Uma assassina treinada nas tradições da organização Ruska Roma sai em busca de vingança após a morte do pai.Uma assassina treinada nas tradições da organização Ruska Roma sai em busca de vingança após a morte do pai.Uma assassina treinada nas tradições da organização Ruska Roma sai em busca de vingança após a morte do pai.
- Prêmios
- 1 vitória e 1 indicação no total
Ava Joyce McCarthy
- Ella
- (as Ava McCarthy)
Jung Doo-hong
- Il Seong
- (as Doohong Jung)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
John Wick has become one of the most iconic characters within the last decade and Keanu Reeves kept his popularity with this character after the Matrix franchise. Now John Wick has its own universe and we have got a new character Eve Macarro (Ana de Armas) in this universe that is searching for revenge. The movie is pure action and from the moment it starts until the last second there is only action. Hence, this movie keeps your adrenaline levels high all the time and you will see a lot of gunfights and martial arts as it is in the John Wick movies. Gabriel Bryne's performance is extraordinary and the locations in this movie look absolutely gorgeous. For that reason, I recommend everyone to watch this movie. I will start the TV show of the John Wick universe right after this great movie!
Ballerina checks every box of a John Wick film! It just gives you what you want from these movies - just the coolest stuff every 5 minutes, even after I assumed the John Wick movies left everything on the table with regards to inventive action scenes. It's impressive how John Wick writers keep finding new ways to do combat scenes. Ana de Armas kicks ass in a variety of violent and creative action sequences - grenades, flame-throwers, you name it! All movies should write action like this! Instead of relying on the same bang-bang-bang routine, the filmmakers constantly search for fresh angles - be it through location, weaponry, or method. That's a big reason why John Wick continues to offer the best gunplay in Hollywood.
So yes, Ballerina absolutely delivers on the action, and I had a blast with the fight scenes. But, like most of the Wick films, the story falls short. The revenge-driven plot is serviceable but basic, with flat characters who lack compelling motivations, and a villain who ultimately disappoints. It's the action - not the narrative - that keeps the film alive.
At a certain point, I had to stop watching it critically. Because it's so dumb, and yet so entertaining. I fully admit this is not an ideal situation, and normally I'd be very against this. On many occasions, after giving a negative review to something, someone will say to me, "Oh, just turn your brain off and enjoy it." To that, my response is always, "Well, if it was actually good, I shouldn't have to." Ballerina, however, is somehow both not good and also incredibly good at the same time. It's a mostly brainless, cold, cookie-cutter revenge movie that has so much unfathomable yet enjoyable action in it that the two are completely at odds. How can a film this hollow have action this entertaining? Why is such care devoted to these sequences when the story and emotion are so surface-level? It's bizarre and a little confusing. And yet, without realizing it, I did exactly what I always say not to do - I shut my brain off and had fun. I'm not surprised. I've had to do the same with the other Wick films, and Ballerina fits right in. And, like those films, I still came out leaning positive in the end.
Ana de Armas is a force of nature here, bringing intense physicality and a surprising vulnerability to this scrappy revenge tale. She ensures her character feels just as iconic as John Wick himself. Keanu Reeves has a much larger role than expected, but I appreciated that Wick never fully overtook the film - even if his presence does feel a bit like fan service. That said, I really missed Dan Laustsen's luminous cinematography from the earlier films. The visual identity takes a hit here. Still, the fact that Ballerina works as well as it does is a testament to the foundation that Chad Stahelski and Reeves have built and continue to shape. But when the bar is set this high, it's hard not to notice that this doesn't quite measure up. Even so, this is still everything you could want from a summer blockbuster. It's tons of fun and packed with killer set pieces.
So yes, Ballerina absolutely delivers on the action, and I had a blast with the fight scenes. But, like most of the Wick films, the story falls short. The revenge-driven plot is serviceable but basic, with flat characters who lack compelling motivations, and a villain who ultimately disappoints. It's the action - not the narrative - that keeps the film alive.
