Bloody Axe Wound

This was a very silly movie that parodies slasher flicks that revolves around a slasher dad who has a family business in creates slasher films and owns a film rental store who is trying to groom his adopted daughter to rise up and take over the business and save it before it goes under. It was very campy and corny at times but some parts were entertaining and there was some kind of underlying message about breaking the status quo of being a typical slasher when you start letting your emotions run wild. For what it is, if you're into seeing a mock up flick that pokes fun at slasher flicks while showcasing what it would be like to be the kid of a Jason Voorhees like character then check this one out.

Painfully awful movie with a totally misleading star rating. I am puzzled by this rating in fact. The '90s video rental store(necessary for the storyline it appears) precede the age of 99 percent of the actors within the film. I hear there is some nostalgia for this decade lately but it is certainly overshadowed by the hodgepodge of a storyline and/or screenplay. We have not walked out of a theater in many years but this one has surely earned the distinction.

The dad's makeup and the quality werewolf mask alone do not make a movie. The high school cast must also have been responsible for the ratings it received. Gen Z does it again it appears.

Abigail is the daughter of legendary serial killer (and snuff film maker) Roger Bladekill. When Roger starts to see the effects of age slow him down, he entrusts Abbie to follow in his footsteps - killing teens on video. Upon entering high school to scope out her victims, she encounters friendship and more, snagging her plans of a murder spree. And Dad isn't happy.

Now, that's my synopsis. A good pitch right? If I was a Shudder exec, I would also be putting money behind this. It sounds pretty damn awesome.

Sadly, this falls victim to oh so much. The writing is not coherent in its genre or mood, the characters are given some depth, but it's not delivered right and they still feel 2D, the whole snuff subplot is kinda forgotten for the most part? And something that bothered me to the nth degree: this seems to be set in the 90's, but I'm not sure the costume or set department got the memo.

That bothered me probably more than it should. The 90s have this specific...touch. Taste. Vibe. The clothes used here seem to be repurposed modern day pieces layered to appear grunge-esque. Sam Crane wears a chain as a belt, but it looks like cheap crap bought from Hot Topic. It doesn't look NATURAL. They look like your average current day citizens.

I started noticing corded phones, cassettes, wood-panelled cars, corded headphones, and I realised this is either satirising the popularity of slasher flicks in the 90s or, more likely, supposed to be set in that decade. The integration of old tech didn't make it pass though, too many things were too clean, too cheap, too flimsy, all aspects that are more common to modern day items. This is very specific but it did distract a whole lot, and possibly changed the mood of the whole film.

Most acting is pretty average, with the exception of Margo Anderson-Song, Eddie Leavy, and Billy Burke (yes, Bella Swan's dad in Twilight). These three really seemed to feel their characters. They were much more into it and managed to land their jokes.

That's a whole other problem. The writing. This film doesn't quite know where it wants to sit when it comes to mood. Are we serious? Are we comedic? Are we going into slapstick humour? We can have all of it in one scene, for sure, but the way these bits are written, they mostly fall flat on the floor. It's the sort of jokes where you nod, you don't laugh. You know it's meant to be a joke, but it's terribly unfunny. And it happens every few minutes. It's unbearable. The writers didn't leave time for us to breathe. Just, maybe space the comedy out next time, okay?

I think, overall, I wish there had been a bit of reworking this script before even shooting it. With some changes, it could have even more potential. It might've even been a good film.

I don't think this should be the end for the filmmakers, I do think they clearly have a vision, but it wasn't realised here. Maybe next time.

The premise of this script is hilarious: the adopted daughter of a serial killer is ready to take over the family business. Or thinks she's ready until she falls for the cool girl in biker jacket and lip gloss who is next on the kill list. The nostalgic 80s context was perfect, down to every hairstyle, rattly car, and interaction with cassette technology. Good performances from an appealing and funny cast.

I like how the film cleverly has it both ways. I didn't really want to see adorable, dutiful daughter Abbie Bladecut become a cold-blooded killer, but this is a horror movie after all. So people do have to go in bloody, sometimes hilariously accidental ways. I had to close my eyes several times, and laughed a lot.

I've never seen a film that so nonchalantly asks you to simply accept the ridiculousness of its premise. It doesn't even try to explain the absurdity and implausibility of it all. There isn't even anyone filming these murders? I thought I was losing my mind. After about 20 minutes though I realised the only way to get any enjoyment out of the film was to simply sit back, accept it, and go along for the ride. Even then, it's touch and go whether you'll enjoy it.

The one thing the movie does well, and really its saving grace, is that it creates some likable characters. It's hard to make a young woman who murders innocents for profit into a pleasant character, but the movie finds a way. Also some of the side characters are quite well created. And so while the horror and story may not always be working for you, at least you can fall back on that.

Some of the gore was quite effective and it's a nice and short film. It knows not to outstay its welcome. It's not all bad, but it certainly does require some effort on the audience's part. A generous 5/10.