Monstros e Homens

Watch "Fruitvale Station" (2013) instead of this rather tedious picture about police brutality. "Fruitvale Station" has got much more gut power and a far better coherent story about police brutality. The problem with "Monsters and Men" is that it force feeds a righteous message about police brutality. Everybody knows there is police brutality, but that fact doesnt make this movie interesting by simply repeating over and over again that the police are bad and that the victims are saints, using violins and soft focus photography. Too many violins at specific scenes felt forced. I dont like it when I get cued to feel sentimental NOW and NOW, because of a sudden overdose of violins and soft focus photography when a dad is playing with his children.

There is no real drama either, which is remarkable because the subject of police brutality has tons of it available, but the director somehow managed to turn this interesting subject of police violence into a somewhat tedious story. It starts out promising, but it is definitely lacking punch in the middle, because suddenly the leading character gets replaced by another and later on by another. Too bad this movie has got a whopping 3 different stories to tell, which only further weakens the power of this already rather slow movie.

Watch the brilliant and shocking "Fruitvale Station" (2013) instead of this slow (soft) surrogate...

There are far too many films that go unnoticed each year and fall by the wayside, being remembered as a little gem of the year that it was released. While Monsters and Men probably won't make any of my must-see lists, it's a shame that this particular movie probably won't find a large audience. It's stories like these that explore the issues we face on a day-to-day basis that never get seen. People ask for movies that they can sympathize with or relate to, but they hardly ever turn out to see them. It's sad to say, but most independent movies don't receive the box office return that they deserve. If you notice Monsters and Men playing in your city and are ready to sit down and witness something raw and true, then here's why I definitely recommend checking this one out.

After resisting arrest, a young man is unarmed but gunned down by the officer anyway. Monsters and Men follows characters during the aftermath of this police shooting and how it affects the lives of others, regardless of whether or not they had been related. The core story revolves around the teenager who filmed the shooting and how it affects him on an emotional level, a police officer who is ridiculed for the way that he chooses to look at the event, and a young baseball prospect, who happens to have a policeman as a father. The way these stories sort of intertwine will either work for you or it won't, but I found this particular story to be incredibly engaging.

Many viewers may be thrown off by the slow pace and long scenes of self-reflection, but I personally found these moments to non-verbally give depth to each of these characters. For instance, the opening sequence of the movie showcases an off-duty cop being pulled over, simply because the colour of his skin didn't sit well with the police officer who pulled him over. This sequence sets the overall message of the movie in motion and his police officer easily became my favourite portion of the film, delivering one of the best speeches I've heard all year. It's quite eye-opening and really makes you think twice about the way news and media manipulate stories on a daily basis.

Where this film started to lose me, however, was in its final few moments. Once the first two acts conclude and every message the film wanted to give has been given, you can clearly see where the film will probably end its run, and it does nothing to deviate from that. The story is the strongest when it's following these characters, but it becomes a very simplistic film by the end. I found myself wondering why the filmmakers chose to end on such an easy note, but it also doesn't hurt the movie in any way either. I was frustrated, solely due to the fact that the performances were terrific and the story progressed so nicely, but it chose to play it safe (possibly to not offend or manipulate any of its viewers).

In the end, Monsters and Men is an upcoming feature film that I don't believe is receiving anywhere near the marketing that it deserves, which is a real shame, due to the fact that it's quite a good film all around. From the quiet moments that build character, to the score that almost becomes its own character, to the continuous messages placed throughout the film, I was engaged from start to finish. There are surely some moments that play it too safe, but this is a very well-crafted story that deserves to be seen by many. I recommend checking it out if it's playing in your area, or even on demand eventually.

If Monsters and Men were a more incendiary testimony to police brutality, as its title suggests, the audience would be fired up to demonstrate in favor of minorities who have been wronged in "stop-and-frisk" injustices. Fortunately, it's not more volatile; it is rather a thoughtful, albeit measured, rumination on racism and inequality.

Debut director, Reinaldo Marcus Green, takes a careful look at an event that sounds like the death of Eric Garner in 2014 Staten Island. In Brooklyn's Bed-Stuy neighborhood, Nuyorican Manny (Anthony Ramos) witnesses an innocent youth murdered by a policeman in an all-too frequent stop of young black men. Manny spends the first part of the film tortured about the right thing to do with his evidence.

In a second of three segments, black patrol officer Dennis (John David Washington) is conflicted between his loyalty to the force and his understanding of how the system does not favor black men. Although he's dropped from the rest of the film, he represents the moral quandary about the injustices and the fact that some characters will not follow the usual clichés of these message-type dramas.

The film doesn't so much as preach, either through voiceover or ponderous character, as it shows the daily indignities of young NYC black men in the white-dominated system that makes justice elusive for him and his peers.

In the final segment of the tryptic, Zyric (Kelvin Harrison, Jr.) is a gifted young athlete forced by his conscience to join the protest against brutality and at the same time jeopardize his future to play pro baseball. Like Monsters and Men, Zyric asks you to join him deciding to do the right thing. Not everyone does.

I was very excited to see this film and it certainly did not disappoint. A film of this kind is as relevant as they come and is up there in the ranks of other films with similar themes this year, such as Blindspotting and Black KkKlansman.

Manny, played by Hamilton's Anthony Ramos, records and looks on helplessly as his friend (who is African American) is shot and killed by the police. The killing has a ripple effect on the community and a plethora of citizens make their voices heard on the matter. Manny is just a family man who is trying his best to get by and provide for his family, but he ultimately puts his future in jeopardy to raise awareness of his friend's death.

John David Washington portrays Dennis Williams, a black police officer who has himself received questionable treatment from other police officers while off duty. He understands people being upset about the police killing, but he also feels that those people don't understand what it is like to be a cop, what it's like "out on the streets." The decision to have a black police officer as one of the lead characters was a great idea, as we get more than just one perspective.

Kelvin Harrison Jr. portrays Zyrick, a young and promising baseball player who decides to get involved in the fight by raising his voice along with so many others. Zyrick's father's desire is for him to reach baseball stardom, to leave the cruel streets behind him and achieve his wildest dreams, to not wind up shot on the streets like the man mentioned. This film is really about three characters and how their lives transpire after the shooting, and Zyrick was probably my favorite.

The ending to this film was the icing on the cake, brilliantly conveyed. There were several scenes in the film that emitted so much power, and the performances were fantastic. This film isn't one-sided and that's what I love about it; you get the story told from a police officer and from people on the other side. If you want to see a human story and a relevant theme told from different perspectives, go see this.

The film starts out well enough, the acting is good and the story nuanced. The starting material and development are powerful, if predictable (nothing wrong with that). Perhaps to counter this, the option was to consecutively follow three different perspectives on the same events, three characters who hardly intersect, each with a clear "role" in terms of message. Although permanently unresolved issues are a key component of the film, in the end for me it felt disjointed due to this, three partial stories not necessarily making up a single great on. But I look forward for more from this director.