O Labirinto

Very interesting story & plot. The characters are not so likable, I think because the script is so mysterious & full of secrets. Now the confusing part, you must watch it twice to understand the whole story; it feels like there are two parallel ones & they meet at the end. The time is kinda irrelevant as the plot shifts alot at the end. It also gave me Sin City "vibes".

Certainly not bad. I was captivated throughout the movie. But I just didn't get it, yet I got a proper education. Maybe there is some high brow meta explanation that the story itself is a labyrinth? Maybe it is about the psyche of people that experience a trauma and make up an imaginary reality? I don't know where they were going with this as I did not get why half the movie was in Italian and the other part in English.

But with puzzling bits and pieces as though sections have been edited-for example: the origin of the relationship between a prostitute and a criminal tracker, with references to a girl, known to both, who he couldn't save. Later, the killer being tracked deduces both the man who is hunting him and also his relationship with the prostitute...to lure him off of the trail, in an elaborate and improbable ruse that the killer appears to survive only by luck and the tracker's grace.

Dustin Hoffman, despite reports that he is losing his memory, manages to turn in a typically gifted performance. Not the man's first day on the job, even if he is making Russian-produced movies now. He doesn't disappoint. There are several other interesting performances as well as some that are pure schlock.

The design is also uneven, with an inspired division of cold case child abductions, aptly named "Limbo" and some sets that are practically out of an amusement park's haunted house. The style of story-telling itself, switches genre several times; a rocky journey between dream-like, heightened sequences that were not literal and those which appeared intended to be.

As a result, the general feeling is one of a pastiche of tropes used in other, better, movies.

Despite all of my criticism, the film was engaging and clever when it wasn't lost and ham-fisted. I liked that it was told simply, with mostly interior shots...landscape was saved for moments of impact, instead of thrown away in the type of lazy spoon-fed narrative this movie shares nothing in common with.

A scholar of Dante's work will surely draw more parallels than I did-this was written by an Italian author and set in Italy. I caught only very obvious references, such as a map of the maze comprising (I am pretty sure) the right number of levels to make the dungeon Hell.

Worth a look. Better than a lot out there.

The good: great actors, beautifully photographed, nice music score, intrigueing start of the story.

The bad: this movie is somehow lacking in spark and punch. The stories plot isnt very original either, bit of a bummer actually. It is part Italian spoken, part english spoken.

I think this movie is best suited for an arhouse audience, which has got the patience for longstretched scenes with only dialogue. It is definitely not a bad movie, but somehow I am missing the excitement that I usually get when watching a movie about kidnapping.

Seems logical for the most part, but at the end some twists makes it very confusing to fully understand... You have to think afterwards to try to figure it out, I think that this problem occurs when tou want to squeeze in 2 hrs a complex book.

In another 10/10 review you can read that bad reviews are ' from people who fell asleep or didn't understand', a thiller that makes you sleep or completely confused isn't what I call a good one.