Exclusive: U.S. outfit Monument Releasing is returning to the ‘virtual theatrical’ model with SXSW 2019 Grand Jury winner Alice.
After trialing the release model with Sundance title Pahokee this past week, Monument will release Alice online with theatrical partners in the U.S., Canada, Australia, and New Zealand on May 15. A Tvod release will follow on August 4.
Consumers can buy a virtual ticket from a participating venue of their choice with Monument splitting revenue with theaters.
The film stars French actress Emilie Piponnier in a breakout performance as Alice, who discovers that her husband’s addiction to escorts has left their family penniless. After he abandons them, she becomes drawn into the world of high-end prostitution in order to care for herself and her son. Also starring are Martin Swabey and Chloe Boreham.
The film is written, directed, and produced by Josephine Mackerras and executive produced by Elliot Grove. Festival play also included Rio,...
After trialing the release model with Sundance title Pahokee this past week, Monument will release Alice online with theatrical partners in the U.S., Canada, Australia, and New Zealand on May 15. A Tvod release will follow on August 4.
Consumers can buy a virtual ticket from a participating venue of their choice with Monument splitting revenue with theaters.
The film stars French actress Emilie Piponnier in a breakout performance as Alice, who discovers that her husband’s addiction to escorts has left their family penniless. After he abandons them, she becomes drawn into the world of high-end prostitution in order to care for herself and her son. Also starring are Martin Swabey and Chloe Boreham.
The film is written, directed, and produced by Josephine Mackerras and executive produced by Elliot Grove. Festival play also included Rio,...
- 05/05/2020
- por Andreas Wiseman
- Deadline Film + TV
A fly-on-the-wall documentary about four high school seniors in one of Florida’s poorest towns, Patrick Bresnan and Ivete Lucas’s “Pahokee” might seem poised to embrace the nauseatingly ethnographic nature of some “observational” non-fiction cinema, but. Here, the camera isn’t some kind of impassable divide that invites its subjects to be looked at rather than reckoned with.
Whether filming one of the marquee football games that have made Pahokee Middle-High School into a major pipeline between poverty and the NFL, or catching a moment of quiet resilience between the team captain and his mom, Bresnan and Lucas feel right there in the thick of things. The doc’s static compositions and patient design may invite some obligatory comparisons to the work of Frederick Wiseman, but “Pahokee” is much less interested in the machinations of the town’s educational system than it is in how they impact its students.
Whether filming one of the marquee football games that have made Pahokee Middle-High School into a major pipeline between poverty and the NFL, or catching a moment of quiet resilience between the team captain and his mom, Bresnan and Lucas feel right there in the thick of things. The doc’s static compositions and patient design may invite some obligatory comparisons to the work of Frederick Wiseman, but “Pahokee” is much less interested in the machinations of the town’s educational system than it is in how they impact its students.
- 24/04/2020
- por David Ehrlich
- Indiewire
Despite the existential anxiety surrounding the future of the theatrical experience, 2019 kept buyers busy. While Amazon’s big paychecks for “Late Night” and “Brittany Runs a Marathon” out of Sundnace didn’t exactly yield commercial hits, they started the year off with evidence of an active buyers market dominated by unpredictability — and plenty of more promising results. Sundance also found A24 nabbing “The Farewell” and Neon taking Grand Prize-winner “Clemency”; the company also picked up “Portrait of a Lady on Fire” out of Cannes following a fierce bidding war. At Tiff, HBO flexed some muscle with a shocking $20 million deal for TV-only rights to the Hugh Jackman cheating scandal saga “Bad Education.”
Whatever next year brings — new streaming platforms with their own eager acquisition teams, and stalwarts eager to remind the world they still exist — it’s clear that plenty of entities remain invested in the fight to get good...
Whatever next year brings — new streaming platforms with their own eager acquisition teams, and stalwarts eager to remind the world they still exist — it’s clear that plenty of entities remain invested in the fight to get good...
- 06/12/2019
- por Eric Kohn, Kate Erbland and Jude Dry
- Indiewire
Tribeca Film Institute has selected 14 scripted and documentary projects for the 16th annual Tribeca All Access program which amplifies stories from historically underrepresented voices.
The Tribeca All Access program has supported over 560 filmmakers since it was first established in 2004. It is the Institute’s longest-running filmmaker program. Filmmakers supported by the program include Roger Ross Williams (God Loves Uganda, Traveling While Black), RaMell Ross( Hale County This Morning, This Evening), Natalia Almada (Al Otro Lado), Pacho Velez (The Reagan Show), and Tchaiko Omawale (Solace). Some recent supported films include some of the most critically acclaimed festival favorites including Monsters and Men, Midnight Traveler, Pahokee, Building the American Dream, Selah and the Spades, Whose Streets?, Always in Season and The Unafraid.
