Dois Papas

From the title alone you'd think this is about religion or some kinda propaganda to re-polish the Vatican but it is just not ... It is a two hours of someones life and how change even on the most strict situations can bring progress.

Anthony McCarten wrot an amazing flawless script, I mean in the last five years you'll see his name on Theory of Everything, Darkest Hour, Bohemian Rhapsody and then he brought us this... the directing and visuals ,, and more importantly the beauty of multi sets from Italy to Argentina were all on point.

Now to the cast ... My goodness the duo of Anthony Hopkins and Jonathan Pryce was unbelievable !! the dialogue went like , how can they do this !! you can absolutely sense the level of acting between these two ... It was like a dance ,by the way there was a scene right at the end where they both try to dance tango 😂

Anyway ,, some people will get political and might not like it and probably call it a Hollywood propaganda ,, but it mostly got high review for one reason and one reason only,, because it is a heartwarming story executed brilliantly.

..this was a pleasure to watch. Two exceptional performances which were genuinely deeply moving, framed expertly within the context of the fairly recent selection of the Pope(s). Funny at times and also eye opening as an eduction in traditions and dogma V modernisation and reform of the Catholic Church. Whether you have faith or none at all, this is a truly heart warming, non-sentimental journey in the company of two of Britain's finest actors.

..... how a dialogue-based movie could make me sooo immersed in it, i cried three times during the movie. I am not a Christian but OMG their acting and the camera ..... they're soooooo good you must watch it coz I have no words to describe it!

Being inaugurated as a new pope in the last century must have been a source of enormous pride. But there must also have been a nagging thought... at some point you are going to be paraded, stiff as a board, around your work courtyard before being taken back inside to your place of work and buried there!

All that changed in 2013 when Pope Benedict XVI resigned, the first pope to voluntarily do so since Pope Celestine V in 1294. (Pope Gregory XII also resigned in 1415, but he was effectively forced to).

This movie tells the story of that curious situation, when Cardinal Jorge Bergoglio (played by Jonathan Pryce) ended up as Pope Francis while Benedict (Anthony Hopkins) was still alive. The official reason for the pope's resignation appears to have been his advanced age. But the film paints a rather different picture.

The movie starts back in 2005 as we enter the papal conclave. Benedict (Cardinal Ratzinger, as was) is the highly-political German cardinal who desperately wants the papacy; Bergoglio is the highly respected Argentinian cardinal who doesn't seek the office but might have it thrust upon him. (Clearly, when the white smoke clears, history has dictated the outcome).

But flash forward to 2013 and Bergoglio will get another bite of the cherry. Is he worthy of the role? Through flashbacks we return to Perón's unsettling rule over Argentina and the events that made the man.

The two stars are simply outstanding together, and it's no surprise at all that both have been nominated in the Oscar acting categories. They are almost joint leads. But - perhaps to give the film its best awards-season shot - Pryce is down for Best Actor and Hopkins is down for Best Supporting Actor.

Anthony Hopkins in particular for me shone with the brilliant quietness and subtle facial movements that are the mark of a truly confident actor. Less is more.

I was enjoying this movie enormously up until we flashed back to the Argentinian sub-plot. Set in the time of Perón's "Dirty War" when a huge number of people - estimates range from 9,000 to 30,000 - simply went "missing". There's nothing wrong with this sequence of the film. For example, a reunion of Bergoglio with a persecuted priest, Father Jalics (Lisandro Fiks) - is brilliantly and movingly done. It's just that for me it seemed so disjointed. It was jarring to switch from this Evita-era drama to the gentle drama of the papal plot.

If the movie had been 30 minutes shorter and focused on the mental struggles of Benedict I would have preferred it. Curiously - we don't really get to fully understand his divergence from the faith. Bergoglio gets no end of back-story. But Ratzinger's is probably just as interesting, but not explored.

This is still a really fine movie and will appeal to older folks who like a story rich with character acting and not heavy on the action or special effects. The director is Fernando Meirelles (who interestingly directed the Rio Olympics opening ceremony!) and it's written by Anthony McCarten, the man behind the screenplays for "The Theory of Everything", "Darkest Hour" and "Bohemian Rhapsody".

You may still be able to find this in selected cinemas (e.g. Curzon) but it is also streaming on Netflix, which is where I had to watch it.

(For the full graphical review, please check out One Mann's Movies on the web or Facebook. Thanks).

Much has been made of the brilliance of the two title performers, and deservedly so. Both Hopkins and Pryce are absolutely convincing as German and Argentinean pontiffs who converse in English (conveniently for viewers) as their common language. Each actor is so fresh and alive within the personality of his "character" that I was easily persuaded they may be truer to the souls of these men than the living originals. Not enough credit has been paid to Anthony McCarten, the writer of this complex, layered conversation. It is the kind of dialogue great men wish they had spoken. What courage and skill it takes to undertake such a verbal tour de force. (Imagine if world leaders couldn't hire speech writers. Could Shakespeare's kings and queens really speak as well as he wrote for them?) McCarten has written the scripts for three Oscar-winning actors; isn't it time he was recognized? And Fernando Meirelles is the masterful director who brought all the elements together. This is a renaissance man, adept in many fields, from architecture to cinema--and organic farming as well. He has been nominated for one directing Oscar (for "City of God"), and here he shows his ability to maintain both visual interest and intellectual fascination through two hours of what amounts to an intense, extended talk. That the movie never felt "talky" is a tribute to all four great artists.