M3GAN

M3gan (M3gan), is a horror and science fiction film about a robot with artificial intelligence, a robotics engineer named Gemma who specializes in robotic toys, builds what promises to be the most innovative toy that will put the company ahead where she works, M3gan is a lifelike doll programmed to be a child's best companion and parent's best ally with all the technological advances she has, but doing so will have unimaginable consequences.

The tape begins with a commercial for toys that look like furby and fonzo from the simpsons, this toy is the most coveted of children so far, then we go to a family driving in the middle of a snow storm who have an accident, they are relatives of Gemma, consequently Gemma suddenly becomes the caretaker for her 8-year-old niece, Cady, Gemma has intense pressure at work, so she decides to pair her M3GAN prototype with Cady in an attempt to solve both problems, she will be your new best friend, for better or worse.

It is interesting how they present us with the scoop of their history, we are increasingly relying on technology, parents leave the education of their children to technological means since they prioritize their activities, as is the case of Gemma who has intense pressure on the work, on the tape M3gan listens, watches and learns as she becomes a friend, teacher, playmate and protector, to Cady the girl she's bonded to and we're not too far from M3gan even existing, which is unsettling.

Here we have a combination of concepts such as Terminator and Chucky and it is inevitable to think about those tapes, M3gan was asked to take care of Cady physically and emotionally, but how far will he go so that no one ever hurts Cady? On the other hand, the The story is predictable almost from the beginning, when Gemma shows Cady one of her university projects we will practically know how the movie will end, we also have time jumps that are taken for granted, without saying if days, weeks or months have passed.

In short, M3gan is the new chucky for centennials, with recycled concepts for the new generations, visually I must say that they did a very good job, with the puppets and the doubles of M3gan, I think it manages to be an entertaining movie that would even be enjoyed to see more in home, they also leave an ending that can lead to a second movie or why not, a new franchise of horror dolls.

Rating: 7.5.

Young Cady is given M3GAN, an AI doll, that's very protective.

First off, I felt very old in the cinema, aged 40, where most of the viewers seemed to be teenagers, and I think they're perhaps the target audience.

Definitely not without appeal, it's an interesting, if unoriginal plot, Child's play vibes, and there are a few jumps here and there. M3GAN does have some intriguing moments, but sadly never flips into horror mode, which I felt the trailers pointed to.

The major plus, the visuals, it looks very good indeed, it's nicely shot and well produced, M3GAN's realisation is great, the film peaks towards the end, and the scenes in the forest in particular look very good, and offer the film's most unsettling moments.

On the debit side, it's hard to believe in the actions of some of the characters, a few times, I sat there wanting to shout out 'REALLY,' is that actually what they're going to do, but worse, the film was a little too slow in parts.

I expected it to be somewhat gruesome, it really wasn't, when I came home from the cinema, I read that it had been cut to fit with a younger audience, I can see that.

6/10.

Solid and, at times, actually entertaining. Like other reviewers have mentioned, this strikes me as another version of the 2019 Childs Play; a fun, doesn't-take-itself too-seriously movie. Nonetheless, it added its own spin to the horror/comedy genre with its intentional and unintentional comedy.

I went into M3GAN with little to no expectation given the only marketing material I could remember was the dance scene. I found that the film accomplished the message it set out on. Parents suck at raising children and having no parental figure could be deadly because they will get attached to anything that shows them affection.

As far as the quality of the film, there wasn't really anything surprising or new I could think of. Most of the elements were very predictable from the beginning. That's not always a bad thing because most people like the predictability and knowing where a film is headed.

Overall, not bad for an early January released PG-13 horror movie.

Most movies seem to either be underwhelming or just fine. Once in a great while, they over-deliver and exceed your expectations. But possibly the rarest result is when you are excited to see a movie and you get exactly what you'd hoped for. For me, M3GAN was a blast of entertainment, a perfect concoction of a well-paced story that is just there for you to have fun with. Okay, if I'm honest, it did have some moments that elevated my enjoyment even a little more than I'd hoped--they went to a few places I could not have expected. That doesn't mean that the story wasn't predictable; it was pretty clear where this was going the whole time. But it was still fun and memorable, and I expect that if I ever happen to walk into a room where someone has this movie on, I will sit and watch with them to the end. I enjoyed it.

It seems especially in the horror genre nearly everything lately is regurgitated and advertised as something new. Blumhouse does this more than anyone lately and yet still manages to rake in profits from mostly generation z unfamiliar with the old classic horror films that came long before. The glaring similarities and material borrowing comes from basically every Chucky film, though it's presented in a way that's more appetizing to the newer tik tok gen z crowd. Not saying the film isn't still executed solidly or isn't effective. It just feels like such an obvious rewrapping of an old classic.

The film itself has a solid enough story and decently intriguing visuals to keep it interesting. The acting is subpar at times but the shock value makes up for it. The true issues lay in the blatant lack of originality toward the overall product. Slight futuristic advancements in plot points and cgi can only differentiate from the old so much when something feels so familiar.