This year, The Short History of the Long Road, Stray Dolls and A Woman’s Work: The NFL’s Cheerleader Problem will make their debut at the Tribeca Film Festival...
The Tribeca All Access program has supported over 560 filmmakers since it was first established in 2004. It is the Institute’s longest-running filmmaker program. Filmmakers supported by the program include Roger Ross Williams (God Loves Uganda, Traveling While Black), RaMell Ross( Hale County This Morning, This Evening), Natalia Almada (Al Otro Lado), Pacho Velez (The Reagan Show), and Tchaiko Omawale (Solace). Some recent supported films include some of the most critically acclaimed festival favorites including Monsters and Men, Midnight Traveler, Pahokee, Building the American Dream, Selah and the Spades, Whose Streets?, Always in Season and The Unafraid.
This year, The Short History of the Long Road, Stray Dolls and A Woman’s Work: The NFL’s Cheerleader Problem will make their debut at the Tribeca Film Festival...
- 21/03/2019
- por Dino-Ray Ramos
- Deadline Film + TV
Steeped in the smell of tacos and burning sugar cane, the sights and sounds of Pahokee, Florida, are portrayed with humid specificity in Ivete Lucas and Patrick Bresnan’s documentary — yet its story will be entirely familiar to anyone who is, or was, a small-town teenager yearning for a bigger pond. Taking the form of a cinematic yearbook, documenting the trials of four senior-year students as they seek the most secure path to graduation and beyond, “Pahokee” alternates between Wiseman-style community observation and less detached, more affectionate character portraiture, notably via the subjects’ cellphone video diaries. The result is uneven as a social study, skipping abruptly past certain key local events, but lively and rousing as a generational snapshot, buoyed by the lovable, resilient kids at its heart.
Prior to “Pahokee,” South Florida-based duo Lucas and Bresnan had already make a strong impression on the international festival circuit with a...
Prior to “Pahokee,” South Florida-based duo Lucas and Bresnan had already make a strong impression on the international festival circuit with a...
- 11/03/2019
- por Guy Lodge
- Variety Film + TV
IndieWire’s First-Time Filmmakers Dinner at the Sundance Film Festival, presented by Rimowa, took place on January 28 and introduced a new crop of talent you can expect to see more of in the years to come. “We know that being a first-time filmmaker is something very personal to you, and you’re in the middle of this journey,” IndieWire’s Eric Kohn said at the event. “We get excited to tell the world about it, so we expect to hear more from you down the line. One of the most gratifying things about going to Sundance is coming back and seeing people back here and seeing what you do next.”
Countless filmmakers have gotten their start at the festival, from Quentin Tarantino and Nicole Holofcener to Ryan Coogler and Steven Soderbergh, making it an especially fitting venue for such an occasion.
This year’s dinner began a new tradition in...
Countless filmmakers have gotten their start at the festival, from Quentin Tarantino and Nicole Holofcener to Ryan Coogler and Steven Soderbergh, making it an especially fitting venue for such an occasion.
This year’s dinner began a new tradition in...
- 01/02/2019
- por Michael Nordine
- Indiewire
Julius Onah’s stirring family drama “Luce” has sold to Neon and Topic Studios out of the Sundance Film Festival.
Starring Naomi Watts, Octavia Spencer, Kelvin Harrison Jr., and Tim Roth, the deal was struck for U.S. distribution rights for an undisclosed amount.
“It’s been a real thrill premiering ‘Luce’ at Sundance. After hearing Neon’s passion and excitement for the film, I know there is no better partner. Tom Quinn and his entire team have shown a clear vision for ‘Luce’ with great enthusiasm. I look forward to continuing the journey of this film with Neon and Topic Studios,” said Onah.
The film is an adaptation of Jc Lee’s play. Onah directs and co-wrote the script with Lee. John Baker, Onah, and Andrew Yang produced. Rob Feng and Amber Wang served as executive producers, with Eric Ro as co-producer.
The deal was negotiated by Neon and...
Starring Naomi Watts, Octavia Spencer, Kelvin Harrison Jr., and Tim Roth, the deal was struck for U.S. distribution rights for an undisclosed amount.
“It’s been a real thrill premiering ‘Luce’ at Sundance. After hearing Neon’s passion and excitement for the film, I know there is no better partner. Tom Quinn and his entire team have shown a clear vision for ‘Luce’ with great enthusiasm. I look forward to continuing the journey of this film with Neon and Topic Studios,” said Onah.