At a certain point, I had to stop watching it critically. Because it's so dumb, and yet so entertaining. I fully admit this is not an ideal situation, and normally I'd be very against this. On many occasions, after giving a negative review to something, someone will say to me, "Oh, just turn your brain off and enjoy it." To that, my response is always, "Well, if it was actually good, I shouldn't have to." Ballerina, however, is somehow both not good and also incredibly good at the same time. It's a mostly brainless, cold, cookie-cutter revenge movie that has so much unfathomable yet enjoyable action in it that the two are completely at odds. How can a film this hollow have action this entertaining? Why is such care devoted to these sequences when the story and emotion are so surface-level? It's bizarre and a little confusing. And yet, without realizing it, I did exactly what I always say not to do - I shut my brain off and had fun. I'm not surprised. I've had to do the same with the other Wick films, and Ballerina fits right in. And, like those films, I still came out leaning positive in the end.
Ana de Armas is a force of nature here, bringing intense physicality and a surprising vulnerability to this scrappy revenge tale. She ensures her character feels just as iconic as John Wick himself. Keanu Reeves has a much larger role than expected, but I appreciated that Wick never fully overtook the film - even if his presence does feel a bit like fan service. That said, I really missed Dan Laustsen's luminous cinematography from the earlier films. The visual identity takes a hit here. Still, the fact that Ballerina works as well as it does is a testament to the foundation that Chad Stahelski and Reeves have built and continue to shape. But when the bar is set this high, it's hard not to notice that this doesn't quite measure up. Even so, this is still everything you could want from a summer blockbuster. It's tons of fun and packed with killer set pieces.
If you thought the John Wick universe had peaked, think again - Ballerina pirouettes onto the scene with guns blazing, led by a killer performance from Ana de Armas.
You already know the drill with John Wick films: all gas, no brakes, and on sight. But Ballerina does something slick - it leans hard into Eve (Ana de Armas' character) and redefines what it means to fight like a girl. Spoiler: it doesn't mean holding back.
While John Wick is a surgeon with a gun - all headshots, no wasted motion, like he's got a built-in aimbot - Eve dances to a different beat. Her combat style is scrappier, grittier, and gloriously unconventional. Remember the advice she gets early on? Fight like a girl. And trust, Eve took that to heart - but not the way you'd think. She weaponizes unpredictability: grenades, fire, fists - no kill looks the same. It's a brutal ballet, and she's the prima.
The action is top-tier - you'll get your gun-fu fix - but Ballerina also sneaks in a solid story, giving Eve space to be more than just a shooter. Plus, without spoiling too much, we get a cameo from a certain dog-loving assassin that keeps the Wickiverse connective tissue strong - the kind of storytelling Marvel wishes it could still pull off.
If you're an action junkie, do yourself a favor: catch this in D-Box. You'll be dodging bullets in your seat, vibing with every explosion.
Final verdict: 4 out of 5 stars. Ballerina doesn't just hit - it dances circles around your expectations.
You already know the drill with John Wick films: all gas, no brakes, and on sight. But Ballerina does something slick - it leans hard into Eve (Ana de Armas' character) and redefines what it means to fight like a girl. Spoiler: it doesn't mean holding back.
While John Wick is a surgeon with a gun - all headshots, no wasted motion, like he's got a built-in aimbot - Eve dances to a different beat. Her combat style is scrappier, grittier, and gloriously unconventional. Remember the advice she gets early on? Fight like a girl. And trust, Eve took that to heart - but not the way you'd think. She weaponizes unpredictability: grenades, fire, fists - no kill looks the same. It's a brutal ballet, and she's the prima.
The action is top-tier - you'll get your gun-fu fix - but Ballerina also sneaks in a solid story, giving Eve space to be more than just a shooter. Plus, without spoiling too much, we get a cameo from a certain dog-loving assassin that keeps the Wickiverse connective tissue strong - the kind of storytelling Marvel wishes it could still pull off.
