Na França rural do século XIX, uma misteriosa entidade sobrenatural ameaça uma pequena cidade. John McBride, um patologista, chega à cidade para investigar o perigo e exorcizar alguns de seu... Ler tudoNa França rural do século XIX, uma misteriosa entidade sobrenatural ameaça uma pequena cidade. John McBride, um patologista, chega à cidade para investigar o perigo e exorcizar alguns de seus próprios demônios no processo.Na França rural do século XIX, uma misteriosa entidade sobrenatural ameaça uma pequena cidade. John McBride, um patologista, chega à cidade para investigar o perigo e exorcizar alguns de seus próprios demônios no processo.
- Direção
- Roteirista
- Artistas
- Prêmios
- 5 indicações no total
Avaliações em destaque
First 30-40 minutes were good. Kinda expensive production for a horror movie, interesting story, decent acting. Then, i was slowly losing my interest. At the end of the movie i didn't care about what happened to the characters, i just wanted it to end. Something felt off, i can't explain it better because English is not my native language. You can't enjoy a horror movie when you don't care if the characters live or die. Maybe i was not in the right mood, i don't know.
It's definitely not a bad movie, however, it's too long. It should have been at least 15 minutes shorter, there were some pace problems. Not boring though, for the most part of it.
Actors were not so charismatic or appealing except Kelly Reilly. She shines through the movie.
I wanted to like it. CASHBACK (same director, 2006) is one of my favorite movies. I liked THE BROKEN (2008) too.
This, not so much.
It's definitely not a bad movie, however, it's too long. It should have been at least 15 minutes shorter, there were some pace problems. Not boring though, for the most part of it.
Actors were not so charismatic or appealing except Kelly Reilly. She shines through the movie.
I wanted to like it. CASHBACK (same director, 2006) is one of my favorite movies. I liked THE BROKEN (2008) too.
This, not so much.
Solid horror movie. The story is interesting, the beginning was a bit too much for me to watch, but it laid the foundation for the rest of the movie. There's a few little jumpscares in the beginning but other than that it just builds the scaryness off of the storyline. Overall a good movie, would recommend to watch, but for me the possibility of a rewatch is low.
It's been quite some time since there has been some legitimate horror in this genre. This movie delivers on all the right aspects from the cinematography to the creature effects. I thoroughly enjoyed it.
I wished they never changed the original title, Eight for Silver. That name had a unique identity of its own.
An aesthetically pleasing horror drama, beautiful locations, peak cinematography, talented actors, a proper budget, brilliantly written and directed, realistic brutal scenes with outstanding performances.
A unique take on lycanthropy that never ever seen before. I would've rated more if Sean Ellis carried the same momentum he had until the final act.
An aesthetically pleasing horror drama, beautiful locations, peak cinematography, talented actors, a proper budget, brilliantly written and directed, realistic brutal scenes with outstanding performances.
A unique take on lycanthropy that never ever seen before. I would've rated more if Sean Ellis carried the same momentum he had until the final act.
Sean Ellis wrote, directed, and co-produced this gothic horror, along with serving as it's cinematographer. This is 100% the vision of his single creative mind, and I have a tremendous amount of admiration for that, even if not all of it worked for me.
The Cursed is a bizarre, unconventional monster movie. It has a heavy focus on tone and atmosphere with very little regard for establishing mythology. And it's a very refreshing take on the well-worn concept of werewolves.
With this film, Ellis proves himself to be a more than capable director and cinematographer. He crafts a bleak environment in which no one is safe or truly morally just, and he keeps the horrifying creature out of the frame as often as possible so that when the gore does finally come, it's a shocking occurrence.
The visual presentation is far more impressive than the writing, however. Ellis's script certainly isn't bad. It's just overstuffed, biting off a bit more than it can chew. There is an opening sequence that isn't mentioned again until the ending, and even then it feels disconnected from the actual narrative. There is no real reason for it to be here, and it's presence actually takes away from a more ambiguous ending that would have been far creepier.
Additionally, there are quite a lot of characters, and none of them are really fleshed out beyond the positions they hold in society. There is quite a lot going on in this film in its first and final acts, and it could have been streamlined a lot by cutting the fat to make it as lean and suspenseful as the middle portion of this film is.
Still, even with its faults, this is a thoroughly ambitious film that I think really does revitalise the werewolf mythos in a lot of ways, and I really hope that people go and support this film so that we can get more unique visions like this.
I'd rather see unique but flawed movies that allow a creator to have free reign than simple competent movies that don't take risks and feel like studio-approved products.
The Cursed is a bizarre, unconventional monster movie. It has a heavy focus on tone and atmosphere with very little regard for establishing mythology. And it's a very refreshing take on the well-worn concept of werewolves.
With this film, Ellis proves himself to be a more than capable director and cinematographer. He crafts a bleak environment in which no one is safe or truly morally just, and he keeps the horrifying creature out of the frame as often as possible so that when the gore does finally come, it's a shocking occurrence.
The visual presentation is far more impressive than the writing, however. Ellis's script certainly isn't bad. It's just overstuffed, biting off a bit more than it can chew. There is an opening sequence that isn't mentioned again until the ending, and even then it feels disconnected from the actual narrative. There is no real reason for it to be here, and it's presence actually takes away from a more ambiguous ending that would have been far creepier.
Additionally, there are quite a lot of characters, and none of them are really fleshed out beyond the positions they hold in society. There is quite a lot going on in this film in its first and final acts, and it could have been streamlined a lot by cutting the fat to make it as lean and suspenseful as the middle portion of this film is.
Still, even with its faults, this is a thoroughly ambitious film that I think really does revitalise the werewolf mythos in a lot of ways, and I really hope that people go and support this film so that we can get more unique visions like this.
I'd rather see unique but flawed movies that allow a creator to have free reign than simple competent movies that don't take risks and feel like studio-approved products.
Você sabia?
- CuriosidadesSean Ellis has stated that he also took from the story of the Beast of Gévaudin for inspiration to write this film.
- Erros de gravaçãoIf the bulk of the story is set in 1891, and John McBride's family were killed by the 'Beast of Gevaudan' in France, then he has to be about 150 years old! That event took place in 1764-1767.
- ConexõesFeatured in Chris Stuckmann Movie Reviews: The Cursed (2022)
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Eight for Silver
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 4.588.389
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.776.142
- 20 de fev. de 2022
- Faturamento bruto mundial
- US$ 4.588.389
- Tempo de duração
- 1 h 51 min(111 min)
- Cor
- Proporção
- 2.39 : 1
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