O Reino das Fadas

"Kingdom of the Fairies" is undoubtedly one of Georges Méliès's best féeries, or fairy films, alongside other such ones as "Blubeard" (1901) and, if you want to consider it as part of the genre, "Le Voyage dans la lune" (1902). It is also one of his best films in general. Its narrative follows the abduction of a princess by a wicked fairy/witch, and her subsequent rescue by the prince (played by Méliès)--an adventure which takes the prince and his men to the depths of the sea, where they meet the kingdom of the fairies, ride inside a whale to shore, and to the eventual rescue of the damsel from a burning castle. This was one of the most elaborate Star Film productions, with 20 some changes of scenery, a requirement of many costumes, and a runtime nearing 20 minutes.

Méliès consistently produced the best movie set designs of his era, but the ones in this film especially stand out, including the undersea design and the burning and collapsing castle. Even the miniature model scene of the ship sinking works, because, after all, it's fantasy. The aspect, however, that I particularly appreciate in these fairytale films is their frequent use of the fairy as a narrator, or manipulator of the characters and plot. Another good example of this can be seen in "Bluebeard", as well as in films by others, such as "The Magic Sword" (1901) and "Jack and the Beanstalk" (1902). One scene in "Kingdom of the Fairies" is especially remarkable: it's a vision scene projected by the wicked fairy to the prince and involves the changing of the scenery from the castle room to the vision and back to the castle room.

(EDIT: The hand-colored print now available on home video makes this film look even better.)

One of Melies' elaborate story productions, ranking with VOYAGE TO THE MOON, using camera tricks, sleight of hand, elaborate costumes and interesting model work. Technically it will look primitive to the modern eye -- the sets are clearly sets, the models clearly models -- but it is all done with Melies' verve and dedication. Certainly, the grotto and underwater sets are beautiful; he knew how to draw stonework.

Melies, I feel, remains the most accessible of the oldest directors, in large part because of the sheer sense of showmanship and joy that is evident in these works. His scenes, when they are not sleight-of-hand magic, are essentially tableaux, punctuated by acrobats. His tableaux are much more elaborate than other directors who use the form, providing a feast for the eye. Working, as he does in this movie, with familiar images, he elaborates them, whereas in VOYAGE TO THE MOON, he invents them and suggest them. The effect is -- there is no other word for it -- magical.

This is the most beautiful production I've seen from Melies. The visuals will have you mesmerized - simply stunning!

It's about a princess that is taken away from her home by and evil witch... a prince and his men will journey to rescue her.

Yes this film is worth the 15 minutes or so to watch!

9/10

This short fantasy feature is quite interesting and creative, with an involved story that is enjoyable to watch despite the somewhat unrefined nature of the production. Méliès made "Kingdom of the Fairies" just a year after his gem "Trip to the Moon", and it uses many of the same skillful techniques, with some different and equally imaginative settings.

The story starts with a princess taken captive by a witch, and from there the plot is quite detailed and interesting. You have to pay close attention, since there are no inter-titles to explain the action (it seems possible that the picture may have had a spoken narrative that was intended to be read while it was running), but there is enough detail that the main events are not that hard to figure out.

Méliès creates several interesting little worlds during the course of the action, and most of them work well. Even the few visual effects that are less convincing cinematic ally are still interesting to look at. Even aside from the story, it's interesting just to look at all the details and the possible associations that they suggest.

This is the kind of very old, pioneering film that might only be of great interest to silent film fans or historians, but anyone who appreciates the more widely-known Méliès features would probably find "Kingdom of the Fairies" well worth taking the time to watch.

Following on the heels of his hugely important A Trip to the Moon, Georges Méliès directed this feature. Like its predecessor it was another narrative film. It was one of several that the director made that fell into the fairy tale category. A princess is abducted by a witch and a gallant prince embarks on quest to save her. His adventure takes him to the ocean floor where he encounters fairies from the court of Neptune and is subsequently taken on a journey inside a giant whale. He then battles the witch and her minions in the final conflict.

There is a lot of great imagery here and it exists in a great colour tinted print. The fantastical underwater world is particularly nice. There are a lot of different sets for a film of this age. Many of them are quite elaborate and detailed. Like other films of the time it has no inter-titles, so it wouldn't be very easy knowing exactly what is going on without a narrator. Fortunately there are versions of this with a voice-over, which was how the feature was meant to be presented in any case. But even without this it is consistently very interesting visually and is a great little fantasy adventure. Méliès was easily the most important director of the earliest years of cinema and this feature quite clearly indicates why.