AVALIAÇÃO DA IMDb
7,6/10
16 mil
SUA AVALIAÇÃO
Uma odisseia cinematográfica que explora a jornada criativa e musical de David Bowie, obra do visionário diretor Brett Morgen.Uma odisseia cinematográfica que explora a jornada criativa e musical de David Bowie, obra do visionário diretor Brett Morgen.Uma odisseia cinematográfica que explora a jornada criativa e musical de David Bowie, obra do visionário diretor Brett Morgen.
- Direção
- Roteirista
- Artistas
- Ganhou 2 Primetime Emmys
- 15 vitórias e 52 indicações no total
David Bowie
- Self
- (cenas de arquivo)
Trevor Bolder
- Self
- (cenas de arquivo)
Ken Fordham
- Self
- (cenas de arquivo)
Mike Garson
- Self
- (cenas de arquivo)
John 'Hutch' Hutchinson
- Self
- (cenas de arquivo)
Geoff MacCormack
- Self
- (cenas de arquivo)
- (as Geoffrey MacCormack)
Mick Ronson
- Self
- (cenas de arquivo)
Brian Wilshaw
- Self
- (cenas de arquivo)
Mick Woodmansey
- Self
- (cenas de arquivo)
Carlos Alomar
- Self
- (cenas de arquivo)
Gui Andrisano
- Self
- (cenas de arquivo)
Ava Cherry
- Self
- (cenas de arquivo)
Robin Clark
- Self
- (cenas de arquivo)
Dennis Davis
- Self
- (cenas de arquivo)
Greg Errico
- Self
- (cenas de arquivo)
Herbie Flowers
- Self
- (cenas de arquivo)
Richard Grando
- Self
- (cenas de arquivo)
Avaliações em destaque
Saw this in IMAX 2d. Loud, vivid, it's not a biography, it's an exploration and celebration of Bowie's life, art, and music. Made up of clips cleverly edited together and enhanced to make this a cinematic experience . See it as big and loud as you can and get lost in Bowie. It needs to be three hours longer to fit in everything the stuff others are moaning about not being there. I'd happily have done another 3 hours of this. Came out wanting to listen to all the album's again and smoke cigarettes and bleach my hair and wear a raincoat. Everything i wanted to be in the eighties, I want again after watching Bowie come to life once more.
As a huge Bowie fan I really wanted to like this.
Unfortunately the movie is quite flawed:
As a Bowie fan I appreciate that a story is not always linear, and I appreciate artistic & weird movies too. But this one felt too much like a lazily put together collage of footage that was most easily found.
Unfortunately the movie is quite flawed:
- asynchronous storyline or not? Footage from different eras are mixed throughout the movie, but the director is also trying to tell a story of different periods.
- focus on only 3 periods only. The 3 periods in the storyline are basically Ziggy/ Aladin Sane, Berlin & Commercial 80's. Nothing about pre-Ziggy, soul period (young Americans), or after '85 (1.outside, tin Machine, hours, reality/heathen, the quiet period after heart attack that nobody really knows anything about, or comeback/ next Day/ Blackstar/ death. The movie is 2,5 hours long, so you would expect some more attention to the lesser known work & periods.
- doubling footage. Some footage shown multiple times, like the elevators in Japan. Why? Is there not more different footage available?
- lack of new footage: many scenes already shown in multiple Bowie documentaries, e.g. Amstel Hotel and the interview with the English bloke. Again; is there really nothing new of less known to find about one of the most famous guys of the last decades?
- footage of influences. A lot of footage of movies Bowie apparently liked, like Voyage to the Moon, Nosferatu, Metropolis. However without source or any explanation or even context and in overabundance.
As a Bowie fan I appreciate that a story is not always linear, and I appreciate artistic & weird movies too. But this one felt too much like a lazily put together collage of footage that was most easily found.
David Bowie Moonage Daydream. 2hours 18 mins of Bowie, it's not your usual " talking heads" bigging up some old/ dead/ has been rock star who has a reissued album to flog. It's just Bowie, well it isn't? It's a beautifully compiled fast edited montage of Bowie, his music, visuals, interviews both on screen on audio and various clips of his many many influences. What I learnt about Bowie, he was constantly striving for his art, he was some times lost (mainly during his successful periods) and like all of us he wished could have more time towards the end. Most importantly he was really happy at the end of his life both emotionally, creatively and spiritually. There are loads of previously unseen clips and lots of unheard mixes of songs. Ps I love Bowie, 1980 I bought my first Bowie album on the day of its release (Scary Monsters) and I never looked back. If your not a fan I don't know how you'd take it, it's a fascinating work of art and totally enthralling so I'd give it 10/10 if your not a fan give it a watch and perhaps you'll see why people where heart broken when he passed away. Listen out for "Cygnet committee" there's a lovely choral version at the end, and watch until the end of the credits, David will speak just to you.
There's much to like here. Visually interesting and it gave me a deeper appreciation of Bowie as a person. Some very sage quotes and sound bites. At one point I felt quite sad and thought Bowie was quite lonely/dissatisfied with life, but then the film ended with some brilliant statements from the man himself.
But. It was a bit of a mess with the story telling. Jumped about quite a bit and I can't help but feel it missed the last 15 years of his life? I also think it was too long and could've been easily less than 2 hours.
Interesting watch but not one I'd go back to. Definitely a one-time experience.
But. It was a bit of a mess with the story telling. Jumped about quite a bit and I can't help but feel it missed the last 15 years of his life? I also think it was too long and could've been easily less than 2 hours.
Interesting watch but not one I'd go back to. Definitely a one-time experience.
It's more of a series of musical montages than a biopic, really. This seems to be Morgen's shtick at this point. Some montages work better than others and while I didn't find the movie that pretentious, as others have said, some montages were just drawn out too long even if they were pretty cool.
It might have been better to take a more balanced approach where there is more actual information presented about Bowie's life and career (there was some but not enough, IMO). This movie is short on details in that regard; it paints over everything in Bowie's career with a broad brush and goes into very little detail re: how, exactly, his career progressed. The overarching message presented is nice but fairly cliche: embrace life, appreciate each day, live in the present moment, etc. Nevertheless, it will still be enjoyable for those who like Bowie's music.
It might have been better to take a more balanced approach where there is more actual information presented about Bowie's life and career (there was some but not enough, IMO). This movie is short on details in that regard; it paints over everything in Bowie's career with a broad brush and goes into very little detail re: how, exactly, his career progressed. The overarching message presented is nice but fairly cliche: embrace life, appreciate each day, live in the present moment, etc. Nevertheless, it will still be enjoyable for those who like Bowie's music.
Você sabia?
- CuriosidadesThe documentary includes a lot of David Bowie's unpublished personal material, including photos, home videos and some interviews on TV. Director Brett Morgen talked in person with Bowie's widow, top model Iman, for asking permission to use the material as tribute to Bowie. Although in a first moment she was reluctant to this idea, she was convinced by Morgen's previous works Cobain: Montage of Heck (2015) and Jane: a Mãe dos Chimpanzés (2017) about singer Kurt Cobain and scientist Jane Goodall, where Morgen used personal material from each other to create artistic collages as tribute to them, instead to use in the way to make a classic biographic documentary.
- ConexõesFeatures O Gabinete do Dr. Caligari (1920)
Principais escolhas
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- How long is Moonage Daydream?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 4.218.925
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.230.145
- 18 de set. de 2022
- Faturamento bruto mundial
- US$ 13.095.781
- Tempo de duração2 horas 15 minutos
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1
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