A vida de um dos maiores fundadores e primeiro secretário do Tesouro da América, Alexander Hamilton.A vida de um dos maiores fundadores e primeiro secretário do Tesouro da América, Alexander Hamilton.A vida de um dos maiores fundadores e primeiro secretário do Tesouro da América, Alexander Hamilton.
- Direção
- Roteiristas
- Artistas
- Ganhou 2 Primetime Emmys
- 19 vitórias e 44 indicações no total
Chris Jackson
- George Washington
- (as Christopher Jackson)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Resumo
Reviewers say 'Hamilton' is celebrated for its innovative musical styles and diverse casting, reimagining historical figures with energy and clever lyrics. It is praised for making history accessible and delivering powerful messages about immigration and identity. However, some critics argue it simplifies history and glosses over character flaws, while others find the rapid-fire rap challenging and the story lacking depth in certain areas.
Avaliações em destaque
Very intense! I knew the cast album, but it still was amazing. The performances were better than the album, more emotional. Eliza's sceenes were believable, King George was funny.
Jefferson and Hamilton go against each other, and the audience loved it. Even though I knew it was coming, Hamilton's final scene was horrible.
The audio describer was good, sometimes describing the action during the applause, before the singers started singing, or describing during a song. For example, before the Skuylar Sisters song starts he says, "Burr." Then, he said "The Skuylar sisters hold up their silk gowns, dancing in the center of the rotating stage." After that song, he describes the next one before they start singing.
Thank you, Disney Plus for funding the audio description.
I was fortunate enough to see Hamilton 3 times in Chicago, including once from the second row thanks to a friend winning the lottery. How did this compare? WAY better than I expected, honestly. I noticed new moments. I saw the original cast in a new light. I experienced the story like I was onstage. There's nothing quite like being in the theater, but this may be the closest a film crew ever got to capturing theater magic. (I wish the RENT movie had been a recording of a 1996 production...) Hamilton represents a unique moment in American theatre, and I'm grateful someone captured it.
I started watching this out of curiosity and to say I have seen it, being the cultural touchstone that it is. At first, I was a little detached, not liking the songs too much, and thinking I would probably just skip through to end in a minute. I couldn't stop watching and it really sucked me in. I have to say, I'm not sure I would have enjoyed it at all, live in the theater. I benefited greatly from the captions and the ability to put it on pause to consult Wikipedia from time to time. The lyrics were so clever and really told the story. I ended up very moved and almost cheering at the end. Of course, now that I am familiar with the story, I would love to see it live and would enjoy it immensely. But I would strongly recommend this for a first time viewing. I will definitely re-watch. And probably again and again.
Greetings again from the darkness. You know what it's like when people start talking about some great new restaurant that just opened (think back to pre-pandemic)? And then you start to hear your friends and co-workers raving about it ... best 'steamed broccoli' (ok, insert your favorite entrée) I've ever tasted! Having been burned many times with high expectations, you remain skeptical, but make the reservation. Well, that's been me with "Hamilton." For almost 5 years, the hype was just too much. Surely folks were caught up in the frenzy, and peer pressure was such that no one would admit it wasn't all that. So, now I'm here ... throwing myself at the mercy of the Theater Gods. Thanks to Disney Plus, I only needed to invest a little (ok, a lot) of time, rather than a few hundred dollars for a ticket. This is me humbly admitting I was wrong. The show is fantastic, and I only wish my first viewing had been a live performance.
Unfortunately (because of what I mentioned above) this can't be a comparison of a live stage performance and the film version. Instead, this will briefly outline what I noticed in the movie. First, and I believe this is key, the original stage director Thomas Kail is back to direct the film. It should be noted that the film version is a blend of a couple of recorded live shows, plus some recorded songs seamlessly edited in. This is the original cast doing what they do best, and the edits are imperceptible. Second, the main cast is filled with dynamic performers. In many stage shows, one or two actors are head and shoulders above the others. Not so here. At a minimum the top seven actors are as skilled and fun to watch as any you've seen. Third, this is a true musical in that the songs drive the story. Some of the early songs require serious concentration to catch the lines, but even if you miss some lyrics, the gist of what's happening is pretty clear. These aren't so much catchy sing-along types, but you'll easily recall the scenes when you hear the songs again at a later date. We see a perfect melding of music-performance-story.
