Mona Lisa e a Lua de Sangue

This movie is about vibes. Wow. An authentic trip, not without flaws, but always with a lot of personality and originality, with no fear of referencing past decades and even using some camp in a ridiculous way.

It's the 3rd movie I've seen with Jeon Jong-seo and there's little doubt to me that she's a star, capable of filling the screen and dominating every scene she is in. In this film, she is once again mesmerizing (ok, ok...) and manages to captivate us with her aura of mystery combined with her innocence.

I have to see The Bad Batch - some reviews have made me postpone this experience - but this is another film that demonstrates how unique Ana Lily Amirpour is, without fear of doing something different and taking risks. The soundtrack of this film is something sensational and all the editing options taken make it seem like we are on an authentic trip. The cinematography is fantastic and is always pleasant to look to the screen full of colours and life.

The script is not as strong as it would be desirable and many questions remain unanswered, but this is a commendable experience, full of style, attitude, and striking scenes that deserve to be much more talked about than it has been.

Although almost completely void of any special effects, this movie is saturated with auditory and visual aesthetics, which are mostly centered around night life, and viewed through the realistic perspective of a wide angle lens, that isn't shy of getting too close and personal.

Plot is original, enjoyable and entirely basic, with emphasis given to "enjoyable", there are no points of high tension, just different music tracks the characters seem to 'swim' through as if guiding the scene. In a very chill fashion, almost dream-like.

The character performance is incredibly realistic, bold, and does a great job in making you view the daily happenings of their extraordinary lives in their original points of view.

Overall, a very entertaining watch. And listen.

... which really is just as rare it sounds. If you missed the 70s through an accident of birth, this little gem can remedy that. From literally the first frame of the film (which immediately bypasses the standard, sequential, "Dramatic Acts") it is clear that this is more a theme park ride, and less a traditional narrative. Director Ana Amirpour, known for her love of reversing and twisting traditional gender roles, seems to delight in this story of an asylum inmate (whose crimes are never fully explained) who also has a super power (the origins of which are also never fully explained); and who -- in a bizarre twist on the PINOCCHIO tale -- just wants to a regular girl. Good luck with that. The first lesson the audience learns about the young lady is, never offer her a choice between "the easy way and the hard way." You won't like her pick. Amirpour is one of a handful of indie auteurs who has a true genius for color and scene setting. Which only adds to the experience. If you keep your expectations in check, a very watchable effort. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

The originality of the idea and its execution is what makes this a fun watch. You won't know where the story is going for at least half of the movie.

I personally would have liked a little more background on Mona Lisa, but it doesn't add or subtract from the plot.

I assumed that the moon would have something to do with her powers, but the story does not dwell too much on the whys and whens.

My favorite part though would have to be Mona's expressions on the flight. That there is some real good acting. I wasn't surprised when I looked Jeon Jong-seo up and found out that she was in "Burning" and "The Call." Both are worth checking out.

Monalisa's day out in New Orleans is a fantasy trip of light sound and music. There is not much story, as the journey is the plot.

The opening scenes in the Mental Hospital set the stage immediately and raised expectations beyond what was delivered, however watch Monalisa for the experience. For the visual show with accompanying beat and the awakening of an unknown force on a Blood Moon in the south.

There was potential for so much more, Bourbon St never looked so clean and the characters so normal. I assume budget and Covid took their toll.

Great supporting roles from Kate Hudson and son and some other quirky characters.

Not a masterpiece but a koool adventure.