Crescendo Juntas

This movie was beautiful. Judy Blume waited for the right person to take on her universe. Kelly Fermon Craig brought a simple touch to Blume's story, making it a true gem to watch.

I had read this book as a young girl and had my daughters read it while growing up. It has given girls a door into their own adolescence for more than 50 years.

I cringed just as I did 45 years ago at the awkward moments and feeling as an outsider as Margret did, but now I also cringed at the mother's misteps. I also known how trying to fit in to being a stay at home mom can be.

Thank goodness the film stuck to the time period. Seeing the electric skillet and blue Corningware made my day.

Thank you for a comfort food kind of movie.

At least marginally better than "Are You There, God? It's me, Jonah Hill. From Moneyball."

Succinctly and pleasantly low stakes; there isn't any high-great drama, until the last twenty minutes, but the tone is consistent and manages to get deep about Faith, or really the absence of it, or how hard it can be for a young person to comprehend how, as Margaret ultimately puts it in the assignment to the teacher, religion makes people fight all the time.

For the most part, this is a story that is a School Year in the Life abd it's perfectly content to be about things like, oh, how you're fitting in with a new group of friends (some more agreeable than others), which boys are cute or not, and yet it's actually about something deeper due to the comparison the film makes between Margaret with Nancy and Margaret's Mom with the PTA (led by... Nancy's Mom): a Group isn't inherently a bad thing, but when there's one person asking or really demanding for this and that with pressures it can add to the already-there pressure of life in Suburbia.

Abby Ryder Fortson is so appealing and wonderful in the lead part, where your heart always goes out to her and she is funny and sympathetic and sometimes awkward in that way an 11 to 12 year old is at that time. The film maybe wraps everything up a little too tidy by the end for me, but it's hard to make a fuss when what is all wrapped up is all just, well, "will I finally talk to Moose who mows the lawn, or will "It" happen in the bathroom?" I never read the book, but it feels like it probably managed to bring everything in adaptation that was necessary (though I wonder if things between Margaret and Nancy came more to a head in the book than here, where things just kind of leave off on a silent understanding of a lie).

If it doesn't reach quite the heights of the director's previous movie, Edge of Seventeen, it's still never less than entertaining, amusing is not always funny (ok the dinner scene with both sides of the families is funny), and it's impressive that this can be in theaters as something for families to see that isn't the more soulless IP or candy-coated fast food.

Are You There, God? It's Me, Margaret, the film adaptation of Judy Bloom's 1970 blockbuster coming-of-age novel, is a quiet buster all its own. Rarely has cinema captured an 11-year-old marching toward puberty with such grace and dignity. In the film's road to maturation, three generations of women will face change just as child/teen Margaret does. Abby Ryder Fortson plays Margaret with a realism that looks as if she were always Margaret.

Margaret is moving from a robust neighborhood in 1970's NYC to dreaded suburban New Jersey carrying a disdain she and her Grandmother, Sylvia (Kathy Bates), evidence with some of the film's best lines. Margaret is not rabid in her criticism of the move, just grumpy and negative. To her interlocutor, God, she pleas, "Don't let Jersey be too awful."

For any youth who has been forced to move from a lively life and friends, this segment will have them chuckling as they remember how they tortured parents when disapproving something done for a better family life and dad's promotion. No pleasing a pre-teen most times anyhow.

Much of the film's energy comes from Margaret and her friends navigating the emergence of boys in their lives and the much-anticipated period. This monumental occurrence is welcomed with great fanfare. The girls' embracing emerging busts is encouraged with a lyric that invokes the life marker and prods it along: "We must, we must, we must increase our bust."

Every other possible pre-adolescent moment in young girls' journey through sixth grade to junior high seems to be covered, and probably was in Judy Bloom's book of the same name. Less physical but no less as powerful is her nascent religiosity confronting her roots in Judaism (father) and Christianity (mother and grandmother).

The cause of the split with her maternal grandparents over her mother marrying a Jew has the potential to bring the family together. However, it will be a long haul for an impatient child/teen who wants family unity almost as much as a period and bigger bust. Her interlocuter, both in person and voiceover, is a God she's not certain is real. Talk about demanding issues for a child/teen!

