Clube da Mordida

Bit (2019) is a movie that I recently watched on Tubi. The storyline follows a young lady who leaves home and moves in with her brother in Los Angeles. As she adjusts to the big city she encounters four lesbian vampires who turn her and flips her life upside down.

This movie is written and directed by Brad Michael Elmore (Wolfman Pop) and stars Diana Hopper (Goliath), Nicole Maines (Supergirl), Zolee Griggs (Bride Wars), Friday Chamberlain (The Fate of the Furious) and Char Diaz (Mayans).

The cast for this is pretty well selected outside of maybe the villain. The settings and backdrops fit the storyline well. There were some entertaining kill scenes too that reminded me of Indiana Jones and the Temple of Doom. The flashback scenes were pretty good also and funny. The storyline was straightforward and the ending was cliche and as you'd expect.

Overall this is a below average addition to the horror genre that I wouldn't go out of my way to see. I would score this a 3.5/10 and recommend skipping.

Don't let the thinly veiled homophobia, transphobia and misogyny fool you on other reviews...This movie isn't fantastic, doesn't have high production value, but it has an engaging storyline, with an evident sense of humor. People often mistake a point of you, as an agenda... Which is not the case here. It's just a horror/fantasy film from an LGBTQ+ perspective. I enjoyed it, and will probably watch it again.

The first 20 minutes had me worried that this was going to be a stridently anti-man angry feminist film, and not in a good way. (There's a place for those, but not in my teen vampire movies.) However, the tone evens out and the message of the overall movie is much better. Like Lost Boys, this isn't a deep movie, but it's fun, and the soundtrack is good, and we had a lot of fun watching it. There are a few times where the humor didn't quite reach its obvious intent, but overall, it's a good movie.

Serious kudos to the film for hiring a trans actress to play a trans character, but also for making that a minor part of the story, rather than a Very Special Episode. It's just part of the character's background that makes her who she is, and it's handled very well.

(Side note to the Boomers and older Gen-X folks: Like The Chilling Adventures of Sabrina and Daybreak, Bit is made with Millennial/Gen-Z values. In our era, one non-white character and one girl were considered appropriately diverse for any group of otherwise white, male heroes. Movies like Bit, however, speak to the younger generations who live in a much more diverse world and have much different baseline expectations for that. If you find yourself irked by it, try acknowledging that it's not *your* teen years that are being represented. It's okay if movies like this aren't about or "for" us. Letting go of the need to have them be "for" us is the best way I've found to enjoy them for what they are.)

I had no idea about the movie's context until I started watching it. I have nothing against feminism or LGBT plots. I can also clearly see when its usage is good or bad. For example, "Assassination Nation" is awesome, and the latest "Black Christmas" is blasphemous. So when I finished this flick and stuck into the reviews I felt puzzled. The acting is decent, the cinematography is eye-candy, the music perfectly fits (the "Rasputin" part is best), and even some radical points doesn't make me feel guilty of being a man.

"Bit" bites at timely feminist themes and never misses the spot thanks to the lightful and frisky way of storytelling. Its visuals are even better than the "men shouldn't possess power like this, they'll screw it up" message. In the end, "Bit" doesn't take itself too serious and that's how it eventually wins. Definetely worth a watch.

..., You'll get to see Ms Maines performing well, in costumes the Supergirl wardrobe dept can't use for the hero side.

If you came looking for strong plot, deep meaning, or proper horror, this ain't it. It's not dark enough to be scary, or bloody enough to fit in the indie horror league.

On a techniques level, the film is shot, lit, ADR'd, edited and directed at a competent level, there's no jarring lapses in quality of production. It may even be a little too well made to fit the indie scene.

The plot is pretty standard fare, and the script doesn't really push the actors, it's a little too tame in the places where it could, and should have, pushed in to new ground. It errs to the side of caution, even trying to be politically correct, where it could have flipped the tropes and surprised viewers.

It's an easy watch, but not one you'll watch over and over, unless you're a Dreamer fan.