O Aventureiro

When I was a young boy (about five years old), my parents couldn't afford a TV and, in order to give me entertainment, my dad bought a second hand silent cine projector and showed me some silent westerns (which I have all but forgotten) and - oh joy, oh bliss - the Essanay and Mutual Chaplin films. The greatest of these - by a long way, in my estimation is 'The Adventurer' indeed, it is one of the very few short films worthy of the term 'masterpiece'.

The Adventurer is a sonata on the number 3. There are three main locations - the beach, the pier and the house. The cliff location in the beach scene is triangular, Charlie and his two pursuers make an hilarious trio, with every combination of characters and apexes of the triangle being explored...

Then we go onto the pier... There we have three sub-locations - the top of the pier, the car and the sea. Charlie explores all of these and then moves onto the house.

Here we also have three locations - upstairs, downstairs and the terrace. You can see dozens of other 'threes' in the film, but the coda, in which Charlie is chased three times round the set is like the delirious coda to Mozart's 41st Symphony when the orchestra seem to take off. There is noting like it in all cinema.

Of course I had no idea about all this subtlety when I was a kid, I just looked and laughed in wonder and said with a pleading thrill in my voice.... 'Play it again, Dad.'

Without these wonderful Chaplin films, I doubt that I would have given my life to the cinema for the last fifty years.

I've seen The Adventurer well over a dozen times and each time it is just as funny as the time before. I repeatedly find myself thinking during the first scenes (where Charlie is on the beach and on the lamb from the police) that those scenes must be the high of the movie and as such that the movie will progessively sink from the close of those scenes on. Yet each time I watch the film I am pleasantly refreshed to the fact that the whole film is equally great.

Chaplin is excellent in the film, and his frequent foil in the early movies, Eric Campbell, is also perhaps at his best.

This film is well worth watching (several times).

Charles Chaplin plays an escaped convict, who saves a rich girl and her mother, and is treated as a hero.But how long can he hide from the law.The Adventurer is a great short silent comedy movie from 1917.The movie has many funny scenes, like when Charlie is chased by the cops.It is great fun to watch these old silent movies and see how much the movies have changed from those days.

Chaplin is a funny man that can do a lot with very little. His humour is slapstick and he is very good at it.

Here we follow a convict on the run through diverse escapades in which he amongst other things saves a woman's mother and steals the woman from her suitor.

His jokes are very simple and effective, that said they can be a bit repetitious and today obvious.

Funniest part is in the beginning when he bumps into police everywhere and repeats his mistakes all the time and also the bit with the sliding doors.

Although there isn't quite the depth to "The Adventurer" that many of Chaplin's films have, since most of it is just slapstick comedy, on that level it is still quite a success. It is non-stop fun with a lot of good gags, with good work not only from Chaplin but also from his supporting cast.

Charlie plays a convict who escapes from prison and tries one thing after another to stay free. Early in the movie, when he happens to save a rich girl (Chaplin regular Edna Purviance) from drowning, he is taken into her home, and from there, some hilarious situations and a lot of frantic activity follow.

One of the things that works very well in this feature is the re-use of a couple of the same gags with different details. Chaplin and the rest of the cast also work together well in building up the humor as it goes along. There are also some hints at some of Chaplin's usual social themes. For pure comedy, this is one of the best of Chaplin's short films.