If you're an action junkie, do yourself a favor: catch this in D-Box. You'll be dodging bullets in your seat, vibing with every explosion.
Final verdict: 4 out of 5 stars. Ballerina doesn't just hit - it dances circles around your expectations.
I was so hyped for this movie! I love Ana de Armas and the John Wick series - Sadly the movie makes one gigantic mistake:
The film wants to tell the story of an absolute beginner in this world of killers, but paints her as the ultimate badass after already 20 minutes!
John Wick was a myth and a legend among people, because he had been in the business for 30+ years or something. He learned tricks and moves to become the ultimate killing machine. He wasn't born as a perfect assassin - he made a name for himself and outlived everyone because he became uniquely good at his job!
In this movie we see this absolute beginner beat up around 8 highly trained fighters in her very first mission without a scratch. Yes she was thrown around a bit, which made it more believable and cool, but this level of competence was something she should have achieved by the end of the movie, not already from the start!
It would have been best if her first mission would have been an absolute failure and she would have almost died - this would have created a bit of fear and higher stakes for the upcoming fights in the story!
But in the film she is in the business for 2 months and is already better than (almost) anyone else who has been trained for 10+ years - that's just ridiculous and ruins all the tension. Dude, it even takes a few months to get decent at a regular office job! It leads us as the audience to instantly believe that no matter what happens, she will be fine.
What I want to see in a beginner story is struggle! I want to see that it's extremely hard for the main character to get through everything so that I can relate to the character and get to root for her! Even fighting one single highly trained person would have been enough for the first fight. (You can do a lot of cool stuff for a fighting sequence between just two people - we have seen this in the John Wick series many times.) Just make her a believable person and a relatable character! (If you compare her fight sequences with those of a different character later on you realise that there is barely any difference in the presented skill level between her and that other character, when fighting other people.)
What makes this whole thing even worse is that she is also acting like this cool tough person who knows it all after a few weeks in the business. It would have been nice to add small things like being confused about the check-in process at one of the hitman hotels because she is not yet familiar with this world or some level of self-doubt and insecurities. This woman has never left her home in years! But we don't feel that for a second! "Oh wow, this place is beautiful!" - or some small human touches like that. A bit of curiosity about the world!
A significant part of what made the John Wick series great was the level of damage the main character took on a constant basis - He got stabbed, trown around and had to be stitched together or walked around all bruised up. You could see that John Wick was going through a lot of pain and suffering. You could feel it! In this movie her hair and makeup look always perfect and if she has a little bit of blood on her face she just wipes it off. Upsi!
This movie is a gigantic missed opportunity without tension or emotional involvement with the main character! Some action sequences are good but they are stitched together without love - we just go from one fight to the next and never get to feel anything. And that is the complete opposite of what Keanu's John Wick was all about - We were rooting for the guy to get his revenge for the little puppy and retire from the industry... Here we don't care about anyone.
The film wants to tell the story of an absolute beginner in this world of killers, but paints her as the ultimate badass after already 20 minutes!
John Wick was a myth and a legend among people, because he had been in the business for 30+ years or something. He learned tricks and moves to become the ultimate killing machine. He wasn't born as a perfect assassin - he made a name for himself and outlived everyone because he became uniquely good at his job!
In this movie we see this absolute beginner beat up around 8 highly trained fighters in her very first mission without a scratch. Yes she was thrown around a bit, which made it more believable and cool, but this level of competence was something she should have achieved by the end of the movie, not already from the start!
It would have been best if her first mission would have been an absolute failure and she would have almost died - this would have created a bit of fear and higher stakes for the upcoming fights in the story!
But in the film she is in the business for 2 months and is already better than (almost) anyone else who has been trained for 10+ years - that's just ridiculous and ruins all the tension. Dude, it even takes a few months to get decent at a regular office job! It leads us as the audience to instantly believe that no matter what happens, she will be fine.
