AVALIAÇÃO DA IMDb
4,6/10
2,2 mil
SUA AVALIAÇÃO
Após disparar contra 5 homens para salvar um juiz e depois entrar em território indiano, Bass Reeves torna-se o primeiro delegado negro a oeste do Mississippi.Após disparar contra 5 homens para salvar um juiz e depois entrar em território indiano, Bass Reeves torna-se o primeiro delegado negro a oeste do Mississippi.Após disparar contra 5 homens para salvar um juiz e depois entrar em território indiano, Bass Reeves torna-se o primeiro delegado negro a oeste do Mississippi.
- Direção
- Roteirista
- Artistas
- Prêmios
- 3 vitórias e 7 indicações no total
Michael Aaron Milligan
- Jim Bruce
- (as Michael Milligan)
Marshall R. Teague
- Senator Smith
- (as Marshall Teague)
David William Arnott
- President Grant
- (as David Arnott)
Avaliações em destaque
Despite the obvious b-grade quality, Ron Perlman, Frank Grillo and the genre of western was enough for me to give it a try - I do occasionally enjoy the little movies with good ol' actors just having a fun time. Well, "Hell on the Border" is probably the lousiest western I've seen so far, but, thankfully, not entirely without a heart.
In the most aspects of filmmaking, "Hell on the Border" is weak and painfully cliché. The plot, based on the true story of Bass Reeves, the first black U.S. marshall, is stitched together from arcs that we've seen a hundred times before & in a hundred better movies. I mean, there's literally not one hint of originality in "Hell on the Border". Same applies to the characters, though the duo of David Gyasi and Ron Perlman was at least mildly entertaining to watch. Frank Grillo, the villain, did a fine job. In portraying a mostly boring character. A pacing that drags constantly & a high predictability factor - these are a few additional "qualities" this movie possesses. Most frustratingly, "Hell on the Border" is also a mess regarding all technical and aesthetical means - the cinematography is boring, even sketchy, the lighting & color grading's effortless and way too amateur, the whole movie has a drab, grey-ish, even ugly look. Some random shots are extra grainy. To make it all worse, the original score was massively overused & it was as cheap as everything else in this flick. Most of the action sequences were wack and unrealistic. For a 2019 movie with such actors, even for the usual b-movie, "Hell on the Border" is technically embarrassing.
When I said it has a heart, I meant only the aforementioned acting duo of David Gyasi and Ron Perlman, plus the extremely conventional story line - yes, conventional, not entirely useless. Nevertheless, I recommend "Hell on the Water" to absolutely no one, except if you're sold on the same things I was. You have been warned though. My rating: 3/10.
In the most aspects of filmmaking, "Hell on the Border" is weak and painfully cliché. The plot, based on the true story of Bass Reeves, the first black U.S. marshall, is stitched together from arcs that we've seen a hundred times before & in a hundred better movies. I mean, there's literally not one hint of originality in "Hell on the Border". Same applies to the characters, though the duo of David Gyasi and Ron Perlman was at least mildly entertaining to watch. Frank Grillo, the villain, did a fine job. In portraying a mostly boring character. A pacing that drags constantly & a high predictability factor - these are a few additional "qualities" this movie possesses. Most frustratingly, "Hell on the Border" is also a mess regarding all technical and aesthetical means - the cinematography is boring, even sketchy, the lighting & color grading's effortless and way too amateur, the whole movie has a drab, grey-ish, even ugly look. Some random shots are extra grainy. To make it all worse, the original score was massively overused & it was as cheap as everything else in this flick. Most of the action sequences were wack and unrealistic. For a 2019 movie with such actors, even for the usual b-movie, "Hell on the Border" is technically embarrassing.
When I said it has a heart, I meant only the aforementioned acting duo of David Gyasi and Ron Perlman, plus the extremely conventional story line - yes, conventional, not entirely useless. Nevertheless, I recommend "Hell on the Water" to absolutely no one, except if you're sold on the same things I was. You have been warned though. My rating: 3/10.
