent comedy to watch.
The ending might have some slow moments in it and might not be as funny as the first part of the movie, it doesn't really make the movie less pleasant to watch. "We Faw Down" is good enough for more than a few laughs and it shows Stan Laurel and Oliver Hardy once more in top-form and their chemistry and timing is spot-on!
Perhaps not as memorable and good as other Laurel & Hardy pictures but still an entertaining and watchable comedy-short from the famous comical duo.
7/10
http://bobafett1138.blogspot.com/
The jokes remain funny, even after they are repeated multiple times in the movie. The events leading up to the confrontation with the two wives are both wonderfully constructed and executed and filled with some typical slapstick humor. The movie knows to remain constantly funny throughout the whole movie which makes this a very consistent comedy to watch.
The ending might have some slow moments in it and might not be as funny as the first part of the movie, it doesn't really make the movie less pleasant to watch. "We Faw Down" is good enough for more than a few laughs and it shows Stan Laurel and Oliver Hardy once more in top-form and their chemistry and timing is spot-on!
Perhaps not as memorable and good as other Laurel & Hardy pictures but still an entertaining and watchable comedy-short from the famous comical duo.
7/10
http://bobafett1138.blogspot.com/
Just a quick note to say that this movie is silent, but was nevertheless released with music and effects on Vitaphone discs. The discs has been found, and at least the German Kinowelt DVD release of Sons of the Desert has We Faw Down as an bonus, complete with the music and effects track.
It is always a bonus to watch the silent Laurel & Hardy comedies with the proper, original music and effects track. This brings us a little bit closer to the film's original state.
In general, the Vitaphone system did not last very long, but the system of having soundtracks stored separately does open the possibility of restoring soundtracks even if the film element has been put together from various prints.
It is always a bonus to watch the silent Laurel & Hardy comedies with the proper, original music and effects track. This brings us a little bit closer to the film's original state.
In general, the Vitaphone system did not last very long, but the system of having soundtracks stored separately does open the possibility of restoring soundtracks even if the film element has been put together from various prints.
WE FAW DOWN
Aspect ratio: 1.33:1
Sound format: Silent
(Black and white - Short film)
Stan 'n' Ollie get mixed up with a couple of floozies (Kay Deslys and Vera White) after setting out to visit a theatre which burns down in their absence! Needless to say, their tyrannical wives (Vivien Oakland and Bess Flowers) are not amused...
Leo McCarey's OK comedy laid the narrative framework for William Seiter's masterpiece SONS OF THE DESERT (1934), with L&H playing brow-beaten victims of circumstance, forced to tell a monstrous lie which backfires in spectacular fashion. Much of it is very funny, especially the scene in which Stan is teased by Deslys, leading to a violent game of push and shove. However, some of the fun is undercut by Oakland and Flowers, playing their roles completely straight, which adds an element of unpleasantness to the 'henpecked husband' scenario. Originally released in the UK as WE SLIP UP.
Aspect ratio: 1.33:1
Sound format: Silent
(Black and white - Short film)
Stan 'n' Ollie get mixed up with a couple of floozies (Kay Deslys and Vera White) after setting out to visit a theatre which burns down in their absence! Needless to say, their tyrannical wives (Vivien Oakland and Bess Flowers) are not amused...
Leo McCarey's OK comedy laid the narrative framework for William Seiter's masterpiece SONS OF THE DESERT (1934), with L&H playing brow-beaten victims of circumstance, forced to tell a monstrous lie which backfires in spectacular fashion. Much of it is very funny, especially the scene in which Stan is teased by Deslys, leading to a violent game of push and shove. However, some of the fun is undercut by Oakland and Flowers, playing their roles completely straight, which adds an element of unpleasantness to the 'henpecked husband' scenario. Originally released in the UK as WE SLIP UP.
Você sabia?
- CuriosidadesThis short served as the basis for the final sequence of the feature "Blockheads" ten years later.
- Erros de gravaçãoThe Boys have told their wives that they're going to the Orpheum Theatre with their boss. The theatre burns down and newspapers are on the street within minutes ! The wives get a copy and the headline is in the middle of the top part of the paper under what appears to be a cartoon sketch. After the Boys return home Ollie is describing the acts they saw. Stan sees the paper with the headline in the same position but when he holds it up to show Ollie it's a banner headline across the top of the paper.
- ConexõesEdited into Os Reis do Riso (1957)
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- We Faw Down
- Locações de filme
- Alley way at 2914 West 8th Street, Los Angeles, Califórnia, EUA(Stan and Ollie's getaway at the end of the film)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração20 minutos
- Cor
- Mixagem de som
- Proporção
- 1.33 : 1
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By what name was Maridos Muito Vivos (1928) officially released in Canada in English?
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