AVALIAÇÃO DA IMDb
6,6/10
1,8 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn honest police captain vows to bring down a powerful bootlegger who is protected by corrupt politicians and judges.An honest police captain vows to bring down a powerful bootlegger who is protected by corrupt politicians and judges.An honest police captain vows to bring down a powerful bootlegger who is protected by corrupt politicians and judges.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 3 vitórias e 1 indicação no total
G. Pat Collins
- Patrolman Johnson
- (as Pat Collins)
George E. Stone
- Joe Scarsi
- (as George Stone)
Sam De Grasse
- District Attorney Welch
- (as Sam DeGrasse)
Richard 'Skeets' Gallagher
- Miller
- (as Skeets Gallagher)
Frank Austin
- Man at Funeral
- (não creditado)
Walter Brennan
- Man on Street in Front of Barber Shop
- (não creditado)
Jimmy Dime
- Rival Gang Lookout
- (não creditado)
Jim Farley
- Detective
- (não creditado)
Ruth Feldman
- Woman on stairs
- (não creditado)
Sherry Hall
- Orchestra Leader
- (não creditado)
Avaliações em destaque
As it has just been recovered and digitized by University of Nevada at Las Vegas and Turner Classic Movies along with the rest of Howard Hughes' classic silent movies, the people of today will finally get to see this great movie. A movie about prohibition and the mafia, made at the same time it was all going on. Idealizing the mafia before the Godfather was even thought of. Although it may be silent, it shows detail on the corruption of the mob with the police force and government officials, and not to mention the costumes of the film were obviously fitting for the time period, and used common "gangster" themes, such as the pinstriped suit with fedora and the cigar. The production quality is very good for the time, with what equipment they had to work with. The stereotypical choppiness of the frames from 20's movies rarely occurs, except when there is much fast action. Turner also did a good job digitizing this, as the film quality is still high. I recommend that people see this, albeit short, it gives a good idea about the movies of the times. Along with "Two Arabian Nights", also produced by Howard Hughes.
I found this a very enjoyable early crime drama. Students of the genre will want to compare this to "Little Caesar" and/or "The Front Page". Transitions within scenes and from one scene to another flow better in "The Racket" than in many other silent films.
I agree with earlier comments about the new scoring. There is too much brass and too much forte.
The film itself is about 83 minutes long, much longer than we thought during the 76 years that it was out of circulation. The restoration job on the film is one of the best that I have seen, especially for a film as old as this one is. I hope it is released soon on DVD.
I agree with earlier comments about the new scoring. There is too much brass and too much forte.
The film itself is about 83 minutes long, much longer than we thought during the 76 years that it was out of circulation. The restoration job on the film is one of the best that I have seen, especially for a film as old as this one is. I hope it is released soon on DVD.
Lewis Milestone performed one of his best directing jobs with "The Racket." He had a superior cast in what, in a later talkie, might be just a mediocre script, but taken in context, "The Racket" is a great movie. Watch the byplay during the funeral, for example.
Milestone and his editors and special effects people create some excellent visual effects to complement a cast that charms even in the role of slimy bad guy. Minor characters still got their chances to shine in the spotlight and even the non-speaking -- well, of course all the characters were non-speaking in one sense -- the un-named characters whose job was to look menacing or even just interested in the goings-on, all stood out.
Frankly this film was a surprise to me -- not that it was so good, but that I had had no knowledge of it beforehand.
To come so early in the career of so many of the people connected with it, notably Howard Hughes, who had the (to me) strange title of "presenter," this film is a stand-out. Robert Israel, who wrote the music for this revival, is fast becoming one of the great composers of the modern era.
All the people who are responsible for this film's recent revival deserve the thanks of film lovers as well as film historians. "The Racket" is one to see again.
Milestone and his editors and special effects people create some excellent visual effects to complement a cast that charms even in the role of slimy bad guy. Minor characters still got their chances to shine in the spotlight and even the non-speaking -- well, of course all the characters were non-speaking in one sense -- the un-named characters whose job was to look menacing or even just interested in the goings-on, all stood out.
