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IMDbPro

Howards End

  • Minissérie de televisão
  • 2017–2018
  • 14
  • 1 h
AVALIAÇÃO DA IMDb
7,2/10
7,1 mil
SUA AVALIAÇÃO
POPULARIDADE
3.163
38
Hayley Atwell in Howards End (2017)
Howards End
Reproduzir trailer2:16
6 vídeos
99+ fotos
Costume DramaPeriod DramaDramaRomance

As divisões sociais e de classe na Inglaterra do início do século XX através da interseção de três famílias, os ricos Wilcoxes, os gentis e idealistas Schlegels e os Basts de classe média ba... Ler tudoAs divisões sociais e de classe na Inglaterra do início do século XX através da interseção de três famílias, os ricos Wilcoxes, os gentis e idealistas Schlegels e os Basts de classe média baixa.As divisões sociais e de classe na Inglaterra do início do século XX através da interseção de três famílias, os ricos Wilcoxes, os gentis e idealistas Schlegels e os Basts de classe média baixa.

  • Artistas
    • Matthew Macfadyen
    • Hayley Atwell
    • Philippa Coulthard
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    7,1 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    3.163
    38
    • Artistas
      • Matthew Macfadyen
      • Hayley Atwell
      • Philippa Coulthard
    • 54Avaliações de usuários
    • 15Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Indicado para 1 prêmio BAFTA
      • 1 vitória e 12 indicações no total

    Episódios4

    Explorar episódios
    PrincipaisMais avaliados1 temporada

    Vídeos6

    Howards End
    Trailer 2:16
    Howards End
    Howard's End: Episode 3
    Trailer 0:25
    Howard's End: Episode 3
    Howard's End: Episode 3
    Trailer 0:25
    Howard's End: Episode 3
    Howard's End: Episode 2
    Trailer 0:28
    Howard's End: Episode 2
    Howard's End: Season 1
    Trailer 2:14
    Howard's End: Season 1
    Howard's End: Episode 4
    Trailer 0:25
    Howard's End: Episode 4
    BUILD: The "Howards End" The Book Influenced The Actors of STARZ 'Howards End"
    Video 1:31
    BUILD: The "Howards End" The Book Influenced The Actors of STARZ 'Howards End"

    Fotos100

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    Editar
    Matthew Macfadyen
    Matthew Macfadyen
    • Henry Wilcox
    • 2017
    Hayley Atwell
    Hayley Atwell
    • Margaret Schlegel
    • 2017
    Philippa Coulthard
    Philippa Coulthard
    • Helen Schlegel
    • 2017
    Alex Lawther
    Alex Lawther
    • Tibby Schlegel
    • 2017
    Joe Bannister
    Joe Bannister
    • Charles Wilcox
    • 2017
    Donna Banya
    Donna Banya
    • Annie
    • 2017
    Tracey Ullman
    Tracey Ullman
    • Aunt Juley
    • 2017
    Bessie Carter
    Bessie Carter
    • Evie Wilcox
    • 2017
    Joseph Quinn
    Joseph Quinn
    • Leonard Bast
    • 2017
    Rosalind Eleazar
    Rosalind Eleazar
    • Jacky Bast
    • 2017
    Yolanda Kettle
    Yolanda Kettle
    • Dolly Wilcox
    • 2017
    Sandra Voe
    • Miss Avery
    • 2017
    Gavin Brocker
    • Crane
    • 2017
    Miles Jupp
    Miles Jupp
    • Percy Cahill
    • 2017
    William Belchambers
    William Belchambers
    • Burton
    • 2017
    Hannah Traylen
    Hannah Traylen
    • Nancy
    • 2017
    Jonah Hauer-King
    Jonah Hauer-King
    • Paul Wilcox
    • 2017
    Julia Ormond
    Julia Ormond
    • Mrs. Wilcox
    • 2017
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários54

    7,27.1K
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    Avaliações em destaque

    7sally-93052

    The trouble with the BBC being PC...

    ...is that they don't put their money where their mouth is and have a lead character played by a racial minority person. Inserting people of color in some of their recent productions is just too obviously done because they have to stick a minority in there somewhere or they will feel the trendy white guilt. It is an insult to anyone with a logical and realistic brain cell in their head why they do this. And although I am sure the minority actors are very happy to have the roles and the money and the exposure, you would think they would feel somewhat put out because they are being used to be tokens of political correctness not because of their talents.
    8alan_hart-80083

    Howards End

    Although I felt the 1992 film was so good that it couldn't be improved on, I found this TV version surprisingly good and the four hours hardly seemed enough to contain all the strands of the story. The acting was perfect, neither overdone nor underdone. As it happens, I live in Stevenage and know the location of Howards End well. The location used was somewhere else of course but I thought it was quite like the original could have been in 1890 when the author would have known it, and perfect for the purposes of the drama. I sympathise with the points people make about black servants and so on, but whether or not these exist in the book, they are certainly quite plausible for the time. The winner for me was E.M. Forster again, as it was in 1992, but I will miss the programme and wish there could be a sequel - perhaps another Passage to India. It's indeed a pity that Forster stopped writing novels so soon, as with his understanding of social mores and change, he would have been a good person to write about the 1930s or 1940s. The last hour was for me a blissful one.
    7TheLittleSongbird

    BBC takes on EM Forster

    Love the book, and EM Forster's other work, and the 1992 film is not only one of the best Forster adaptations it is a wonderful film in its own right. BBC have done a lot of very good to outstanding period drama adaptations and the cast are a talented lot, so a large part of me was really looking forward to their adaptation of 'Howard's End'.

