Funny Pages

"Funny Pages" is a movie about a boy that decides to leave school, in order to chase his dream to become a professional comic book artist. The trailer is very misleading: I thought that this was going to be some sort of coming of age comedy, with a nice plot. Nothing really happens in one hour and a half: there is no character development, no story evolution and no interesting or useful messages. Some scenes are just messy and poorly directed and the story does not make any sense. The ending is so disruptive and I wondered what was even the point of this film. I could not empathize with the protagonist that for the whole time was just behaving like a spoiled brat, I really hated him. Acting was sloppy, not even Josh Pais, who took part in important projects such as "The Joker ", could not save this mess. Out of this experience, I just understood that the director deeply hates the world of comics. He painted all the fans of this media like losers that do not have any ambition in life. I don't know the comic book industry well, but I am pretty sure that there are many talented and successful artists that have brilliant careers. This stereotypification of the nerd culture is old and pretty annoying. There is not one single person that is normal in this film, they are all social misfits.

I appreciate the fact that A24 is giving the chance to beginner directors to show their work to the world, but I think that there should be a better quality check when they decide to distribute something, because honestly it is becoming harder and harder to justify these awful releases.

Funny Pages is the feature film directorial debut of Owen Kline, son of Hollywood royalty, Kevin Kline and Phoebe Cates. The film is somewhat unique for sure, though I definitely don't see it appealing to nearly everyone. Nonetheless, at the very least, this debut does really show signs of great potential for this young director with talented roots. There really are some great things about this film. I'm already looking forward to his next projects. I certainly encourage all true film lovers to at least check this out.

I'm not sure I feel that this is a coming of age story really, as many seem to say it is. Only slightly. To me, it was basically a dark comedy all the way, and as such, it actually finally ends up working quite well by the end. Though I'd say it does take a while before the film has enough, to really say that it's a good film. I found some of the film fairly dull, definitely, as much of the more intricate aspects of the main character I found pretty uninteresting. Yet at the same time, this aspect and depth actually sets the character and film up for what to me really was a pretty hilarious ending, or the climax just before the ending, anyhow. All in all, I have to say the film is somewhat brilliant, but also extremely off beat and darkly comedic for certain. But laugh out loud dark comedy in at least a couple spots. Near the very end of the film, I literally had a hard time stopping my laughter.

This will divide audiences, but most critics appreciated it, and quite a few loved it. This is certainly not for overly sensitive viewers. I couldn't watch this film many times, but I could see myself enjoying it again in a few years for sure, and I think that it's the kind of film I may appreciate even a little more the 2nd time. However, as said, it's not the kind of film I'd watch many times, or again anytime too soon. I think a good rest, and then a re-watch will do it best. That's just the kind of film it is to me.

I must say I really don't fully agree with the plot summary here on IMDb. For me the plot is more like this...

A somewhat confused, young and creative comic book fan and amateur artist, decides to get close to an odd and overreactive man, that once worked for a comic book production company.

From this point of view, the film is a pretty good dark comedy. From the point of view of the main character coming of age and finding or searching for soul, is really not what I see here. Nor does the film work all that well in this regard. There really isn't much soul in the film at all, other than to laugh at the ridiculousness that life can throw at people, and/or to laugh at the oddness of human life.

Although it took a while before I appreciated the film much, it really did leave me smiling, and acknowledging that it certainly has its own unique charm. That charm however is not exactly warm, but rather a somewhat darkly funny, but also quite relatable to real life kind of charm. The characters here do feel quite real, as funny as they sometimes are. To me, that really helped the film come together and work in the end.

7.5/10.

Look, I can appreciate a bizarre movie. It's weirdness is why I give it the initial 4 stars, but there's not much else I enjoyed about it.

I'm not sure how this movie is considered a comedy, unless you describe it as "less funny haha, more funny peculiar". I'm not sure what anyone could have laughed at here, as it felt like no jokes were made.

We meet a cast of strange characters (or caricatures), but no one seems to make any sense at all. And that's fine, some of the characters are intended to be "unhinged", but even the main character, his parents, and his friend's decisions seem devoid of logic. It's like a slice of life story, except with a boy constantly finding himself in weird situations that he just kind of loafs around in.

The "climax" felt unsurprising (though visually disconcerting). The ending felt like they just got bored filming. Ultimately I don't feel like I gained anything besides a sense of "huh, that was weird and made me a little uncomfortable".

I guess I should have known what to expect after the first 10 minutes.

The grungy "idiosyncratic indie movement" (as one critic called the movement of "new Harmony Korines" that explore the most pitiful lifeforms of America's underbelly), which includes the likes of Sean Baker and the Safdie brothers, now has a new member in the form of Owen Kline and his impressive debut Funny Pages.

It stars Daniel Zolghadri (Tales from the Loop) as Robert, a young man who aspires to be an artist -- specifically, a comic strip artist. It doesn't take place in some past golden age of Sunday funnies, yet it feels like it; much like Spencer and Compartment No. 6, the film is presented through a grainy image that makes it feel remarkably "90s".

I do relate to growing up on the funnies: while others flipped through Spider-Man comics, I read Dilbert, Get Fuzzy, Pearls Before Swine, Bloom County, The Far Side, and whatever else appeared in the Gary Larson magazines my father used to collect. (My grandmother also used to cut out the funnies of our local newspaper, which included the likes of Beetle Bailey and Zits, and staple them together into little books for me and my cousins to read.)

Of course, Robert is more into the R. Crumb stuff. His is a world of Tijuana Bibles and nauseating caricatures, and this includes the people he encounters in real life (who are among the most beautifully grotesque figures in the A24 pantheon).

Also, it contains one of the most blood-curdling screams I've ever heard in cinema and it's not even a horror film. Flanagan, eat your heart out.

Daniel Zolghadri ("Robert") is really quite good in this short drama. He is a budding cartoonist who is arrested breaking into the home of his recently deceased and inspirational art teacher. That all goes away, but the public defender who represented him takes a bit of a shine to his refreshingly candid style of drawing, and that is where he is introduced to another of her clients "Wallace" (Matthew Maher). Here is an interesting fellow. Eccentric to say the least, it transpires that he once worked on comic-book illustrations and so the young man determines to befriend and learn from this man. To be honest, some of the scenarios are a bit far fetched - especially the ones in the pharmacy and in his parents bathroom at Christmas, but for the most part this is an engagingly entertaining mix of the eclectic and the aspirational as seen through the eyes of a seventeen year old man. The production is pretty basic, but at times it is funny. Not laugh out loud, no - but in an observational way that might resonate with many a parent dealing with a teenage child who has all of the answers (but few of the questions). His basement flatmates "Barry" (Michael Townsend Wright) and his rather curious pal "Steven" (Cleveland Thomas Jr) add a quirky element to the already rather surreal plot that meanders all over the place before an ending that is both horrific and funny at the same time as his acne-ridden best mate "Miles" (Miles Emanuel) discovers a new use for a pen-nib! Will he find his soul? Well I'd recommend you watch and find out - it's well worth ninety minutes of your time.