What I want to see in a beginner story is struggle! I want to see that it's extremely hard for the main character to get through everything so that I can relate to the character and get to root for her! Even fighting one single highly trained person would have been enough for the first fight. (You can do a lot of cool stuff for a fighting sequence between just two people - we have seen this in the John Wick series many times.) Just make her a believable person and a relatable character! (If you compare her fight sequences with those of a different character later on you realise that there is barely any difference in the presented skill level between her and that other character, when fighting other people.)
What makes this whole thing even worse is that she is also acting like this cool tough person who knows it all after a few weeks in the business. It would have been nice to add small things like being confused about the check-in process at one of the hitman hotels because she is not yet familiar with this world or some level of self-doubt and insecurities. This woman has never left her home in years! But we don't feel that for a second! "Oh wow, this place is beautiful!" - or some small human touches like that. A bit of curiosity about the world!
A significant part of what made the John Wick series great was the level of damage the main character took on a constant basis - He got stabbed, trown around and had to be stitched together or walked around all bruised up. You could see that John Wick was going through a lot of pain and suffering. You could feel it! In this movie her hair and makeup look always perfect and if she has a little bit of blood on her face she just wipes it off. Upsi!
This movie is a gigantic missed opportunity without tension or emotional involvement with the main character! Some action sequences are good but they are stitched together without love - we just go from one fight to the next and never get to feel anything. And that is the complete opposite of what Keanu's John Wick was all about - We were rooting for the guy to get his revenge for the little puppy and retire from the industry... Here we don't care about anyone.
BALLERINA is a visual exhibition to feel the ACTION. Vibrant, frenetic, intense & vengeful, and I'm not just referring to the film, but also to Ana de Armas. An actress capable of anything with an electric aura that will paralyse you into not moving from your seat.
Ana de armas played the role so well. Keanu Reeves as always....his presence in the film is so strong.
OVERALL: It really fits the description "from the world of john wick". With new face de Armas, the John Wick franchise is revitalised with stunning action that feels fresh, not formulaic. Those missing some of that blistering, chaotic John Wick action will definitely find the movie a worthy addition to the franchise.
Ana de armas played the role so well. Keanu Reeves as always....his presence in the film is so strong.
OVERALL: It really fits the description "from the world of john wick". With new face de Armas, the John Wick franchise is revitalised with stunning action that feels fresh, not formulaic. Those missing some of that blistering, chaotic John Wick action will definitely find the movie a worthy addition to the franchise.
Ana de Armas Shares 'Ballerina' Secrets
Ana de Armas Shares 'Ballerina' Secrets
Ana de Armas talks grenade fights, flamethrowers, and a whole lot more about her time on the Ballerina set alongside her co-stars Norman Reedus and Ian McShane and director Len Wiseman.
Você sabia?
- CuriosidadesSecond to last role for Lance Reddick before his unexpected death.
- Erros de gravaçãoThe Range Rover model changes between when the Chancellor is escaping to when he gets shot at by the Ballerina.
- ConexõesFeatures Apertem os Cintos, o Piloto Sumiu (1980)
- Trilhas sonorasThe Four Seasons: Summer 3
(Robot Koch Remix)
Written by Antonio Vivaldi
Performed by Max Richter
Courtesy of Deutsche Grammophon
under license from Universal Music Enterprises
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
In Focus: Ana de Armas
In Focus: Ana de Armas
Take a look at Ana de Armas' incredible journey through the years.
- How long is Ballerina?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Bailarina: Do Universo de John Wick
- Locações de filme
- Hungria(Reshoot locations)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 90.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 51.118.159
- Fim de semana de estreia nos EUA e Canadá
- US$ 24.501.663
- 8 de jun. de 2025
- Faturamento bruto mundial
- US$ 100.818.159
- Tempo de duração2 horas 4 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente