- Prêmios
- 22 vitórias e 123 indicações no total
Anaïs Rizzo
- Helen
- (as Anais Rizzo)
Tara Mae
- Middle Sister
- (as Tara McDonagh)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Despite one of the biggest divides in critical reception (critical acclaim) and audience reactions (much more polarising, with a large amount of strong dislike) of any film seen by me, 'The Green Knight' was still seen anyway on high recommendation from my sister. Also like Dev Patel, with him coming on a long way as an actor, and have liked David Lowery's other work. Especially 'The Old Man and the Gun'. The subject did fascinate me a good deal and have no problem with symbolism or slow pacing, have even in the past defended films with heavy symbolism and/or slow pacing.
Somehow though, 'The Green Knight' was one of those difficult to rate and review films. Really wanted to like it, with how much it had going for it and how highly recommended it was, but it was wildly uneven. There are good things, and those good things are actually quite outstanding. There are also bad things, and a few of the bad things are worse than bad. Actually saw 'The Green Knight' last year, but it has taken a while for me to think over and adequately sum up what my thoughts were.
'The Green Knight' does have good things. Cannot fault the acting, with Patel giving perhaps his best performance to date in full command of a strongly written role. Alicia Vikander is suitably enigmatic and 'The Borgias' Sean Harris makes the most of his short screen time. Did think that it started off great, very thought provoking and with a very haunting, creepy mood. The Green Knight is pretty frightening.
Also cannot fault the production values, which are quite wonderful. Very handsome and atmospheric scenery enhanced by the vibrant yet also moody photography. The effects work shows a lot of professionalism and care. The music has a haunting ominous vibe and had no problem with how it was placed, also felt that it suited the tone of the story and didn't come over as too heavy.
On the other hand, the story felt dully paced and over-extended, starting off with great promise but meanders about a lot in the second half. If you read any synopsis that indicates that a lot goes on, it didn't feel like it to me with a lot of scenes going on for too long, everything that happens post the battlefield sequence (which was well done) to the arrival at the Green Chapel feels like forever. Lowery directs with ambition but sometimes it was very more style than substance and show offy.
Furthermore, the symbolism is very heavy handed and not easy to get the head round. Especially in the final act. Some interesting themes here, not dug into deeply or insightfully enough. The whole ending also felt confusing and it feels rather abrupt as well. Too much of the script is too rambling and there is not much fresh or insightful about it.
In conclusion, very difficult to rate and review. 5/10.
Somehow though, 'The Green Knight' was one of those difficult to rate and review films. Really wanted to like it, with how much it had going for it and how highly recommended it was, but it was wildly uneven. There are good things, and those good things are actually quite outstanding. There are also bad things, and a few of the bad things are worse than bad. Actually saw 'The Green Knight' last year, but it has taken a while for me to think over and adequately sum up what my thoughts were.
'The Green Knight' does have good things. Cannot fault the acting, with Patel giving perhaps his best performance to date in full command of a strongly written role. Alicia Vikander is suitably enigmatic and 'The Borgias' Sean Harris makes the most of his short screen time. Did think that it started off great, very thought provoking and with a very haunting, creepy mood. The Green Knight is pretty frightening.
Also cannot fault the production values, which are quite wonderful. Very handsome and atmospheric scenery enhanced by the vibrant yet also moody photography. The effects work shows a lot of professionalism and care. The music has a haunting ominous vibe and had no problem with how it was placed, also felt that it suited the tone of the story and didn't come over as too heavy.
On the other hand, the story felt dully paced and over-extended, starting off with great promise but meanders about a lot in the second half. If you read any synopsis that indicates that a lot goes on, it didn't feel like it to me with a lot of scenes going on for too long, everything that happens post the battlefield sequence (which was well done) to the arrival at the Green Chapel feels like forever. Lowery directs with ambition but sometimes it was very more style than substance and show offy.
Furthermore, the symbolism is very heavy handed and not easy to get the head round. Especially in the final act. Some interesting themes here, not dug into deeply or insightfully enough. The whole ending also felt confusing and it feels rather abrupt as well. Too much of the script is too rambling and there is not much fresh or insightful about it.
In conclusion, very difficult to rate and review. 5/10.