Where to start with the issues? Buildings with beautifully fresh and smoothly sawn walls, houses with aluminium roofs, six shooters that didn't need reloading, disjointed action sequences moving at glacial speeds......
Camerawork was crude, used jerkiness and lens flare etc to no benefit.
One of the worst films I've seen in the last year, this was inconsistent, uneven, unrealistic and frankly has nothing to commend it except that it chose a story that should be told. Avoid.
Of course this could have been better, but I enjoyed the story and it inspired me to research Bass Reeves
Seemed more like a made for TV western. Obviously not a high grade production. It is a story of Bass Reeves and the outlaws are real. Glad I watched, but probably not again.
Given that African Americans haven't been represented well in the western film genre despite in real life having a big impact during the days of the wild west, I was really interested in seeing this movie, especially since it was based on a real African American lawman (Bass Reeves). But whatever your ethnicity may be, I am pretty sure that you will find this movie to be simply terrible.
The portrayal of Bass Reeves here is extremely unsatisfying. About all that the movie can think of to do with this character is for him to regularly meet people who are racist and/or doubtful he can do the job, and brood silently about it. If they had really explored this character deeply, I'm sure things would have been better.
However, even if great effort had been made to portray Bass Reeves in a multidimensional manner, the movie would still have been pretty awful. Right from the start, viewers will see that the movie did not have much of a budget - cinematography looks almost like VHS quality, the locations are drab and boring, there's not much in the way of props, the costumes look too clean and too new, and the sets are really flimsy and cheap.
Probably due to this pittance of a budget, the filmmakers didn't seem able to put in a lot of spectacle. The movie is really slow-moving, with a lot of (cliched) dialogue instead of action and a swift pace.
I'm sure the filmmakers had their heart in the right place, but the end results indicate that they should have waited to get a bigger budget (and a better script) before filming started. As it is, it's yet another Lions Gate / Grindstone production that's way below par.
The portrayal of Bass Reeves here is extremely unsatisfying. About all that the movie can think of to do with this character is for him to regularly meet people who are racist and/or doubtful he can do the job, and brood silently about it. If they had really explored this character deeply, I'm sure things would have been better.
However, even if great effort had been made to portray Bass Reeves in a multidimensional manner, the movie would still have been pretty awful. Right from the start, viewers will see that the movie did not have much of a budget - cinematography looks almost like VHS quality, the locations are drab and boring, there's not much in the way of props, the costumes look too clean and too new, and the sets are really flimsy and cheap.
Probably due to this pittance of a budget, the filmmakers didn't seem able to put in a lot of spectacle. The movie is really slow-moving, with a lot of (cliched) dialogue instead of action and a swift pace.
I'm sure the filmmakers had their heart in the right place, but the end results indicate that they should have waited to get a bigger budget (and a better script) before filming started. As it is, it's yet another Lions Gate / Grindstone production that's way below par.
Você sabia?
- CuriosidadesSome have postulated that Bass Reeves was an inspiration for The Lone Ranger, the fictional (white) hero who was first created in the 1930s for a long-running radio serial and who continued via popular TV shows, movies, and comic books. This notion was largely promulgated by a single historian, Art T. Burton; in his Reeves biography "Black Gun, Silver Star," Burton wrote, "Bass Reeves is the closest real person to resemble the Lone Ranger" and listed a number of similarities between the real-life Reeves and the Lone Ranger character. However, many other historians have since argued that the similarities between them are too generalized and circumstantial to authoritatively state that the Lone Ranger was definitively based on Reeves. For example, a 2019 Texas Monthly article by Sean O'Neal says that Burton's argument rested on only a few similarities, but "it remains pure speculation; there's never been any conclusive evidence linking the two." O'Neal also argued that the insistence on a possibly spurious folk linkage between Reeves and the Lone Ranger also condescends to Reeves by "eclipsing" Reeves's real-life accomplishments with "the tall tales of an imaginary white man."
- Erros de gravaçãoAs Bass carries Ron Perlman out of the mud pool and hand can be seen feeding the horse to keep it standing still in the mud.
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- How long is Hell on the Border?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Hell on the Border
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 46 minutos
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