As in life, not all girls are mean and not all teachers inept; everybody's just trying to get through. If the girls seem to be wishing their life away, they are, but their tender moments of love and friendship promise that humanity will be served.

Writer/director Kelly Fromon Craig's Are You There, God? It's Me, Margaret should be required viewing for anyone mixing it up with different cultures or anyone wanting to experience a pitch-perfect adaptation of a seminal work of art.

Based on Judy Blume's seminal coming of age book, young Margaret (Abby Ryder Fortson) is eleven and has to move from school and friends to New Jersey where she starts her journey into puberty with 3 new girl friends all competing about boob size, getting their period first and boys.

This all seems so real and spot on and much of it is simply hysterical. It does though look more broadly at growing up and the the less obvious troubles one faces in becoming your own person rather than who everyone else wants you to be, which at 11 is tricky. This part of the story is focussed here on religion for which Margaret does a school project on and comes to realise that picking a religion is difficult and not actually necessarily a must do when her grandparents - Jewish and Christian give her grief over the right way forward. It's all handled very nicely with the young girls, especially Fortson and Elle Graham, all excellent with great support from Rachel McAdams as her mum and the wonderful Kathy Bates as the doting Jewish grandmother. Funny and sweet.

"Are You There God? It's Me, Margaret" is a delightful coming-of-age comedy written and directed by Kelly Fremon Craig, acclaimed for her previous work on "The Edge of Seventeen." With a cleverly crafted script and an ensemble cast of immense talent, this film offers a heartfelt exploration of puberty, identity, and religious conflicts, all while delivering an ample dose of humor.

Based on the beloved novel of the same name by Judy Blume, published in 1970, if this cinematic adaptation is accurate to the book, then I'd love to read it. The film follows the journey of Margaret Simon, portrayed with remarkable aplomb by Abby Ryder Fortson, as she navigates the challenges of adolescence in the picturesque suburbs of New Jersey. Margaret finds herself at a crossroads, torn between the Christian faith of her mother and the Jewish heritage of her father. As she grapples with this internal conflict, her English teacher assigns her a research paper on religion, setting the stage for a witty and thought-provoking exploration of religious prejudice, traditions, and the clash of beliefs.

Kelly Fremon Craig's screenplay masterfully strikes a balance between humor and depth, utilizing incisive satire to expose the absurdity of religious bias and stereotypes on top of all the awkwardness of pueburty. Within this comedic framework, the film conveys poignant messages about tolerance, empathy, and the importance of embracing one's individuality, all while providing genuine moments of self-discovery and personal growth.

The young cast members deliver exceptional performances, infusing the film with authenticity and charm. Abby Ryder Fortson's portrayal of Margaret is a revelation, capturing the complexities of adolescence with charisma and vulnerability. Rachel McAdams and Benny Safdie bring a delightful blend of humor and warmth to their roles as Margaret's parents, while Kathy Bates delivers a standout performance as Margaret's melodramatic grandmother, stealing every scene she appears in.

Clocking in at a runtime of 1 hour and 46 minutes, "Are You There God? It's Me, Margaret" maintains a brisk pace, ensuring that the audience remains fully engaged throughout the film. The cinematography beautifully captures the detailed facial expressions, New Jersey Suburbs, and elegantly dressed sets, enhancing the authenticity and relatability of Margaret's upbringing.

This cinematic adaptation successfully draws inspiration from the classic 1970 novel by Judy Blume, retaining its timeless themes and endearing charm. The film pays homage to its source material while adding contemporary nuances that resonate with modern audiences. It's a testament to Kelly Fremon Craig's skill as a writer and director, deftly blending elements of nostalgia and fresh perspectives.

Kelly Fremon Craig's talented storytelling, combined with outstanding performances from the talented cast, makes this film a must-watch for audiences of all ages. It effortlessly captures the essence of adolescence, providing a humorous and thought-provoking exploration of religious identity and acceptance in the suburbs of New Jersey.