Fuja

An innovative variation on a theme, that will keep you engaged with some ratcheted tension buttressed through two excellent performances from Sarah Paulson and Kiera Allen. Does require the odd leap of faith and occasional suspension of belief but by no means the worst film from the genre you're likely to encounter.

From the writer-director of Searching comes another neatly crafted, briskly paced & delightfully atmospheric mystery-thriller that makes fab use of its genre elements to deliver the chills. Run steadily ratchets up the tension & only gets more suspenseful as plot progresses but the story also loses its sure footing in the final act and fails to separate itself from the crowd.

Co-written & directed by Aneesh Chaganty, where his feature film debut dazzled us with its originality, unpredictability & edge-of-the-seat storytelling, this sophomore effort only gets bogged down by our own familiarity with the setup. Still, there are several tense & thrilling scenarios in store here and the plot sustains its grip on the viewers for the most part. However, the payoff isn't rewarding enough.

It doesn't take long for the main plot to surface. It actually does a tad too early when more time should've been devoted to make the mother-daughter bonding feel real & authentic before sowing the seeds of doubt & suspicion in our protagonist. Acting is impressive from both Sarah Paulson & Kiera Allen, for the former is believable as the crazy mom while the latter renders every facet of her character's physicality with precision to steal the show.

Overall, Run is a competently constructed example of its genre(s) that manages to keep us invested in the outcome despite the predictable storyline but unfortunately fails to stick the landing in the final moments to wrap up on a fulfilling note. The finale still works, albeit in a formulaic & generic way. Underwhelming when compared to Chaganty's previous feature, Run is still far from a disaster and a slight adjustment in expectations should yield a satisfying enough experience for most, if not all.

Sarah Paulson and Kiera Allen (in her acting debut) provide us with great perfomances, a very special dynamic duo that for that alone is worth watching the movie. Both are the best of the film. The script, by Aneesh Chaganty (also the director) and Sev Ohanian, is good enough to get to know and develop the two characters, find out what the problem is and reach the climax. It may be a simple story, but it is still excellent. Finally, what every thriller needs, a good scoring, is achieved in this film thanks to the talented Torin Borrowdale. Without a doubt one of the high points of the film. It's a light and exciting ride that will keep you on the edge of your seat.

This was such a good thriller. I think it was one of the most effective ones that i have seen this year.

It was defiantly a fun, hour and a half popcorn fun movie but i think it was just that little bit extra too. The filmmaking was above that for me. It just had that little bit of extra care put into it and i think it made all the difference.

The acting was really great from both of the leads. I was really impressed with Kiera Allen. This was her debut film and i think this will net her even more roles because she was fantastic.

I found the score really great too. It really worked together with the script and filmmaking to really get you into the film. I appreciated it.

You should definitely watch this, its really fun, supper quick and well made.

Sara Paulson and Kiera Allen combine beautifully to play mother and daughter in this twisted thriller. A young, disabled girl is convinced that her mother is hiding a dark secret, surely there's a reason why she's shut away from the outside world.

After a slow start, it opens up very nicely, it's twisted, and will definitive you vibes if Misery.

It is slow to start, but as it develops, it really does gather momentum, and ends with a dramatic climax. You will need to suspend your disbelief, as most of the events are thoroughly non believable, however it is the land of make believe, take it for what it is.

I love Sara Paulson, and this is another example of what a fine actress and is. She knows only too well how to play the psycho role incredibly well.

Very good, 8/10.