Of course most everyone knows that Lin-Manuel Miranda is the creative force behind the show. He credits writer Ron Chernow's book on Alexander Hamilton as the inspiration for the production, but it's Mr. Miranda that appeared on every talk show for a couple of years, and he also performs as Alexander Hamilton. Daveed Diggs has dual roles as the flamboyant Marquis de Lafayette and the equally flamboyant (at least here) Thomas Jefferson. Renee Elise Goldsberry takes over the stage with her powerful voice as Angelica Schuyler, and Chris Jackson is a dominating physical presence as George Washington. Jonathan Groff (from "Mindhunter") is absolutely hysterical and unforgettable as King George III, both through song and strut. Everyone will have their favorite performers, and truly they are all exceptional, and I'd like to point out the two that took my breath away. Phillipa Soo as Eliza Hamilton has a pristine voice that will bring tears to many eyes. She may not be as involved with the political elements of the story, but in the most emotional moments, she is front and center. Lastly, the passion Leslie Odom Jr brings to his role as Adam Burr is beyond description. He may be the "villain", but he makes Burr accessible and easy to understand ... plus Odom is a terrific singer and performer, and he lights up the stage.
It's easy to overlook the dance and stage choreography since it's never over-the-top, but the dancers are terrific and the performers make great use of the single set - although props are regularly brought in and taken away. Perhaps what really makes this click as movie entertainment is the expert use of cameras and editing. We see the full stage when we should, and we are offered close-ups when it's most effective. I do hope to catch the live show at some point, but if my Hamilton experience is limited to this cinematic version, well ... "that would be enough."
Unfortunately (because of what I mentioned above) this can't be a comparison of a live stage performance and the film version. Instead, this will briefly outline what I noticed in the movie. First, and I believe this is key, the original stage director Thomas Kail is back to direct the film. It should be noted that the film version is a blend of a couple of recorded live shows, plus some recorded songs seamlessly edited in. This is the original cast doing what they do best, and the edits are imperceptible. Second, the main cast is filled with dynamic performers. In many stage shows, one or two actors are head and shoulders above the others. Not so here. At a minimum the top seven actors are as skilled and fun to watch as any you've seen. Third, this is a true musical in that the songs drive the story. Some of the early songs require serious concentration to catch the lines, but even if you miss some lyrics, the gist of what's happening is pretty clear. These aren't so much catchy sing-along types, but you'll easily recall the scenes when you hear the songs again at a later date. We see a perfect melding of music-performance-story.
Of course most everyone knows that Lin-Manuel Miranda is the creative force behind the show. He credits writer Ron Chernow's book on Alexander Hamilton as the inspiration for the production, but it's Mr. Miranda that appeared on every talk show for a couple of years, and he also performs as Alexander Hamilton. Daveed Diggs has dual roles as the flamboyant Marquis de Lafayette and the equally flamboyant (at least here) Thomas Jefferson. Renee Elise Goldsberry takes over the stage with her powerful voice as Angelica Schuyler, and Chris Jackson is a dominating physical presence as George Washington. Jonathan Groff (from "Mindhunter") is absolutely hysterical and unforgettable as King George III, both through song and strut. Everyone will have their favorite performers, and truly they are all exceptional, and I'd like to point out the two that took my breath away. Phillipa Soo as Eliza Hamilton has a pristine voice that will bring tears to many eyes. She may not be as involved with the political elements of the story, but in the most emotional moments, she is front and center. Lastly, the passion Leslie Odom Jr brings to his role as Adam Burr is beyond description. He may be the "villain", but he makes Burr accessible and easy to understand ... plus Odom is a terrific singer and performer, and he lights up the stage.
It's easy to overlook the dance and stage choreography since it's never over-the-top, but the dancers are terrific and the performers make great use of the single set - although props are regularly brought in and taken away. Perhaps what really makes this click as movie entertainment is the expert use of cameras and editing. We see the full stage when we should, and we are offered close-ups when it's most effective. I do hope to catch the live show at some point, but if my Hamilton experience is limited to this cinematic version, well ... "that would be enough."
