O Mágico de Oz

Dorothy, Scarecrow, and Toto bring a donkey and cow (played by Men In Suits) along with them in the cyclone (which is simulated by having them hug a big hay bale that turns around and around).

ALL THE INTERTITLES ARE IN GIANT BLOCK CAPITALS.

Toto is a real dog who turns into Man In A Suit #3 to fight the lion (Man In A Suit #4), who is not cowardly at all.

There is a line of chorus girls and another of palace guards. At the end, the guards ride in on REAL HORSES, which makes the Men In Suits (by now including #5, bug, and #6, frog, from the Wicked Witch's lair, and #7, kitty cat, who otherwise has no apparent role in the action) look really, really lame.

The cast of thousands and elaborate sets make you wonder why no one had yet thought of MULTIPLE CAMERAS, and EDITING. But that was a concept they obviously couldn't wrap their minds around, back in 1910. Who knows - maybe a second camera would have cost more than all the actors, dancers, horses, and animal costumes put together.

Okay, it's important to point out that you can't compare this movie at all to the 1939 classic--and for so many reasons. Film was just in its infancy in 1910 and full-length movies meant about 10-20 minutes. Sets and costumes were simple and often looked like they were taken right off the stage of a high school play. And, writing and acting as we know of them today, just wasn't invented yet. So I cut the early films a lot of slack and praise movies that actually had decent production values and provided some entertainment into the 21st century--most early films fail on both these counts.

The movie isn't really based on the books but on a stage musical and this at times is pretty obvious--especially when the characters start dancing for no apparent reason at all! But, aside from this odd way of telling the story, it's an adorable and interesting film--particularly as it has people in animal costumes throughout (not just the lion). It just seems very cute and makes watching this historical picture a lot easier! By the way, despite the good production values, this film is not as good as some of the full-length films by the Frenchman, Georges Méliès. His 1902 LE VOYAGE DAN LE LUNE has even better sets and tells a more coherent and watchable story--hence that is why it is rated as a 10 by me and this one only an 8.

In some ways, I found this 1910 silent version of 'The Wonderful Wizard of Oz' more entertaining than the big-budget MGM remake. And in some ways, this silent version (made while L Frank Baum was still alive and writing more Oz novels) is more faithful to Baum's source novel (and its sequels) than the MGM movie was. More significantly for historical purposes, this silent film preserves some aspects of the hugely popular 1903 stage musical based on 'The Wonderful Wizard of Oz', which deviated significantly from both the novel and the later MGM movie.

In the novel, Toto's single most important function is to be a sounding-board for Dorothy, so that she can express her thoughts aloud without talking to herself. In the stage musical (unlike MGM's version), it was impractical to have a trained dog performing various cues, so Toto was written out. Instead, for the stage musical, Dorothy's companion in the cyclone ride from her Kansas farm to Oz was Imogene the cow, played by two panto-style actors in a cow costume. In this movie, we see several 'animals' (including Imogene, and the Cowardly Lion) which are very obviously played by actors in costumes. Toto appears very briefly as a real dog, to be transformed almost immediately by Glinda into an actor in a dog cozzie, courtesy of a Melies-style jump cut. Refreshingly, Dorothy is actually played here by an age-appropriate little girl (more about her later), rather than a too-old teenage Judy Garland in a bust-suppressor.

In the stage musical based on 'The Wonderful Wizard of Oz', the star performers were the comedy team of Fred Stone and David C Montgomery as the Scarecrow and Tin Woodman; they sang comic songs such as "Hurrah for Baffin's Bay" and performed specialities, notably a 'black art' routine in which Stone assembled the various pieces of Montgomery's disconnected Tin Woodman. (After starring in this stage musical, Montgomery died young; Fred Stone went on to play Katharine Hepburn's father in 'Alice Adams'.) Here in this silent film of the stage musical, there's not much singing, but we do see the Scarecrow and Tin Woodman performing a comical dance. The Scarecrow does a very impressive back handspring, made even more impressive because he immediately segues from this into a weird crawling dance with the animal actors. I was astounded to learn that this acrobatic Scarecrow was Robert Z Leonard, a vaudeville performer who'd worked with Lon Chaney, and who later had a long successful career as a film director, well into the talkies era. (He directed Judy Garland and Liza Minnelli in 'In the Good Old Summertime', among other credits.) One tableau sequence in this silent movie puts Dorothy and the Scarecrow in a forest where the trees have sinister faces; I wonder if this sequence inspired the talking-tree sequence in the MGM film. Elsewhere in this 1910 film, we see that Oz has some black residents ... in loincloths, escorting camels.

The charming and delightful Dorothy in this silent film, as I was pleased to discover, is Bebe Daniels, who later did much to inspire British radio audiences during the Blitz. Here, she performs a delightful dance. The nimble Tin Woodman is played by Alvin Wyckoff, who later became a movie cameraman. There are a couple of very impressive stage sets with ensembles of chorus girls in pageboy outfits, and the Melies-like entrance to the Emerald City looks like an enormous human face. I was hugely impressed with the flying effect used here for the villainous Momba the Witch (no, not Mombi from the Oz books: this is Momba with an 'a') and also used here for Glinda; the Glinda in this movie looks vastly more impressive than Billie Burke did as Glinda with that wastebasket on her head. In this silent version, when Dorothy uses a bucket of water to dissolve the wicked witch, I found the results more impressive than what happened in the MGM version. I'll rate this 1910 movie 'The Wonderful Wizard of Oz' a full 10 out of 10. I wish they had filmed the complete stage musical, even without sound.

This is a shock, at first, to view. It looks so primitive that you can hardly believe what you're seeing. It makes the 1939 version look like today's advanced technology, in comparison. The sky, for instance, looks like a cheaply painted paper mache that just moves right to left. That is supposed to indicate a windy day and looks so hokey you watch this in amazement. But, it's 1910, and the very early years of motion pictures, so I am not ridiculing it. In fact, it makes you marvel how much they advanced in just several decades of film-making after this was made.

It is interesting to note some of the differences in the story, too, such as Nebraska being mentioned instead of Kansas, but this was adapted from a stage play, not the novel (as the '39 film was). Differences aside, it was still fascinating to watch because it's almost like going to school and watching your kids in some Middle School production! Once again, I am not slamming it because I realize when it was made and appreciate the effort....and historical value of this film. Also, it's hard to get much of a story in when the film's running time is only 13 minutes.

Note: a young Bebe Daniels plays "Dorothy." You can see this movie on DVD as part of the "More Treasures From the American Film Archives, which was released in 2004.

This film is included in the "More Treasures of the American Film Archive" DVD. The running time is listed at 13 minutes. It kind of looks like a junior high school production of "the Wizard of Oz" with people dressed up in costumes to portray Toto, the Cowardly Lion, Imogene the Cow and what appears to be a donkey. The latter two accompany Dorthy to the Emerald City with the all the rest. The Scarecrow and the Tin Woodsman are not too bad, and not that far removed from the 1939 Classic. The Wizard himself looks like the 19th century Medicine Show man that the Wizard was supposed to be. It is interesting that they basically told the whole story in such a short time frame. This film is actually interesting to watch in a historical sense. For that reason I gave it a 9.