Tempestade branca 2: Senhores do tráfico

I saw this for the first time today after freshly remembering the first one. The plot gets tedious n the film is not at all engrossing like its predecessor. There is no likeable or memorable character. The shoot outs n the car chase sequence is badly edited. The film starts like Deathwish 4 but goes downhill. While the first one has good suspense n tension, this one gets boring. The ending is also a meh.

All the leading actors in this movie did a great job. Unlike "The Invincible Dragon (2019)" that turned out to be a nothing-is-right big laughable joke, this movie about the Hong Kong drug cartel on the contrary, turned out to be everything-is-right serious and decent enough to be tagged as a "Pretty Good Movie" in 2019. The screenplay, the scenarios, the plots and the dialog are all quite mature, the casting, the acting, the directing, the stunt as well as the special effect, the editing, and the subtle soundtrack....all of them, one word: GOOD.

Sao Du 2: Tian Di Dui Jue aka The White Storm 2: Drug Lords is a Hong Kong film produced in this year 2019. As much as I've watched Hong Kong films, I find that Hong Kong films are basically for entertainment only. It doesn't have special purpose. But this one is quite different.

What I love of this film is the objective. Drugs are very dangerous and bad. Drugs destroy people and even kill people. So, everyone should stay away from drugs and also authorities should take care of drug lords. I feel like they are the biggest enemies to us like this film shows.

The film is basically fine. As the one who expected to see some action, well, I was a little bit disappointed. All they did was shoot the gun. No fighting. Moreover, it is clearly said the film is in "Action" genre right here on IMDB, but in the film, there wasn't that much action. Thus, if they made it more action, yeah, it'd be better.

I kind of don't like how it ended. It's so sad. I kind of wanted to see some happy ending. And also I feel like they are deliberately stretching the plot to make the film longer and longer. Some of the scenes are so boring and unnecessary. So, yeah, I'd say it wasn't my taste that much.

The only one thing I can't think of is the English title. Why did they give such a title? Because the English title and the contents are not the same. In the other words, it's not the right title. As for Chinese title, I feel like it's quite OK.

Overall is that this film is kind of simple but it really has great objectives. So, I'd say authorities should watch it, so that they could eliminate drug lords (and drugs) to save more people. Hence, it's a fine film.

The raison d'être for this movie is that it showcases Hong Kong's classic film style of drug gang, extensive car chase/wreck, shoot-out, action scenes at an extreme level. So many fight scenes it, at times, was difficult to tell who's bad, who's good, and who's either both or neither. Great at what it was meant to be.

White Storm 2: Drug Lords, has nothing to do with the original. The sequel is interestingly a mixed bag, that probably has something for everyone, though only on a peripheral level. Tin (Andy Lau), begins the film as a member of the Triad, who is ordered by his uncle, the gang's boss, Yu Nam (Ken Chang), to punish his long-time friend of twenty years, Dizang (Louis Koo), who has been pedalling drugs, despite the gang's strictest rules to never touch the stuff. Thus, Tin chooses familial loyalty over his friend, gravely wounding him for his betrayal, and having him exiled from the gang.

Tin and Dizang's brotherhood is merely spoken about, and is never appropriately shown, making this moment not cut as deeply as it could have, though the acting of both leads marvellously propels the drama of this feature forward. Beginning in 2004, the film rushes chronologically through events until reaching the present day, glossing over Tin's achievements in leaving the Triad and becoming a successful businessman and philanthropist. This is seriously underdeveloped, his business being given little depth, while his financial situation is merely used as a plot device. His marriage to business partner, and lawyer, Man Fung (Karena Lam) is also provided no backstory. Their on-screen chemistry is limited to only a few scenes, while her professional duties are rarely glimpsed, the main drama being her battle to conceive, this dizzyingly beautiful actress not provided the screen time she deserves.

Not long into the movie, Tin receives a letter from former lover, Mei (Chrissie Chau), who, diagnosed with terminal cancer, reaches out to him about their son she had in secret, who has turned to drugs. This propels Tin back into the grisly underworld he escaped, which leads him back to Dizang. Koo does a terrifyingly good job at making his character appear psychopathically savage, though for the most part, he is unfortunately forced to portray a pseudo playboy, rather than the intelligent, ruthless mastermind that he is.

Thus begins Tin's battle to bring down the city's biggest drug lords, the film, annoyingly, rarely showing just how involved in this battle he is. Inevitably, his decisions put him at odds, with by-the-book police officer Lam (Michael Miu), who you would occasionally be forgiven for forgetting was even in the movie. With the death of his wife by the hands of drug addicts, and his daughter pleading for him to bring down those responsible, it is amazing that he believes justice will prevail, in a film that continuously shows how unjust society and human-nature can be. The main members of his unit however, Jack (Carlos Wan) and Apple (Michelle Wai), along with their supposed romance, are provided even less detail - if that is at all possible.

The film quickly jumps from one character to another, never giving anyone (exception, the two main leads) enough opportunity to shine, and nowhere else could this be truer than in the film's action set pieces. Here, the editing is as fast as an automatic weapon. True, this intensifies the excitement, with cars performing elaborate stunts and people shooting left and right, though the sporadic nature of the cuts makes establishing who's fighting who; who's pursuing who, and who is dead or dying, difficult to comprehend. It is also disappointing that the leads are seldom seen during these frantic moments, though they are given a fabulous moment together in a uniquely amazing car chase.

The film's drama is slowly built up until boiling point, through a series of melodramatic set pieces, threatening conversations and provocative staring competitions. The film is loud and boisterous, and left me thoroughly entertained, despite the serious lack of development of characters, relationships and agendas. This is a movie with a simple, but effective narrative, that desperately wants to get to its exciting ending, no matter the cost, and if the wild car chases and shoot-outs, and professional chops (and handsome faces) of Lau and Koo can't cut it for you, not much probably will.