Chained for Life
- 2018
- 1 h 31 min
AVALIAÇÃO DA IMDb
6,5/10
1,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA beautiful actress struggles to connect with her disfigured co-star on the set of a European auteur's English-language debut.A beautiful actress struggles to connect with her disfigured co-star on the set of a European auteur's English-language debut.A beautiful actress struggles to connect with her disfigured co-star on the set of a European auteur's English-language debut.
- Prêmios
- 5 vitórias e 7 indicações no total
Avaliações em destaque
A movie about making a movie, and more.
One of our two main characters has the genetic disorder - neurofibromatosis. So, kudos to both, Pearson & Weixler, for their commitment & skill in presenting a thoughtful script.
Movie statements: "Disfigurement - they taunt me and beg me to show my face. Only so that when I do, they turn away in horror." "Do we long for beauty because we seek order & symmetry?"
MY thoughts: One thematic goal was reducing stereotyping in film. Another theme was - should a disabled or disfigured character be played by a non ... Yet, oddly, in this film, the Siamese twins portrayed were not joined; just twins. Another theme - is it vanity putting on make-up to feel pretty? Still another (and I really question) - "Actors that are beautiful have a greater range of expressiveness which gives them more opportunities, and we love to look at them."
One of our two main characters has the genetic disorder - neurofibromatosis. So, kudos to both, Pearson & Weixler, for their commitment & skill in presenting a thoughtful script.
Movie statements: "Disfigurement - they taunt me and beg me to show my face. Only so that when I do, they turn away in horror." "Do we long for beauty because we seek order & symmetry?"
MY thoughts: One thematic goal was reducing stereotyping in film. Another theme was - should a disabled or disfigured character be played by a non ... Yet, oddly, in this film, the Siamese twins portrayed were not joined; just twins. Another theme - is it vanity putting on make-up to feel pretty? Still another (and I really question) - "Actors that are beautiful have a greater range of expressiveness which gives them more opportunities, and we love to look at them."
Where MASK and ELEPHANT MAN were predictable, feel good movies, this one, like Todd Browning's FREAKS, really gets close to reality. The movie blurs the difference between documentary and fiction in unsettling ways.
A unique film that acts to comment and critique the audiences biases. Technically speaking the film is excellent, with unique shots that fulfill a larger purpose. They didn't film a scene a specific way because it looked good, but because it fit the narrative, or was trying to make the audience as uncomfortable as the actors.
The story is simple and i was there was more meat on the bone, at points it felt like it drifted off focus, and the conclusion felt rushed and underdeveloped. Ultimately the film acts to break down and critique how "abnormal" people are viewed by society and treated in the film industry. It does an excellent job directing this message to the audience, if you pay attention you will understand what the director is saying about our behaviour towards the "abnormal".
Unfortunately i think the movie was held back by some unconvincing performances by Jess Weixler and Stephen Plunkett. Their dialogue felt unnatural and as if they were reading directly off a script. Every other actor did a fine job, especially Adam Pearson, who delivered a stunningly charged performance during a car scene in particular (no spoiler).
I would recommend this film to anyone interested , it could challenge your world view.
The story is simple and i was there was more meat on the bone, at points it felt like it drifted off focus, and the conclusion felt rushed and underdeveloped. Ultimately the film acts to break down and critique how "abnormal" people are viewed by society and treated in the film industry. It does an excellent job directing this message to the audience, if you pay attention you will understand what the director is saying about our behaviour towards the "abnormal".
Unfortunately i think the movie was held back by some unconvincing performances by Jess Weixler and Stephen Plunkett. Their dialogue felt unnatural and as if they were reading directly off a script. Every other actor did a fine job, especially Adam Pearson, who delivered a stunningly charged performance during a car scene in particular (no spoiler).
I would recommend this film to anyone interested , it could challenge your world view.
Besides the tremendous performance from Jess Weixler this film is absolutely atrocious. It was all over the place and made no sense whatsoever. I was completely lost and had no idea what was going on the entire film. I still don't know what the hell I just watched. Would not recommend.
This must have been an immensely enjoyable film to make, once they'd worked out what piece of cinema or film they were actually trying to conjure - a little bit all over the place, to say the least, but as original a proposition as you've likely encountered for some time - with the main premise established on cultural prejudice and discrimination to difference. It uses those who lack the symmetry of societal expectations of beauty, by several standard deviations in this case, to reaffirm that differences are only skin deep but those physical attributes are shackled to the individuals psychology, as well as societal norms, whose end result is to imprison them without bars for most, if not all of their lives - akin to living in an open prison or asylum for a crime or crimes you didn't commit.
Você sabia?
- CuriosidadesCharlie Korsmo's first acting part in twenty years since Can't Hardly Wait (1998). He received his undergraduate degree in physics from MIT in 2000, and his JD (law degree) from Yale in 2006; as of 2024 he is a professor at the Case Western Reserve University School of Law. His only other acting role subsequent to this was in 2024's A Different Man, also directed by Aaron Schimberg and starring Adam Pearson.
- Trilhas sonorasThe Rest Is Advertising (Harp Prologue)
Written by Nora Linde & Aaron Schimberg
Performed by Nora Linde
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- How long is Chained for Life?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 17.431
- Fim de semana de estreia nos EUA e Canadá
- US$ 7.415
- 15 de set. de 2019
- Faturamento bruto mundial
- US$ 17.431
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What is the Brazilian Portuguese language plot outline for Chained for Life (2018)?
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