Frankly this film was a surprise to me -- not that it was so good, but that I had had no knowledge of it beforehand.
To come so early in the career of so many of the people connected with it, notably Howard Hughes, who had the (to me) strange title of "presenter," this film is a stand-out. Robert Israel, who wrote the music for this revival, is fast becoming one of the great composers of the modern era.
All the people who are responsible for this film's recent revival deserve the thanks of film lovers as well as film historians. "The Racket" is one to see again.
Tough cop Thomas Meighan (as James McQuigg) versus underworld kingpin Louis Wolheim (as Nick Scarsi). In a subplot, blonde gold-digger Marie Prevost (as Helen Hayes) pursues Mr. Wolheim's "bad boy" brother George Stone (as Joe Scarsi). This Howard Hughes piloted film was considered for "Best Production" at the first Academy Awards, as "the most outstanding motion picture considering all elements that contribute to a picture's greatness." Although it understandably lost to "Wings", it does posses elements of "greatness".
Mr. Meighan, one of the biggest and most beloved stars of the era, brings considerable presence to his role; with a script that offers him surprisingly few opportunities for characterization. Wolheim and director Lewis Milestone are always a fun to watch match. Ms. Prevost and the supporting cast do their best with the "love story" and gangland activities. And, the production values are high. If only more focus and characterization were on the personal stories and conflicts concerning McQuigg and Scarsi! Curiously hesitant to show much depth; still, "The Racket" exposes, while inadvertently glamorizing, the gangster lifestyle.
******* The Racket (6/30/28) Lewis Milestone ~ Thomas Meighan, Louis Wolheim, Marie Prevost
Mr. Meighan, one of the biggest and most beloved stars of the era, brings considerable presence to his role; with a script that offers him surprisingly few opportunities for characterization. Wolheim and director Lewis Milestone are always a fun to watch match. Ms. Prevost and the supporting cast do their best with the "love story" and gangland activities. And, the production values are high. If only more focus and characterization were on the personal stories and conflicts concerning McQuigg and Scarsi! Curiously hesitant to show much depth; still, "The Racket" exposes, while inadvertently glamorizing, the gangster lifestyle.
******* The Racket (6/30/28) Lewis Milestone ~ Thomas Meighan, Louis Wolheim, Marie Prevost
I am watching it right now on TCM. It has been digitally restored and a new soundtrack added. The music is excellent. I was sure it was 'period' until I saw the credits, which are rolling as I type.
Marie Prevost is amazing, she dominates every scene in which she appears. Her expressions and body language are astounding. It helps you understand what silent movie acting is all about.
This was a Howard Hughes production. I believe the picture is longer than 60 minutes, though.
The University of Nevada at Las Vegas is credited with this restoration project. They did a great job. I love this movie.
Marie Prevost is amazing, she dominates every scene in which she appears. Her expressions and body language are astounding. It helps you understand what silent movie acting is all about.
This was a Howard Hughes production. I believe the picture is longer than 60 minutes, though.
The University of Nevada at Las Vegas is credited with this restoration project. They did a great job. I love this movie.
Você sabia?
- CuriosidadesOnly one copy of the film is known to have survived. It was long thought lost before being located in Howard Hughes' film collection after his death. The film was restored and preserved by the University of Nevada, Las Vegas film department. The restored copy is frequently shown on Turner Classic Movies in the US.
- Erros de gravaçãoMcQuigg's holster is embossed with his name and rank, but it also says CITY OF followed by a blank space.
- Citações
Cub Reporter Ames: I told you not to look after me... Why did you do it?
Helen Hayes: Because - -- because you affect me like a mammy song.
- Versões alternativasIn 2004, The University of Nevada, Las Vegas and Flicker Alley, LLC copyrighted a new digital version with a new orchestral score composed, arranged and conducted by Robert Israel. It was produced by Jeffery Masino and runs 84 minutes.
- ConexõesReferenced in Public Enemies: The Golden Age of the Gangster Film (2008)
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- How long is The Racket?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 24 minutos
- Cor
- Mixagem de som
- Proporção
- 1.33 : 1
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