Verna

Rape is not about sexual pleasure. It is all about power which is practiced ruthlessly to eliminate freedom of an individual on whom it is applied. In societies like ours where understanding and discussion on forbidden topics are taken as taboos, a rape victim becomes liability and a slave of her or his own fears. This miserable situation is not less than a hell built by our own hands.

Depicting social ailment of rape on silver screen has always been a tricky trade but the way Shoaib Mansoor has shown in form of "Verna" is work of a genius. He has not shown anything but he has unraveled everything. He has not said anything but he has declared everything. Though Shoaib Mansoor slightly touched the sensitive issue of rape in his previous two installments "Khuda Kay Liye" and "Bol" but "Verna" is a blatant reality of existence of rape in our society muddled in dirty politics of elites of our time.

Beautiful Mahira Khan who was in and out of controversy lately not only emancipates but alleviates herself gorgeously with her intense portrayal of a rape victim Sara in "Verna". The kind of performance she has given in "Verna" can easily be compared with Jodie Foster's rape-drama of yesteryear "The Accused". Mahira Khan single-handedly propels the plot albeit Shoaib Mansoor's imagination and input cannot be removed but her magnificent ability of reflecting words with believable emotions is extremely engaging and her main USP.

Debutant Haroon Shahid is surprising revelation. The way he has matched with the acting prowess of seasoned Mahira Khan in intense scenes, it does not feel "Verna" is his first acting assignment. Audience first sympathizes and then hates Haroon Shahid's volatile character as husband of Mahira Khan and this does not seem like a work of a first timer but a matured actor.

Zarrar Khan as powerful, flamboyant and moral-less son of feudal lord and Governor is a sort of character one will love to hate. In one of the scenes in which he orders his servant to drink glass of his mouth-gargled water is jaw dropping. Rasheed Naz as Zarrar Khan's lawyer is amusing and gives few moments of humor in an out and out intense drama like "Verna".

Others actors have done satisfactory job as required by director Shoaib Mansoor. Film's cinematography is phenomenal and gives picturesque quality in every scene. Songs are melodious but grim and do not feel like out of place even supports actual pacing of the film.

On the whole, "Verna" is gripping and hits like a solid punch with an unbelievable climax specially penultimate stages when Mahira Khan's father dies which literally gives Goosebumps. If this latest venture of Shoaib Mansoor is marketed well internationally and proper PR is done then it can emerge as worthy contender for Oscars in 2019. Watch "Verna" it will stun you beyond belief.

The movie had a good topic, something to shout about but delivered a utterly silly plot hole ridden film. A message which got confused in the seemingly endless sub topics, I wish this film was grittier, darker and less imaginary than it was; so that it could connect with people on a deeper social level. This was just glossing over the real message so not to cause controversy, so much could have been done with the initial basic idea.

Shoaib Mansoor's previous two movies were better and actually tackled things head on and confidently made a statement, Verna in comparison was at best extremely watered down.

A little comical at times due to scenes and plots not being developed enough, for what was marked as a serious release.

Pakistani film making has to stop backtracking on things already explored and be smarter about what's being released, and how stories develop.

The focus has always been on the cast and what actor or actress is playing the lead etc. If the emphasis on the importance of which actors are cast is ignored then maybe things will progress.

Verna is one of the best films made in Pakistan. It is bold, intriguing and full of emotions. The film raises some important questions in the society related to politics and men. The film is surely a cinematic brilliance and it needs to be seen by every Pakistani. Shoaib Mansoor has given us another masterpiece after Khuda Kay Liye and Bol. And of course Mahira Khan is best as usual. So, overall, this film is a MUST watch.

ShoMan is back but his movie doesn't match the standards set by his previous movies. Mahira Khan was fantastic with the role of Sara. She acted like a total badass as the script required. The role of Sultan played by Zarar Khan is top notch, he captures the essence of the character perfectly. Haroon Shahid was okay but his character could have been a lot more. The acting by other secondary characters(parents of Sara and Aami) wasn't up to par, their acting in some scenes was laughable. Shoaib Mansoor had a strong topic in rape but he didn't execute it well. Character development was zero for a 155 minutes movie, the characters basically stay the same throughout the movie except Aami which too looks forced. The movie seemed prolonged, adding bits which were unneeded. The good bit was the somewhat accurate portrayal of problems faced by rape victims from family, police and court and Mahira Khan. I had high hopes for this movie, but the script which started good turns into a desi movie crap (lots of songs, sheer stupidity by characters, substandard acting, unfair vengeance).

After single handedly resurrecting Pakistani Cinema , Shoaib Mansoor returned again with a film based on a topic that strongly needed discussion i.e RAPE ,the films starts with a disclaimer that this film is based on pure fiction as reality is unbearable ,and i believe this to be true with a subject so taboo and difficult to talk about that its difficult to make a film on that is engaging, but i think that he succeeded in making this kind of film , that do leave a a lot of questions in one's mind.Direction was spot on Mahira Khan and Zarrar Khan did an excellent job along with the supporting cast ,music and songs were rightly placed , the only issue i have got is with the story,it was good but could have been much tighter. These kind of films need to succeed as they serve a purpose and everyone should support it by watching it.