Lu está Livre

A mixture of delightfully refreshing and painfully stale, Lu Over the Wall is a film that shows flashes of greatness but never really comes together as a definitively above-average film. Just like its lead character, Kai, Lu Over the Wall spends a lot of its time going through the motions. While much of this movie is uniquely displayed from a visual standpoint, most of what's being conveyed is an obvious plot-line told through point-blank dialogue & characterizations. Simplicity is sometimes to be expected from cartoons but Lu Over the Wall plays its narrative hand so plainly that it may have its viewers bored before the halfway point.

The playful direction and cinematic choices of this movie may help hold the attention of its viewers but, due to Lu Over The Wall's meandering pace, I would not be surprised if some will be eager for the ending. There is beautiful, frightening and humorous imagery in this movie and enough overall quality that I would say the film was an enjoyable experience. But there is also enough fat along the way that I won't be eager to experience it again. In the end, Lu Over the Wall's combination of ancient folklore, modern music and striking images gives it a special feel that is, unfortunately, overshadowed by its limited script.

Writing: 5/10 Direction: 7/10 Cinematography: 8/10 Acting: 7/10 Editing: 6/10 Sound: 7/10 Score/Soundtrack: 7/10 Production Design: 7/10 Casting: 7/10 Effects: 8/10

Overall Score: 6.9/10

This is a very cute film... over the top cute to be honest. The story line is decent if a little stretched. Children will love it, adults will likely find it endearing. It is not particularly exceptional in any aspect-- animation, story or production, but certainly worth a watch. For some it will seem too "silly", but others will find it to be a lot of fun. It's a good morality play about accepting those who are different, looking at life in a positive manner, and hope. The weak ending might be a bit disappointing but can be forgiven. All in all a decent film for younger ones.

This was cute and nice to look at, the style was innovative. However it often felt like a direct rip on Miyazaki's 'Ponyo'. Many of the plot points and visual concepts in the details all are too similar to those in Ponyo. From the broken english Lu has, coming from the ocean, obsessed with boy on land, loves food after discovering it, etc. it's a little too blatant. But to be fair, Miyazaki set the bar pretty high and many anime that come out these days are clearly inspired by his work, but there were just too many coincidences to not make one notice the similarities in this film. Even with that said, it was still enjoyable, sweet, and cute.

My first exposure to feature-length anime, Lu Over the Wall made me gasp at the level of imagination that has gone into its creation where a lonely, taciturn boy finds a companion in a mermaid who has special powers and who changes her appearance a little when exposed to human music. The animation is top-notch and so is the storytelling which tries to relate with social issues such as xenophobia (?) and others that we as a whole are currently grappling with. Lu Over the Wall is funny, uplifting, and delightful. TN.

(Watched and reviewed at its India premiere at the 3rd Japanese Film Festival of India in Mumbai.)

This was a fun movie, with infectious music. It taps in to what seems to be a running theme of modern industrailzied Japan making war on its traditional spirits, kind of like in Summer Days with Coo. It also features mermaids, who have an exuberance like Ponyo, but less child-like, and more adolescent-angsty.