The Green Knight came highly recommended. I went in wanting to love it, but left disappointed. The cinematography and visual execution in the film are outstanding (with the exception of the weakly CGI'd fox). The movie drops the viewer into a fully realized medieval fantasy, complete with talking creatures, witchcraft, a ghost, and even a traveling crew of giants in a segment that made little sense. It's fortunate that the scenes are so dazzling, because you'll be staring at them a while. The movie trudges along for over two hours.
For plot, the Green Knight tells the story of Sir Gawain, King Arthur's unaccomplished nephew who appears to spend much of his time drinking or fraternizing with a prostitute he fancies but is unwilling to progress the relationship any further beyond transactional. On Christmas, at the King's feast, the eponymous Green Knight appears, a creature with a human shape but made of trees and plants. He proposes a game: anyone who strikes him will receive his powerful ax, but in one year, that individual must go to the Green Knight's home, an earthen chapel, and receive the same strike in return. Gawain beheads the Green Knight, achieving instant fame throughout the kingdom. As the following year slips away, Gawain then faces his obligations and sets off on the journey to meet the Green Knight.
It's a film that asks Big Questions, about the meaning of being human and facing one's death, about honor, duty, and chivalry, and even about love. After raising these issues early on, once Gawain begins his travels, the film then instead forefronts the slog of the journey. Maybe the unpleasantness of duty is part of the point, but it's not enjoyable viewing either. Several of the stops along the way seem nothing more than pretty, pretentious asides - dreamlike aspects of the film's world that they just couldn't cut during editing - rather than necessary portions of plot. The movie was stuffed with these aspects and overlong as a result, resulting in a viewing experience that felt tedious by the time the credits rolled.
For plot, the Green Knight tells the story of Sir Gawain, King Arthur's unaccomplished nephew who appears to spend much of his time drinking or fraternizing with a prostitute he fancies but is unwilling to progress the relationship any further beyond transactional. On Christmas, at the King's feast, the eponymous Green Knight appears, a creature with a human shape but made of trees and plants. He proposes a game: anyone who strikes him will receive his powerful ax, but in one year, that individual must go to the Green Knight's home, an earthen chapel, and receive the same strike in return. Gawain beheads the Green Knight, achieving instant fame throughout the kingdom. As the following year slips away, Gawain then faces his obligations and sets off on the journey to meet the Green Knight.
It's a film that asks Big Questions, about the meaning of being human and facing one's death, about honor, duty, and chivalry, and even about love. After raising these issues early on, once Gawain begins his travels, the film then instead forefronts the slog of the journey. Maybe the unpleasantness of duty is part of the point, but it's not enjoyable viewing either. Several of the stops along the way seem nothing more than pretty, pretentious asides - dreamlike aspects of the film's world that they just couldn't cut during editing - rather than necessary portions of plot. The movie was stuffed with these aspects and overlong as a result, resulting in a viewing experience that felt tedious by the time the credits rolled.
I don't know what kind of drugs David Lowery took but it seems like that stuff was doing its job. The Green Knight is well filmed, I'll give them that, but the story itself is slow, making no sense for the majority of the time. It's just a weird movie, and normally that doesn't mean it's bad but in this case it was. The acting wasn't bad either so it wasn't their fault this whole movie was a mess. Apart of the good cinematography and the decent acting it's just not good. I wouldn't waste your time with this one if I were you.
Told in the spirit of watching paint dry, waiting for water to boil, or watching golf...this an insanely boring telling of what should have been a great story.
I thought the story was slow and confusing. I didn't understand what happened in the film at all.
Você sabia?
- CuriosidadesEssel (Alicia Vikander) wears bells on her shroud because during the Middle Ages, it was common for people who were considered unclean, such as prostitutes, to be forced to wear bells on their clothing to warn others of their presence. She has her hair cropped for the same reason; in medieval London and many other places, prostitutes had their hair cut short as a public humiliation and punishment.
- Erros de gravaçãoThe woods that Sir Gawain goes through are clearly modern plantations of Sitka spruce (a tree that did not reach Britain until the 19th century), all planted at equal distances apart and all grown to the same size; they look nothing like the old-growth deciduous forests that would have been in medieval Britain.
- Cenas durante ou pós-créditosThere is a short scene at the very end of the credits.
- ConexõesFeatured in A 93ª edição do Oscar (2021)
Principais escolhas
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- How long is The Green Knight?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- O Cavaleiro Verde
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 17.173.321
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.790.917
- 1 de ago. de 2021
- Faturamento bruto mundial
- US$ 18.887.953
- Tempo de duração2 horas 10 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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