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IMDbPro

La disparition des lucioles

  • 2018
  • 1 h 36 min
AVALIAÇÃO DA IMDb
6,9/10
643
SUA AVALIAÇÃO
La disparition des lucioles (2018)
Assistir a Bande-annonce [OV]
Reproduzir trailer2:14
1 vídeo
11 fotos
Drama

Adicionar um enredo no seu idiomaA frustrated teenager frees herself from her mother's influence and her narrow life in a small industrial town to find out who she really is.A frustrated teenager frees herself from her mother's influence and her narrow life in a small industrial town to find out who she really is.A frustrated teenager frees herself from her mother's influence and her narrow life in a small industrial town to find out who she really is.

  • Direção
    • Sébastien Pilote
  • Roteirista
    • Sébastien Pilote
  • Artistas
    • Karelle Tremblay
    • Pierre-Luc Brillant
    • François Papineau
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,9/10
    643
    SUA AVALIAÇÃO
    • Direção
      • Sébastien Pilote
    • Roteirista
      • Sébastien Pilote
    • Artistas
      • Karelle Tremblay
      • Pierre-Luc Brillant
      • François Papineau
    • 5Avaliações de usuários
    • 7Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 5 vitórias e 10 indicações no total

    Vídeos1

    Bande-annonce [OV]
    Trailer 2:14
    Bande-annonce [OV]

    Fotos11

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
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    + 5
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    Elenco principal49

    Editar
    Karelle Tremblay
    Karelle Tremblay
    • Léo
    Pierre-Luc Brillant
    Pierre-Luc Brillant
    • Steve
    François Papineau
    François Papineau
    • Paul
    Luc Picard
    Luc Picard
    • Sylvain, père de Léo
    Marie-France Marcotte
    Marie-France Marcotte
    • Mère de Léo
    Jasmina Parent
    Jasmina Parent
    • Nana (amie de Léo)
    • (as Marie Jasmina)
    Michel Laperrière
    Michel Laperrière
    • Parrain
    Manon Lussier
    • Marraine
    Stéphane F. Jacques
    Stéphane F. Jacques
    • Directeur des loisirs
    • (as Stéphane Jacques)
    Caroline Tremblay
    • Professeur d'éthique
    Guy Vaillancourt
    Guy Vaillancourt
    • Directeur du couvent
    Olivier Bergeron-Houde
    • Kevin (ami de Léo)
    Lucille Perron
    • Mére de Steve
    Maud Côté
    • Serveuse du casse-croûte
    Réjean Bouchard
    • Propriétaire du pawn shop
    Joël Martel
    Joël Martel
    • Employé municipal
    Claude Desjardins
    Claude Desjardins
    • Guy propriétaire steakhouse
    Alexandre Carrier
    Alexandre Carrier
    • Membre du groupe WD-40
    • Direção
      • Sébastien Pilote
    • Roteirista
      • Sébastien Pilote
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários5

    6,9643
    1
    2
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    6
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    9
    10

    Avaliações em destaque

    9Tarracone

    Young female perspective to letting go

    Well crafted movie detailing a young girl's struggle to avoid suffocation in a small town while still being true to herself, relationships and her yet unknown ambition. The legitimacy of violent and destructive action in relationships is tackled here with aplomb and probably no better portrayed than since the water fountain was tossed in One Flew Over The Cuckoo's Nest. Also soundtrack is good with riveting improvisations from the guitar man as well as the WD-40s (what a good name for a band) numbers while use of Crimson and Clover song anywhere seduces me every time.
    2jpgougouh

    Why always so artsy and long and boring, Quebec recent movies

    Another boring movie coming from recent Quebec scene. None of them are shown in mainstream cinema, there a reason for this. My guess is they rely on public funds, and the only remaining deliverer of funds are the government. (numbness, multicultural,etc.)

    Also most of these movies rely on songs that plays, and they let them play almost the whole song...They love when we wait..for nothing. The dialogues are like this too.

    They lack so much in making good scenario that the plague these movies have are all the same, they are slow and boring, and they put songs in them like as if it was some remedy, some sort of patch to patch emptiness, but they are so numb in the brain, they think it works, they think we love to waste our time watching images without words (these little emotions, are the emphasis of all of these kind of movies from Quebec).

    Little emotions, are constant, but without any substantial story For example, she walks a little bit, and not emotions, and then she drink water (...) add a little emotion moment to make it longer. Now she sits, and she wait...add another 2 minutes of emotion (after the waiting) There is no end to this, this is what they want , and this is what we hate. ...Canadian funded movies, by tax payers.

    Images without words....is the main problem with these films in the last 15 years. This is like a plague, boringness is wonderful in their eyes, they love that, they love that so much it's all that is coming out of these movies.

    The slow pace, this is their main concern, slowing the pace. We as viewers dislike that, we hate that. We love when a movie does not have ANY slowing pace in the dialogues Quebec movies are almost all slowing pace in the dialogues, this is SO boring.

    It's like as if they really love drama, more than anything, and even when it's not drama, they slow the pace anyway. Such a waste of time !

    I think what's happening is they lack good ideas, they use boringness as their main motivation.

    Forget that good days when Remi Girard was in the movies, with good dialogues, and with a good pace, these days are gone with this new clan of film makers that plague the Quebec's cinema.
    9Jessais

    A coming of age in a small town

    An extraordinary film with a stunning soundtrack and nuanced relationships complemented by compelling and thought invoking lines. A refreshingly strong and intelligent female lead is provided in the role brilliantly played by the lead actress. This is a coming of age film with a unique and powerful voice. Well worth a watch.
    4raidatlanta

    Good actors and well made, poor script and lack of scenario

    Let's start off with the positive.

    The actors are good. Everyone, in their own roles, play very well.

    Technically speaking, this film is well made, aesthetic, and pleasing.

    Socially speaking, this is a film that does not take place in any large urban center, without bing completely rural, with is a nice change from the two extremes.

    On the down side, the script is horribly poorly written. You can see that the actors made the best of it, but some scenes are so inconsistent that it does make viewing them painful. I found the first scene a very good example of this. I bore with them, but barely.

    On an even "downer" side, I do not see the point of this film. I suppose it's some sort of "coming of age", with symbolic value given to fireflies. But I did not see at all what the point was. Coming of age, but to what age? To do what? And how? I cannot, for the life of me, figure out what the point of this movie is, and what is supposed to come across.

    In my opinion, this movie is very forgettable, and will add nothing to your life, to you, to anything. It doesn't tell any entertaining story, nor it doesn't give you any perspective on anything. This might be a result from, or linked to, the poor script writing.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Conexões
      References De Volta para o Futuro (1985)
    • Trilhas sonoras
      Foolish
      Performed by Ray Bonneville

      Written by Ray Bonneville (as Raymond Bonneville)

    Principais escolhas

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    Detalhes

    Editar
    • Data de lançamento
      • 15 de junho de 2019 (Japão)
    • País de origem
      • Canadá
    • Central de atendimento oficial
      • Official site (Japan)
    • Idiomas
      • Francês
      • Inglês
    • Também conhecido como
      • The Fireflies Are Gone
    • Locações de filme
      • Saguenay, Québec, Canadá
    • Empresa de produção
      • Association Coopérative des Productions Audio-Visuelles (ACPAV)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 245.006
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 51.119
      • 23 de set. de 2018
    • Faturamento bruto mundial
      • US$ 245.474
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 36 minutos
    • Cor
      • Color
    • Mixagem de som
      • Stereo
    • Proporção
      • 1.85 : 1

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