Who tells your story? Who tells my story? Talk less, smile more. Tonight I saw the musical Hamilton (2020) on Disney+. To begin with let me tell you I do know a little about the founding fathers of America, but not the story of Hamilton (1) and I am not an American, but born and raise in The Netherlands (2). And before I say more, the musical is just great.
I like all the players, the costumes, the dance and the songs. When you ask me who of the five players you like best I would say Lin-Manuel Miranda as Hamilton, Daveed Diggs as Lafayette/Thomas Jefferson, Renée Elise Goldsberry as Angelica Schuyler, Jonathan Groff as King George (such a great performance!) and Chris Jackson as George Washington. Offcourse a great compliment for Miranda, who was also responsible for the story and music; he also was one of the producers.
There where great scenes and songs throughout. I find the hip-hop awesome from the beginning to the end. As a not-American I had a little time to adjust, but with the capital on a little time. With the first song going I became fascinated. Okay yes, the best enjoyment would be to have been there live. Never the less, seeing it on your television has also positive things for it to say. Some scenes you can see from a different angle and you get some fine close-ups. To end, as said, a great musical I enjoyed very much.
I like all the players, the costumes, the dance and the songs. When you ask me who of the five players you like best I would say Lin-Manuel Miranda as Hamilton, Daveed Diggs as Lafayette/Thomas Jefferson, Renée Elise Goldsberry as Angelica Schuyler, Jonathan Groff as King George (such a great performance!) and Chris Jackson as George Washington. Offcourse a great compliment for Miranda, who was also responsible for the story and music; he also was one of the producers.
There where great scenes and songs throughout. I find the hip-hop awesome from the beginning to the end. As a not-American I had a little time to adjust, but with the capital on a little time. With the first song going I became fascinated. Okay yes, the best enjoyment would be to have been there live. Never the less, seeing it on your television has also positive things for it to say. Some scenes you can see from a different angle and you get some fine close-ups. To end, as said, a great musical I enjoyed very much.
Você sabia?
- CuriosidadesIn his 2016 book "Hamilton: The Revolution," Lin-Manuel Miranda says that the inspiration for the "Hamilton" song "You'll Be Back" came from his friendship with Hugh Laurie, which in turn came from his time as an actor on "House": "I was having a drink with Hugh Laurie, with whom I'd worked on his series House, and I told him I wanted to write a big breakup letter from King George to the colonies. Without blinking, he improvised at me, 'Awwww, you'll be back,' wagging his finger. I laughed and filed it away. Thanks, Hugh Laurie. "
- Erros de gravaçãoPhilip Hamilton wasn't shot before 10 paces, for a minute both Philip and Eacker stood and refused to shoot.
"Philip took his father's advice, and refused to raise his pistol to fire after he and Eacker had counted ten paces and faced each other. Eacker, following suit, did not shoot either. For the first minute, both men stood, doing nothing, both refusing to shoot. After a minute, Eacker finally raised his pistol, and Philip did the same. Eacker shot and struck Philip above his right hip. The bullet went through his body and lodged in his left arm. In what may have been an involuntary spasm, Philip also fired his pistol before he hit the ground, but this bullet did nothing."
- Citações
[first lines]
King George: Ladies and gentlemen, this is your king, George III. Welcome to "Hamilton." At this time, please silence all cell phones and other electronic devices. All photography and video recording is strictly prohibited. Thank you, and enjoy *my* show.
- Cenas durante ou pós-créditosThe Walt Disney Pictures logo is synced up to the sound effects from "Ten Duel Commandments" (the ticking clock, explosions, gunshots and DJ disc scratches).
- ConexõesFeatured in 60 Minutos: Into Dangerous Hands/The Collider/Hamilton (2015)
- Trilhas sonorasAlexander Hamilton
Performed by Leslie Odom Jr., Anthony Ramos, Daveed Diggs, Okieriete Onaodowan, Lin-Manuel Miranda, Phillipa Soo and Chris Jackson
Music and Lyrics by Lin-Manuel Miranda Copyright © 2015 5000 Broadway Music (ASCAP)
Administered by WC Music Corp.
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Anh Hùng Hamilton
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração2 horas 40 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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