AVALIAÇÃO DA IMDb
5,2/10
13 mil
SUA AVALIAÇÃO
Três melhores amigas embarcam em uma viagem para um show de heavy metal, onde se juntam a três aspirantes a músicos e se dirigem a uma das lojas das meninas para um pós-festa.Três melhores amigas embarcam em uma viagem para um show de heavy metal, onde se juntam a três aspirantes a músicos e se dirigem a uma das lojas das meninas para um pós-festa.Três melhores amigas embarcam em uma viagem para um show de heavy metal, onde se juntam a três aspirantes a músicos e se dirigem a uma das lojas das meninas para um pós-festa.
- Prêmios
- 2 vitórias e 1 indicação no total
Jean-Mathieu Bérubé
- Fireworks Metalhead
- (não creditado)
Nathan Michael Fletcher
- Metalhead
- (não creditado)
Carlo Harrietha
- Headbutting Metalhead
- (não creditado)
Steve Pacaud
- Cool Guy
- (não creditado)
Derek James Trapp
- Metalhead
- (não creditado)
Avaliações em destaque
Wow. I was genuinely surprised at how bad this movie was. I have seen other reviews crediting Alexandra Daddario's performance but I genuinely thought that was one of the worst parts. Without giving anything away, she over acts her heart out and made me cringe multiple times. This on top of a mediocre script, uninspiring plot, and uninteresting characters with no sort of backstory, it leaves a bad taste in your mouth. Stay away from this one unless you really have nothing better to do.
Once again, a terrible plot, worse acting, and seriously bad, over-the-top, trying-too-hard '80s references. Scant, terrible soundtrack. Too much forced, obvious use of Hot Topic T-shirts...
This film was apparently made by people who didn't live in the 1980s, have bad memories of the '80s, or weren't in the "cool kid" club, then.
Dear Everyone trying to reproduce the 1980s:
Just stop it, already. You're ridiculous.
This film was apparently made by people who didn't live in the 1980s, have bad memories of the '80s, or weren't in the "cool kid" club, then.
Dear Everyone trying to reproduce the 1980s:
Just stop it, already. You're ridiculous.
We Summon the Darkness is a partially fun, nonsensical throwback to 80s slasher flicks, albeit with a mild satanic twist. There's really no depth in the writing (by Alan Trezza) here and it's almost like director Marc Meyers fully acknowledges this. They intentionally play to its B-movie strengths (a.k.a cheap thrills) - a death-metal concert backdrop, a bunch of boys and girls who are up for the textbook definition of a good time, and a little (but quite predictable) twist in the tale. However, the film doesn't fully embrace its Grindhouse potential.
The film gives more screen-time to Daddario, Hasson, and Forsyth. Daddario scores in the latter parts while Hasson keeps the sass levels unchecked. The dudes (Austin Swift, Logan Miller, and Keean Johnson) are serviceable at best, while Knoxville (as Pastor Butler) feels miscast. The gore isn't really off-putting; it just adds to the kills. The off-the-hook comedy barely works too; there's an overall feel of a dumbed-down Texas Chainsaw Massacre. The weapons (one of the most important elements in slashers), used to elevate the shock value, are surprisingly the least memorable.
The film gives more screen-time to Daddario, Hasson, and Forsyth. Daddario scores in the latter parts while Hasson keeps the sass levels unchecked. The dudes (Austin Swift, Logan Miller, and Keean Johnson) are serviceable at best, while Knoxville (as Pastor Butler) feels miscast. The gore isn't really off-putting; it just adds to the kills. The off-the-hook comedy barely works too; there's an overall feel of a dumbed-down Texas Chainsaw Massacre. The weapons (one of the most important elements in slashers), used to elevate the shock value, are surprisingly the least memorable.
Definitely NOT set in 1988!! Which irritates the hell out of me...don't give a year if you can't get the costuming & props correct! Johnny Knoxville as a pastor?!! Ya, that's believable. Decent B-movie horror
Was all right, entertaining. Had a twist, Alexandra's acting was good, rest was ok. Johnny is Johnny, never disappoints.
But Blondie's eyebrows were darker than the movie and they were thicker than the plot.
Just saying.
Você sabia?
- CuriosidadesThe parking lot scene was inspired by the documentary short Heavy Metal Parking Lot (1986) about heavy metal fans outside a Judas Priest concert.
- Erros de gravaçãoSome of the one hundred dollar bills seen in a tackle box at approximately 54 minutes are the 2006 design, 18 years in the future of the events depicted in this film.
- ConexõesReferences O Exorcista (1973)
- Trilhas sonorasBlack Funeral
Performed by Mercyful Fate
Written by Kim Petersen & Hank Shermann
Published by Universal Music Publishing MGB Ltd.
On Behalf of Universal Music Publishing MGB Holding
Licensed Courtesy of Metal Blade Records
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- How long is We Summon the Darkness?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Triệu Hồi Bóng Tối
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 60.794
- Faturamento bruto mundial
- US$ 190.760
- Tempo de duração1 hora 31 minutos
- Cor
- Proporção
- 2.39:1
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