O Gabinete de Curiosidades de Guillermo Del Toro

Guillermo's long-awaited horror anthology series is a bit of a mixed bag, sadly. However I'm a huge anthology TV fan so I found I didn't lose patience with it entirely. Tonally everything is at least interesting, and while the strongest episodes for me (Prior's unbearably tense The Autopsy and Cosmatos's mesmerically specific The Viewing) didn't outstay their welcome, it's clear the main issue here was length. In stories like The Outside and The Murmuring, the drag becomes very real and plots that need only half an hour or less become almost tortuously over extended. Still, the casts are strong (although some of the accents, less so) and there are some decent scares. I hope it gets another series and we get as much variety in the runtimes as we do with the stories.

I really, really wanted to love this series.

Guillermo del Toro has produced some amazing horror, but this is probably not in his top 40%. Things started well, and the first three episodes are great in a non schmaltzy, Creepshow kind of way.

Episode four changed things for me. It was an undeniably female body shaming story, how far will you go to be accepted by the elite. Horror? Probably. And there were a few gratuitous moments with the taxidermy, but, not the main thrust of the story.

Loved Episode 5, based on a H. P. Lovecraft story.

Episode 6 was Okay, Ron Weasley chasing his dead sister into the after life.

Episode 7 was just plain weird, and didn't enjoy. Had a strange '70's vibe. The last episode was a poignant, but ultimately boring. This sneaked in at 6 stars as the good episodes were very good, but really a 50/50 effort.

Guillermo del Toro is it master of visuals. I think of him as the Mexican Tim Burton of horror. He quite often get top a-listers to work for him and his films. But the acting talent and the visuals cannot overcome the terrible screenplays that were put into the show. Unfortunately, his production screenplays haven't been very good for some time. This anthology also doesn't have the best directing talent behind the camera. Many of the dialogue lines are just terribly written. It's not really the actors' fault. It's just the lines provided are bad because we have seen these actors do better work with other film directors. Guillermo del Toro should hire better screenwriters and directors and less on a-listers. The visuals alone don't make great entertainment. You really need a good screenplay to accompany it.

Like Jordan Peele's recent try in a newer Twilight Zone, Guillermo del Toro's Cabinet of Curiosities has good production, cinematography, lighting and on occasion great atmosphere. However, for me, after watching four episodes, each have been bogged down by story and payoff. What the 1950s Twilight Zone did in only 25 minutes was astounding, not that every one was top tier amazing, but still gave a relatively coherent and well done story with interesting characters. In this day and age however, with Netflix and Paramount+ and Amazon Prime, an hour and change is the norm and it just doesn't work and I guess I hoped Toro would avoid this problem.

Every episode has setup upon setup and when it finally does get to the actually meat, there's been so many appetizers I feel full. Or the climax is so short I sit thinking, "Wait, it's over?" Even my favorite so far "The Autopsy" has Toro introduce it, giving away a vital plot point that could have been revealed later on. There's then almost half an hour until we get to said autopsy, wherein when the big twist is revealed has a James Bond villain explanation for the ages (Thanks David S. Goyer, as always).

Not that I'm opposed to world building, character introduction, atmosphere creating tension, but where minutes-watched-algorithms have replaced ratings, 1 hour+ episodes that could be edited down significantly for our enjoyment would be and should be crucial. I'm still rooting for the show, because I love anthologies, but I also know LESS is MORE.

Edit: I've watched the next four and feel they too could have been edited down to avoid redundancy, but Pickman's Model might be the exception. It was a brilliant slow decent into madness that makes Lovecraft so special. After watching all 8 I noticed scenes that could have been combined or characters cut completely. Either way, I still hope there's a season 2.

I give the series and the directors props for great visuals, interesting designs, and interesting backdrops. But nothing else. Many of the stories even though an hour felt long and drawn out. It was as if a 15 or 20 minutes short film was being stretched to an hour.

I am a horror fan, yet I was bored most of the time, with only 1.5 episodes that I either liked or felt complete. The rest seemed like half-baked ideas that the directors could not flesh out. Of the 8 shows, there was 4 that are hard to understand even as the credits roll.

Overall, if you are on the fence about watching this then skis and save yourself 8 hours of your life.