Crime em Roubaix

After the screenplay disappointment of Persona non grata (2019) directed by Roschdy Zem and aired very recently in the French movie theaters, Roschdy Zem excels this time as an actor in this thriller/whodunit directed by Arnaud Desplechin. His aura is obvious. Without forgetting three other characters excellently interpreted: his right-hand man (Antoine Reinartz) and two John Doe as strange as shady (Léa Seydoux and Sara Forestier).

The film articulates around the daily life of the police station of Roubaix, in the North of France, between Lille and the Franco-Belgian border. Thus, two local events will occur concomitantly: a banal rape and a coldly abject murder. The film becomes magisterial during the interrogation between the police inspectors and the suspects and then the cross-examination, without necessarily equaling the quality and the intensity of Cidadão Sob Custódia (1981).

As a synthesis: a pleiad of excellent actors in an unaccomplished film.

It may be the most exciting uninteresting film I've ever seen. The use of music and diptych dancing in blue and orange colors seem to be the main character. Something about Zem's relentless persistence also fascinates without anyone understanding why. I'm not a fan of Desplechin, but this film gives us mysteries without ever really unpacking them, with a confidence in the viewer that is becoming rare.

... is superb as the not-very-bright partner of Lea Seydoux in this latest Desplechin opus. The story has holes in it, but the performances of the three leads do not. I've been an admirer of Roschdy Zem for about 20 years and would watch him in anything. His part is the immigrant who made good in the decaying Northern industrial town, and he settles into it well. Lea Seydoux is sort of the iconic actress in France now, and her movies are high quality, even if they don't move me much. It's Sara Forestier who really impressed me; I've seen a few of her pictures, L'amour est un crime parfait and Gainsbourg (vie heroique) in which she had small parts, but now I'll be looking out for her.

Dr Coulardeau's review is an interesting read--he is certainly angry about the superficial way the city of Roubaix is treated--but I'm not interested in the sociology of film, only in the characters.

This boring to death sort of docufiction should be reviewed as a "thriller"? Better don't waste 2 hours of your time, if you expect something like this.

I saw this film before I saw the documentary film that was supposed to "inspire" this film. I say supposed, because an inspiration in my opinion is a starting point that we distort and around which we embroider, outside here it is rather an unassumed remake taking up word by word the documentary film and the details of the sets. Speaking of reality here, not a movie, making it an "identical remake with actresses is morally out of place. When I read the reviews about the script and and the storyline's irrelevance of unrelated business, or the quality claiming the film for an ethical police the arms fall to me. Watch the documentary film by Mosco Boucaut "Roubaix, central police station before criticizing this film, because they were content to do the same again but with actresses instead of real protagnists. Total nonsense ...