The film is an adaptation of Jc Lee’s play. Onah directs and co-wrote the script with Lee. John Baker, Onah, and Andrew Yang produced. Rob Feng and Amber Wang served as executive producers, with Eric Ro as co-producer.
The deal was negotiated by Neon and...
- 30/01/2019
- por Matt Donnelly
- Variety Film + TV
Julius Onah’s thriller Luce has sold to Neon and Topic Studios at the Sundance Film Festival. Both studios have taken domestic rights to the feature, which is based on Jc Lee’s play and premiered Sunday in the U.S. Dramatic Competition.
Luce marks Neon’s fourth acquisition at Sundance this year, having previously taken rights to Alejandro Landes’ cinematic thriller Monos, Veronika Franz and Severin Fiala’s horror film, The Lodge and Abe Forsythe’s Little Monsters.
Luce centers on Amy and Peter Edgar (Naomi Watts and Tim Roth) who adopted their son Luce (Kelvin Harrison Jr.) from war-torn Eritrea 10 years ago. Luce is now an all-star student athlete, beloved by everyone. After a series of encounters with his teacher, Harriet Wilson (Octavia Spencer), questions about who Luce really is begin to emerge. A thrilling psychological drama, Luce addresses such themes as identity, truth, individuality and race. Onah shot the movie on 35mm.
Luce marks Neon’s fourth acquisition at Sundance this year, having previously taken rights to Alejandro Landes’ cinematic thriller Monos, Veronika Franz and Severin Fiala’s horror film, The Lodge and Abe Forsythe’s Little Monsters.
Luce centers on Amy and Peter Edgar (Naomi Watts and Tim Roth) who adopted their son Luce (Kelvin Harrison Jr.) from war-torn Eritrea 10 years ago. Luce is now an all-star student athlete, beloved by everyone. After a series of encounters with his teacher, Harriet Wilson (Octavia Spencer), questions about who Luce really is begin to emerge. A thrilling psychological drama, Luce addresses such themes as identity, truth, individuality and race. Onah shot the movie on 35mm.
- 30/01/2019
- por Anthony D'Alessandro
- Deadline Film + TV
Neon, in partnership with Topic Studios, has acquired the rights to “Luce” starring Naomi Watts and Octavia Spencer.
The drama, directed by Julius Onah, is based on a play by J.C. Lee and was shot on 35mm. “Luce” features performances by Watts, Spencer, Kelvin Harrison Jr, and Tim Roth. The film has garnered rave reviews since its Sundance premiere on Sunday.
“Luce” follows Amy and Peter Edgar (Watts and Roth), who adopted their son Luce (Harrison) from war-torn Eritrea 10 years ago. Now Luce is an all-star student athlete, beloved by everyone. After a series of encounters with his teacher, Harriet Wilson (Spencer), questions about who Luce really is begin to emerge.
Also Read: Sundance 2019: Every Movie Sold So Far, From 'Late Night' to 'The Farewell' (Updating)
“It’s been a real thrill premiering ‘Luce’ at Sundance. After hearing Neon’s passion and excitement for the film,...
The drama, directed by Julius Onah, is based on a play by J.C. Lee and was shot on 35mm. “Luce” features performances by Watts, Spencer, Kelvin Harrison Jr, and Tim Roth. The film has garnered rave reviews since its Sundance premiere on Sunday.
“Luce” follows Amy and Peter Edgar (Watts and Roth), who adopted their son Luce (Harrison) from war-torn Eritrea 10 years ago. Now Luce is an all-star student athlete, beloved by everyone. After a series of encounters with his teacher, Harriet Wilson (Spencer), questions about who Luce really is begin to emerge.
Also Read: Sundance 2019: Every Movie Sold So Far, From 'Late Night' to 'The Farewell' (Updating)
“It’s been a real thrill premiering ‘Luce’ at Sundance. After hearing Neon’s passion and excitement for the film,...
- 30/01/2019
- por Beatrice Verhoeven and Trey Williams
- The Wrap
IndieWire’s annual first-time filmmakers dinner at the Sundance Film Festival, presented by Rimowa, celebrated rising auteurs the night of January 28 at the restaurant Firewood on Main Street in the heart of Park City, Utah. Attendees included Laure de Clermont-Tonnerre (‘The Mustang’), Tayarisha Poe (‘Selah and the Spades’), Noble Jones (‘The Tomorrow Man’), Jocelyn DeBoer & Dawn Luebbe (‘Greener Grass’), Bert & Bertie (‘Troop Zero’), Rhys Ernst (‘Adam’), and Ivete Lucas (‘Pahokee’), among many others.
- 29/01/2019
- por Jude Dry
- Indiewire
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