The Miniaturist

This is an interesting and well acted drama. The directing and writing are also very good. The production values are quite striking because of the fidelity in representing the environment of the time in history that the drama takes place in. Further, while visiting Amsterdam Holland, I was able to visit a museum there that has the centuries old miniature houses that are like the one in this series. I find it interesting that this series could very well be a play, because there is a small cast of actors, and the events take place in mostly indoor settings. There are reviews that suggest that the central female character tends to have a modern woman's sensibilities and view point.

I think it is reasonable to believe that some women, through the ages, were very "modern" in their thinking. In researching the series. It is mentioned in the book that the series is based on. That there is a mystical element to the story, and that does impact the plot of the series. Where some questions aren't answered.

In The Miniaturist, a young woman marries a stranger and finds herself living in a mansion full of mysteries. After her new husband gives her a doll house, a creator of miniatures begins supplying her with prescient gifts for the house.

Looking like a Vermeer painting, full of mystery and portent, gorgeously filmed, with a beautiful sense of period, I loved the first half of this two-parter.

As the series moved into a second half in which the lack of character development became more noticeable, with main characters unexplored and some at-first intriguing characters fading from view, I became less enamored, although the story and style were still compelling.

The greatest disappointment was in the title character. My issue was less the explanation, which was underwhelming yet was a satisfactory reversal of direction, but in the complete lack of explanatory motive that made the core of the series seem like a cheap narrative device.

With no narrative or emotional core, The Miniaturist is a beautiful but hollow experience.

The cast is good and I enjoyed this for the most part, but when it was all over I just had a "that's it?" feeling.

I can't really recommend or not recommend it. It should have been better but overall it's still generally pretty good.

It's as if Rembrandt and Vermeer have come to life. It's an engaging story beautifully told. I could go season 2.

The basic source of seduction for this mini-serie is the atmosphere. As beautiful embroidery of cultural references, from Vermeer and Rembrandt to Victorian Gothic stories. The week point - maybe...atmosphere. More exactly, its pressure who seems transform the characters in clay sillhouettes. In essence, a beautiful adaptation , unrealistic in few points but real seductive for the flavors of a lost time. So, a sort of gem. Maybe not original but aestheticall at whole.

Guess what? There were homosexuals in the 17th century!

It is very interesting reading the reviews for this series as they are all over the place from glowing to downright insulting. What I found a little peculiar was that a few people claim to be so "Deeply offended" and or shocked by the inclusion of scenes depicting homosexual relations between two men. I presume that this is in the original source material and of course is deeply essential to the plotline whether you like the plot line or not. Really in 2018 what is the big deal.? You know your son is not going to turn to be gay if he sees this on TV.