O Peso do Passado

I seriously do not get half of the reviews about this movie about it not having a plot and being slow or about the editing being confusing. "Destroyer" has a very straight forward plot that is not even using cheap twists but rather telling a straight story in a hypnotic trance way and cutting up the timeline to reveal information at the time the director considered it necessary. I loved Karyn Kusamas "The Invitation" and "Destroyer" is a well made movie, no matter how you look at it. Nicole Kidman carries the movie along with the perfect choice of music that sucks you in and watch the plot unfold. This is not an action movie and if you fell for that its not the directors fault. Its a slow drama about a cop that made wrong decisions and tries to right her wrongs when her past with a bank heist gone wrong gets back to her 17 years later.

I know people today have attention spans like moths but seriously... if you can't accept a slow drama for what it is, that says more about you than about the movie. And come on, its 2019... if you are confused by a non-linear timeline and can't wait till the movie clears up the confusion.... thats on you too.

Don't expect this to be a violent revenge movie... its not. Well, at least its not the focus of "Destroyer", although the movie does not hold back when things go down. The drama elements are well played and the ending was quite touching to me. At its core this movie is about the desperate longing for escape from a cold, grey world and its quite obvious from the choice of locations and flats that always give off a bleak, worn down feeling. Music and cinematography make this work perfectly and the editing helped spice up a rather straight forward plot. If you liked Kusamas previous movies... go for it. The key ingredients of haunting atmosphere and slow unveiling of information to the viewer are there although this is a completely different movie than "The invitation". So don't fall for all the moths swarming IMDB. I can't put my finger on all those silly 1star ratings but honestly, it reeks of gender insecurity.

My grade of B- is all for the A-list Nicole Kidman showing us she can act like Charlize Theron in Monster. Destroyer is her film, and she does her best to show us she can be badass L.A. PD detective Erin Bell with years on her face and chips on her shoulder. It's just that the vehicle for this iconic actress is a middling thriller with a jumbled plot about her being an undercover cop, a heist gone wrong, and her annoyingly disaffected daughter, Shelby (Jade Pettyjohn), for whom Erin suffers much.

Kidman is made up to look like a beaten woman, but we do get a few too many flashbacks to show us how beautiful she was as a young brunette cop with a future. Director Karyn Kusama keeps the camera close on Kidman, as if she were begging us not to forget that underneath some neat makeup beats the heart and face of a super movie star.

Beyond Kidman's overpowering presence, some solid performances emerge, for instance Sebastian Stan as Chris, her loving partner; and Beau Knapp, as the boyfriend Jay no one would want for your daughter. Myriad other minor characters reflect the complex world of LA, real and romantic. It's the best city I know for attractive crime and fetching diversity.

Perhaps the awareness of glamorous Kidman as a squinting Dirty Harry is what steers the film and her performance to mediocrity. This observation may condemn Kidman to playing courtesans and rich mothers, but the reality is that she has over the years crafted an enviable persona relying partly on her unusually good looks. Perhaps this rough detective will allow us to forget that image as she plays in more gritty roles that display, without distraction, a world-class actress.

If you are a Kidman fan (I became one after Moulin Rouge), see Destroyer, which just may pleasantly erase your picture of perfection.

Nicole Kidman is an absolute beast in this movie. Her performance in Destroyer is truly enthralling, and quite frankly, the highlight of the entire picture. She submerges herself in the character both physically and emotionally. You can easily feel her pain and bleak persona. Even her joyous moments- as scarse as they are- were well interpreted by Kidman.

The movie is a fine movie, at least to me, though many don't feel that way. It is a must-see.

Too many back and forth flash-backs throughout the entire 121 min slowly paced convoluted plot does not make for a good film - regardless of Kidman's decent (not great) performance.

Director Karyn Kusama and writers Phil Hay and Matt Manfredi failed to accomplish their vision in creating a captivating film by convoluting simplicity with cliched typical underwhelming directing and writing. Had this films timeline been played out normally, it may have been somewhat entertaining - although the focus was too much on Kidman's character more than anything else. Chopping it with back and forth scenes added nothing more than an annoyance, as there was very little surprise or impact that wasn't already predictable, and the finale was very underwhelming.

The camera work/cinematography was decent, although I would've rather seen less slow-mo and long fixated shots on irrelevant scenes. Had this film's pace been picked up substantially, and edited down to about 90 mins by cutting the convoluted and unnecessary portions out (e.g. skateboarders, walking in the snow, etc), I would have enjoyed it, instead of being left unsatisfied.

A shame the producers focused more on bogus reviews instead of investing in more experienced director/writers equal to Kidman's level. You won't get an A-grade film by hiring A-list actors with B-grade TV-experienced writers and directors.

Sadly it's only a very generous 5/10 from me, and all of that goes to the actors and score which were the only aspects that were stand-out/decent.

Nicole Kidman is the epicenter of this bleak crime thriller in which a veteran LAPD officer confronts her long-ago past in which she was part of an undercover operation aimed at a vicious gang of bank robbers. Here, she gives one of her best performances ever.

Kidman's disheveled look in this film is meant to reflect years of anguish and burn-out, in short the psychological toll of her job. An absolutely desolute view of Los Angeles is seen through her exhausted, but still enraged eyes. Another plot layer deals with her challenging relationship with her teenage daughter who has gone astray. Those around Kidman's character rarely see things her way, but that's because she has a past of her own to resolve.

Recommended as slow-burn material that gradually earns one's respect, even though I think a better editor would have made this a tighter film.