    Watching all four episodes, found myself finding a lot to like about 'Howard's End' (2017) but feeling also it had its short-comings that stopped me from loving it. Of this and the 1992 film, as unfair it would seem to compare, there is no question which is the better one of the two, with the 2017 adaptation lacking the nuanced depth, emotion and elegance of the film.

    There is a lot to like about 'Howard's End' (2017). It is impeccably made visually, with the period detail sumptuous and evocative, stylish costumes, beautiful photography and even more beautiful scenery/locations. The direction is admirably restrained without being pedestrian.

    'Howard's End' (2017) is intelligent and controlled, doing a lovely job exploring Forster's many themes and insights that still hold relevance and provoke thought today (at least to me). Appreciated the subtle, restrained approach to the storytelling, and on the most part keeps the many layers and characterisation interesting.

    Casting is also strong, with the standouts being Hayley Atwell, capturing Margaret's good intentions, spirit and emotional repression with ease, and a movingly poised Julia Ormond. Matthew MacFadyen brings a suitable amount of charisma. A lot of talk has been made about the diversity, this didn't bother me at all and am sure Forster himself wouldn't have been bothered by it, it didn't seem jarring and to me it seems to be something insignificant blown out of proportion.

    On the other hand, as indicated, 'Howard's End' had its shortcomings. The first episode was something of a slow starter, it needed more zest and tighter pacing for an episode that felt more like set up than anything else. Stick with it though, because the other three episodes improve on this when the story and characters become richer and deeper. Timeline changes could have been clearer, sometimes it did feel jumpy and one doesn't know how much time has passed.

    For me, and quite a few others it seemed, the music was a bit too intrusive and the sound could have been toned down. While the cast were on the most part very impressive, Tracy Ullman overdoes it a bit.

    In summary, good but could have been more. 7/10 Bethany Cox
    8annlevtex

    A Worthy Adaptation

    I fell in love with Emma Thompson's portrayal of Margaret Schlegel in the 1990s film version. I loved the film as a whole. But this version is just as worthy, and being a four-hour series, can embrace a larger picture and more importantly, a larger canvas of characters.

    Leonard Bast is central to the plot, but in the film, he was a cipher, a vessel and a canvass for the sisters to paint. I read the book and while women of their class might have seen him that way, I didn't, and I liked that he was given more of a presence and personality. In the film there was no real connection between him and Helen, while in this version, there is one, however tenuous and fleeting. I felt it gave him the respect he deserved, and in doing so strengthened the underlying message.

    I also preferred this version of Henry. Hopkins is brilliant, but to me, Margaret's attraction to him in the film made little sense. No, not even in Edwardian times. She was fierce and self-possessed, he was dull and rigid, and she didn't need his money or stamp of approval. I needed to buy the connection and this version made it breath so much more freely. Not even Emma Thompson can convince me of something unpalatable.

    Some stories just need more time to unfold. Four hours worked well enough, whereas two and half, or even three, didn't. I still love the film version and Helena Bonham Carter is just irreplaceable, but Philippa Coulthard makes a great Helen too People who want to have an issue with Jackie Bast or a few servants or doctors being minorities can fuss away about it all they want. It might be historically unlikely, but it is by no means historically "incorrect" and it shouldn't jar anyone who is paying attention to what matters in the story. If anything it adds to it.

    I loved this version. Kudos to all involved, especially Atwell, Coulthard, McFadyen, and the young actor playing Tibby. Oh, and Ullman. It can be scary to take on a classic that has supposedly been "claimed" by film deities. They did it proud.
    9quotes-3

    Sparkling Performances

    Matthew McFayden and Hayley Atwell just lit up the screen... I thought perhaps the glory days of BBC Sunday night costume dramas had past, but their performances here were wonderful, the control and command of the dialogue was exquisite. A delight.

    I have given 9 out of 10, so I will note that a few minor quibbles: - Some of the plot elements were a bit clunky - It wasn't always clear how much time had elapsed or how much the characters had aged - It felt a little stretched out to episodes

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Hayley Atwell and Matthew McFadyen worked to together in "The Pillars of the Earth" in 2010.
    • Conexões
      Referenced in Honest Trailers: The Oscars (2017) (2017)

    Principais escolhas

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    Perguntas frequentes19

    • How many seasons does Howards End have?Fornecido pela Alexa
    • What is a "protein builder?" In episode 2, Miss Schnegel takes Mr. Wilcox to an avante-garde restaurant where they serve "protein builders" and "reform food."

    Detalhes

    Editar
    • Data de lançamento
      • 8 de abril de 2018 (Brasil)
    • Países de origem
      • Reino Unido
      • Estados Unidos da América
    • Central de atendimento oficial
      • British Broadcasting Corporation (United Kingdom)
    • Idiomas
      • Inglês
      • Alemão
      • Chinês
    • Também conhecido como
      • 霍華德莊園
    • Locações de filme
      • Myddleton Square, Clerkenwell, Londres, Inglaterra, Reino Unido(Schlegels' house)
    • Empresas de produção
      • Playground Entertainment
      • British Broadcasting Corporation (BBC)
      • Starz Originals
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora
    • Cor
      • Color
    • Mixagem de som
      • Stereo

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