Prestes a completar 30 anos, um compositor promissor lida com o amor, a amizade e a pressão para criar algo incrível antes que o tempo acabe.Prestes a completar 30 anos, um compositor promissor lida com o amor, a amizade e a pressão para criar algo incrível antes que o tempo acabe.Prestes a completar 30 anos, um compositor promissor lida com o amor, a amizade e a pressão para criar algo incrível antes que o tempo acabe.
- Direção
- Roteiristas
- Artistas
- Indicado a 2 Oscars
- 39 vitórias e 116 indicações no total
Robin de Jesus
- Michael
- (as Robin de Jesús)
Michaela Jaé (MJ) Rodriguez
- Carolyn
- (as MJ Rodriguez)
Gizel Jiménez
- Cristin
- (as Gizel Jimenez)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Although everyone knows and admires Andrew Garfield thanks to the big screen, especially Spider-Man, he has always been a theater lover. Garfield becomes a giant in this movie, which combines the theater stage he loves so much with the big screen. If Steven Levenson had watched it, he would have loved this movie and Garfield.
A very heartfelt, inventive, and inspirational musical about the creative process that is expressed through memorable music. Andrew Garfield was the standout, he brought the story to life and oh my I would never have thought he could sing.
"I'm the future of musical theater." Jonathan Larson (Andrew Garfield)
Director Lin-Manuel Miranda (Tony and Pulitzer-winning creator of Hamilton) shows his genius was not a just one-off. In tick, tick . . .Boom! Hamilton revives the memory of Jonathan Larson (Andrew Garfield), the creator/composer of Rent, a contemporary rock musical that inspired a new generation of shows for Broadway.
That Larson should die at 35, the night before the preview of Rent, lends a melancholy air to this adaptation of his autobiographical musical and this film's influence by his first failure, Suburbia, inspired by Orwell's 1984.
Tick shows the evolution of Larson's signature realism, a fulfillment of his agent Rosa Stevens's (Judith Light) exhortation to write about what he knows. Poverty, paying rent, facing down rejection, protesting for justice, and HIV friends dying in droves are issues he knows and will exploit in his iconic musical.
Yet for this film, he is promoting his tick . . ., and while the lyrics are uneven and scattered but generally first-rate, it involves a too-large cast including aliens. Although Garfield is gawky and endearing in equal measure, Larson's work has the mentoring of Stephen Sondheim (Bradley Whitford), who I understand, knows something about musicals. Whitford, by the way, does a credible, impressive imagining of Sondheim.
The ticking boom of time in the title has several reference points, not just Larson's impending death but the dynamic change of Broadway Larson ignited. Andrew Garfield does a yeoman's job of giving life to Larson, who has a naivete, energy, and self-centeredness that bespeak the lasting influence he has had on the modern musical.
In some ways, Miranda has done that himself with this exciting, melancholic musical about musicals and the geniuses who lose their lives creating them. Netflix.
Director Lin-Manuel Miranda (Tony and Pulitzer-winning creator of Hamilton) shows his genius was not a just one-off. In tick, tick . . .Boom! Hamilton revives the memory of Jonathan Larson (Andrew Garfield), the creator/composer of Rent, a contemporary rock musical that inspired a new generation of shows for Broadway.
That Larson should die at 35, the night before the preview of Rent, lends a melancholy air to this adaptation of his autobiographical musical and this film's influence by his first failure, Suburbia, inspired by Orwell's 1984.
Tick shows the evolution of Larson's signature realism, a fulfillment of his agent Rosa Stevens's (Judith Light) exhortation to write about what he knows. Poverty, paying rent, facing down rejection, protesting for justice, and HIV friends dying in droves are issues he knows and will exploit in his iconic musical.
Yet for this film, he is promoting his tick . . ., and while the lyrics are uneven and scattered but generally first-rate, it involves a too-large cast including aliens. Although Garfield is gawky and endearing in equal measure, Larson's work has the mentoring of Stephen Sondheim (Bradley Whitford), who I understand, knows something about musicals. Whitford, by the way, does a credible, impressive imagining of Sondheim.
The ticking boom of time in the title has several reference points, not just Larson's impending death but the dynamic change of Broadway Larson ignited. Andrew Garfield does a yeoman's job of giving life to Larson, who has a naivete, energy, and self-centeredness that bespeak the lasting influence he has had on the modern musical.
In some ways, Miranda has done that himself with this exciting, melancholic musical about musicals and the geniuses who lose their lives creating them. Netflix.
I love Andrew Garfield and this was the main motif, for me, to see this film. And real, he did a great role. And , real, my appreciation for him becomes more intense. And the admiration for great job of Lin Manuel Miranda. The film can be seen as hommage to Jonathan Larson. In same measure, it works very well as nice sketch for many anonimous lives, not very different by the lead character, between love, friendship, self acceptance, ambitious projects and need to be remarked as fair result of not doubts vocation. And a nice kick to they far to have opportunity of courage to become a real name. That last thing , the mix of confrontations, desires and dreams and frustrations , well used, well served represents the great good point of this movie. And, sure, fine exploration of the universe of shows and expressions of pure freedom. It can be perceived as a sketch about truth in its complex nuances , off course, but, in same measure, it is a magnificent musical, impressive not only for familiar ingredients of genre, for admirable energy of Andrew Garfield, for beautiful acting for supporting roles , but for high honesty. It is a very, very, very honest film, thing so rare today. And that transforms it in a personal story, easy as kick to remind the transition from 29 years old to 30, the round crisis, the decision to begin real life. Few scenes in this film are just gorgeous. So, must see it ! Not for be seduced. But for a great, profound useful perspective about life.
For me this movie doesn't take any time to hook the viewer. As soon as Andrew Garfield start singing, i already got in to the movie.
The story was quite fast to catch but give it more effort and you'll be there. Me personally got a little loose in the middle of the movie, but doesn't take to much time to get back at it again.
All i can say that Andrew Garfield is in his element, and you're gonna see a really great performance.
The story was quite fast to catch but give it more effort and you'll be there. Me personally got a little loose in the middle of the movie, but doesn't take to much time to get back at it again.
All i can say that Andrew Garfield is in his element, and you're gonna see a really great performance.
Você sabia?
- CuriosidadesThe three "bums" in the Sunday brunch number are played by The Original Broadway Cast members from Rent: Adam Pascal, Daphne Rubin-Vega, and Wilson Jermaine Heredia. The other "patrons" are all Broadway legends. The cook at the diner is the director, Lin-Manuel Miranda.
- Erros de gravaçãoThe prison barge didn't locate to New York until 1992.
- Citações
Jonathan Larson: What is the point of money if you don't spend it on the people you love?
- Trilhas sonoras30/90
Written by Jonathan Larson
Performed by Andrew Garfield, Vanessa Hudgens, Joshua Henry, Robin de Jesus (as Robin de Jesús), Alexandra Shipp and Michaela Jaé (MJ) Rodriguez (as MJ Rodriguez)
Produced by Alex Lacamoire, Bill Sherman and Kurt Crowley
Principais escolhas
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- How long is tick, tick... BOOM!?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- tick, tick... Boom!
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 55.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 112.777
- Tempo de duração1 hora 55 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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By what name was tick, tick...BOOM! (2021) officially released in Japan in Japanese?
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