Holiday

I perfectly understand why the haters hate this movie. I love it for all the same reasons. Some of the scenes will haunt me for months. Thank you for providing me with no answers but simply showing me!

I dont know why this was made, the story line is so shallow its very difficult to describe; I suspect its the story of a sadist's woman. Start middle and end is not evident more like a window a snippet.

I kept waiting for something ANYTHING interesting to happen in this slow walking piece of cinematic dreck. Alas Nothing. Oh wait the heroine gets slapped three times! Not nearly enough for participating in this god awful mess of a film. Someone needs to shred everyones SAG card involved in this. Please don't waste your time here - I only wish I could have mine back. Life is far too short

//Revelation Film Festival Review//

If the six people that walked out during the screening are any indication, Holiday is going to provoke some polarising opinions. It's a tough watch, a film designed to get under your skin and features one of the most graphic rape sequences ever committed to screen. However, what's most shocking about the film is the realism in which everything is portrayed.

The story, in short, is about the terrible things men do to women and that women allow men to do to them. While the plot meanders and never provides any definitive answers, the frustration it elicits is part of the film's effect. It's not for the faint hearted and in the "me too" era, Holiday is definitely going to provoke some fierce conversation. I didn't like the film but it got the exact reaction that it wanted out of me and it's been crawling under my skin for days.

Summary: A tough watch designed to provoke audiences; Holiday has been crawling under my skin for days.

You could describe the "Holiday" of the title as the holiday from hell as gangster's girl, Sascha, (Victoria Carmine Sonne), finds herself in perpetual fear of violence, (sexual and otherwise), from her brutal drug-dealing boyfriend in the gorgeous surroundings of the Turkish Riviera. Since the film was directed by a woman, (newcomer Isabella Eklof), I suppose you could argue it's some sort of feminist take on sexual violence; if made by a man it would be exploitative but being made by a woman it's 'honest'.

Of course, that doesn't make it any less unpleasant and since it's singularly lacking in any real 'plot', it can't really be described as a thriller. On the other hand, Sonne is excellent as the beautiful and unfortunate Sascha and Lai Yde exudes just the right degree of menace as the drugs baron. What story there is basically revolves around Sascha's growing attachment to a guy she meets and whose presence only adds to her problems. What's lacking is any real tension; the people on screen aren't just dislikeable but dull and in the end, all the film has going for it is the scenery.