Um Amor Após a Vida

10/10? Not a chance. The film starts with a 4 minute monologue from the protagonist Michael (played by Andy Karl) as he sets up his backstory to the audience. This is a critical component of the film, almost a litmus test, because you need to decide right away if your idea of entertainment is having Karl's voice in your ear for the next 2 hours. If not, stop right there. If you are OK with it, then writer/director Harry Greenberger will offer a film which looks and feels more like a stageplay; and, if you get to the end, will offer you some insights on the real nature of LOVE. The entire production screams LOW BUDGET INDIE, suggesting that "Hereafter" (orig. Released as "Faraway Eyes") is more of a watch-on-an-overseas-flight film than anything else. Only Ricci shines -- she literally never gives an uninteresting performance. Those fake 10/10 reviews are demeaning to the production and the audience both.

The plotline was promising and novel: a dysfunctional bachelor must find his soulmate after he's already died. Production values were surprisingly high for this low-budget film. The biggest problem was an amateurish script that was intermittently predictable, redundant and woefully inadequate. The movie would also have benefitted from a male lead with more charisma and authenticity. Christina Ricci was fine.

Sorry fellow reviewers, Christina Ricci was nothing special in this film. The story failed to be consistent, and the ending felt forced.

When the best friend watching nudes is the best part of the movie, you need a better script.

This is a novel concept for a story, when you die you remain in a type of limbo until you find a real soul mate among the other dead "single" people. The problem is the script, it is written by an amateur who has little imagination for interesting dialog. As a result he frequently tosses in disingenuous dialog and vulgar language as if that would make it seem edgy.

The current rating of 5 out of 10 is about right, it is somewhat substandard compared to other movies. But for me the high point easily was Christina Ricci who plays Scarlett, a soul who greets the newly deceased and tells them what their task it.

My wife and I watched it at home, streaming on Amazon. Except for the lackluster script and too much talking during most of the middle, we actually enjoyed the viewing. In fact it has many of the elements of a Hallmark story. The concept, in the hands of a more accomplished script writer, could have been an excellent movie.

Its premise is very accurate about how it feels to find or not find love - like the universe itself is welcoming or rejecting you. A couple of the reviews here call it offensive, the idea that you have to find your soulmate to get to heaven. I think they're shooting the messenger. It isn't fair and that's just like life, if not death.

The execution is ropey. Feels like it could have been better, but was rushed or something, but there are just so many problems. In particular, we know from the moment the guy meets the girl what's going to happen and it's simultaneously a bad resolution and much too easy - and no amount of histrionic running around, of which there's a lot - can hide that.