The Shock

While not nearly as well-remembered today as some of Lon Chaney's other films, "The Shock" is a good melodrama, and it gives Chaney a rather interesting role that shows he could give a convincing performance even without lavish disguises or costumes to work with. Here his character, Wilse Dilling, is a disabled career criminal who is forced by events to re-evaluate his life. Chaney gets good mileage out of his character's crutches and wheelchair, but more than that, he helps the viewer to see his dilemmas as he alternates between despair and hope.

The story is interesting and fairly involved. Wilse starts off under the thumb of the heartless crime boss "Queen Ann", who is using him as part of an elaborate scheme of crime and revenge. But Wilse softens as he gets to knows Ann's intended victims, and he soon becomes caught in the middle as a series of tumultuous events unfolds. Although the production is not of the same quality as in Chaney's best-known movies, it fits together pretty well, with only a couple of slow spots, and most fans of silent films should find it well worth watching.

Shock, The (1923)

*** 1/2 (out of 4)

Lon Chaney plays a cripple who has been used by a Chinatown gang to commit various crimes. He's sent away on his newest job where he falls in love with a girl but it turns out his job is to kill her father. As usual, Chaney gives a remarkable performance and I have no problem calling him one of the greatest actors ever. He perfectly captures all the right emotions for the role and his physical appearance of a cripple is remarkable. Two other highlights include a bank being blown up and an earthquake that happens in the film. The special effects are very good and the suspense and drama are very high.

I watched this on my Roku and apparently even tho these old silent films are in public domain, the music isn't. So there literally was no sound. It's a weird thing to watch when not accompanied by music of some sort.

The print was decent. actually fairly good for a movie that is nearly 100 years old! The short story upon which this is based was written by a fascist.

Chaney is good, although his work with Browning was always so much better.

Another reviewer commented on how the earthquake scenes look so real -- well alot of them WERE real. They were taken from archival footage. Still, the parts that are not archival -- and there are many, are really really really well done. Unfortunately you have to wait until there is like 6 minutes left of the film to see the big payoff.

Some of the film is rather hokey and overall it's slow moving. The ending is the thing to see,

In THE SHOCK, Lon Chaney Sr. Plays Wilse Dilling, who goes up against the criminal underworld and its powerful, sadistic boss, Queen Ann Cardington (Christine Mayo).

This silent film is well worth viewing. It contains plenty of the requisite action and pathos in keeping with its era. Chaney Sr. Is again a marvel to behold. Dilling is another memorable character for him with his signature makeup and facial expressions.

In addition, the earthquake sequence is breathtaking!...

Lon Chaney once again plays a criminal, and a crippled one on crutches at that. He's Wilse Dilling, and he's a feared killer and dope peddler working out of San Francisco's Chinatown (again) for Queen Ann (Christine Mayo), the boss of the criminal underworld in the city. She sends Wilse out to a small country town to keep an eye out on a banker (William Welsh), but Wilse falls for the banker's pious daughter Gertrude (Virginia Valli). Will Wilse be able to carry out his sinister orders when the time comes, or has Gertrude's kind and religious way of life helped the career criminal turn his life around? Also featuring Jack Mower, Henry A. Barrows, Harry De Vere, John Beck, Walter Long, and Togo Yamamoto.

Chaney seems to have hit a creative rut here, as several aspects of his previous films are repeated and mixed together. The film sets up Wilse as being a real scary customer, one to be feared, but whenever things get tough in the film's second half, he just gets tossed around like, well, a cripple. The movie's deus ex machina finale is silly, as is the implausibly happy ending. On the plus side, Chaney is once again good at playing a multi-layered character, and he gets to show some subtle facial acting. Director Lambert Hillyer would stick around Universal into the sound era.